Follower of Peter Monamy
THE FIRST RATE 'BRITANNIA' COMING TO AN ANCHOR, HER ARRIVAL GREETED BY THE CUSTOMARY SALUTE AND HER COMMANDER BEING ROWED ASHORE IN HIS BARGE
oil on canvas
Attributed to Friedrich Brentel
LAUINGEN 1580 - 1651 STRASBOURG
A STAG HUNT
16.4 by 24.3 cm.
Attributed to Pierre Antoine Mongin
PARIS 1761/2 - 1827 VERSAILLES
VIEWS OF PARKS NEAR PARIS
Quantity: 2
a pair, both gouache on paper
Attributed to Pierre Antoine Mongin
PARIS 1761/2 - 1827 VERSAILLES
VIEWS OF PARKS NEAR PARIS
Quantity: 2
a pair, both gouache on paper
Attributed to John Inigo Richards
1731 - 1810 LONDON
VIEW OF SADLER'S WELLS
oil on canvas_43 x 63 cm.
Isaac van Oosten
Antwerp 1613 - 1661
A STAG HUNT
The Master of the Langmatt Foundation Views (Apollonio Domenichini)
ACTIVE IN VENICE DURING THE SECOND AND THIRD QUARTERS OF THE 18TH CENTURY
VENICE, A VIEW OF THE PIAZZETTA LOOKING OUT TOWARDS THE BACINO DI SAN MARCO
oil on canvas
Paul Bril
ANTWERP CIRCA 1554 - 1626 ROME
FIGURES IN A LANDSCAPE WITH RUINS
oil on copper
20.3 by 25.7 cm.
Johannes Janson
AMBON 1729 - 1784 LEIDEN
A VIEW OF HOGEWOERD CITY GATE, LEIDEN, WITH FIGURES ON THE BRIDGE AND A SHEPHERD WITH HIS FLOCK
Franz de Paula Ferg
Vienna 1689 - 1740 London
A LANDSCAPE WITH FIGURES RESTING NEAR CLASSICAL RUINS
Workshop of Jacob Symonsz. Pynas
Haarlem 1592/3 - circa 1650 Amsterdam(?)
THE FLIGHT INTO EGYPT
Herman Saftleven
ROTTERDAM 1609 - 1685 UTRECHT
TRAVELERS BY A RIVER WITH RUINS ABOVE, AN EXTENSIVE LANDSCAPE BEYOND
Circle of Jan Baptiste Huysmans
LANDSCAPE WITH HUNTERS
oil on canvas
William James
ACTIVE 1730-1780
THE MOLO, VENICE: LOOKING WEST TOWARDS THE DOGANA AND SANTA MARIA DELLA SALUTE, THE BIBLIOTECA MARCIANA RIGHT
Peter Monamy 1681-1749
A BRITISH MAN-OF-WAR AND OTHER SHIPPING IN A CALM
Jan Frans van Bloemen, called l'Orizzonte
ANTWERP 1662 - 1749 ROME
AN EXTENSIVE LANDSCAPE WITH FIGURES SEATED BENEATH A RUINED CLASSICAL TEMPLE, A CAPRICCIO VIEW OF THE COLOSSEUM AND THE OCEAN BEYOND
Adriaen Pietersz. van de Venne
DELFT 1589 - 1662 THE HAGUE
AN EXTENSIVE LANDSCAPE WITH PRINCES MAURITS AND FREDERIK HENDRIK NASSAU IN A CARRIAGE AND OTHER ELEGANT TRAVELLERS PASSING A RIVER, A HUNTSMAN IN THE LEFT FOREGROUND AND THE TOWER OF THE GROTE KERK BEYOND
Follower of Giovanni Antonio Canal, called Canaletto
VENICE, A VIEW ALONG THE RIVA DEGLI SCHIAVONI LOOKING WEST WITH THE DOGANA AND THE CHURCH OF SANTA MARIA DELLA SALUTE IN THE DISTANCE, AND THE CHURCH OF SAN GIORGIO MAGGIORE AT THE EXTREME LEFT
oil on canvas
Carlo Bonavia
ACTIVE IN NAPLES DURING THE SECOND HALF OF THE 18TH CENTURY
VIEW OF A HARBOR AT DAWN, WITH FISHERMEN ALONG THE PORT IN THE FOREGROUND
Carlo Bonavia
VIEW OF A HARBOR AT DAWN, WITH FISHERMEN ALONG THE PORT IN THE FOREGROUND (Detail)
Roman School, 18th Century
A RIVER LANDSCAPE WITH FIGURES RESTING ON ROCKS IN THE FOREGROUND
Quantity: 2
a pair
Roman School, 18th Century
A RIVER LANDSCAPE WITH TRAVELLERS RESTING ON ROCKS IN THE FOREGROUND, A TOWN BEYOND
Quantity: 2
a pair
Thomas Patch
EXETER 1725 - 1782 FLORENCE
A VIEW OF THE RIVER ARNO WITH THE PONTE ALLE GRAZIE, FLORENCE
Attributed to Lucas van Uden
ANTWERP 1595 - 1672
AN EXTENSIVE LANDSCAPE WITH A VIEW OF THE CHATEAU DE MALE
oil on canvas
102.5 x 189.5 cm.
Peter van de Velden
Antwerp 1634 - circa 1730
ENGLISH AND DUTCH SHIPPING AT ANCHOR BEFORE AN ENGLISH FORT
Pieter Neefs the Elder
ANTWERP 1578 (?) - 1656/61
THE INTERIOR OF A CATHEDRAL WITH AN ELEGANT COMPANY BEING GREETED BY ANOTHER GENTLEMAN
signed upper left: PEETER/ NEEffs
oil on canvas_50.2 by 64 cm.
Studio of Jan Brueghel the Younger
ANTWERP 1600 - 1678
SAINT FRANCIS BLESSING THE ANIMALS
oil on canvas
33.8 x 44.8 cm
Klaes Molenaer
Haarlem 1630 - 1676
A VIEW OF THE BEACH AT SCHEVENINGEN WITH FISHERMEN SELLING THEIR CATCH
Follower of François de Nomé called Monsù Desiderio
AN ARCHITECTURAL CAPRICCIO OF ROMAN RUINS WITH THE FLIGHT INTO EGYPT
Quantity: 3
oil on canvas
46 by 57 cm
Philippe Jacques de Loutherbourg
STRASBOURG 1740 - 1812 LONDON
VIEW OF HARLECH CASTLE, WALES
Jean-Victor Bertin
PARIS 1767 - 1842
ITALIANATE MOUNTAINOUS LANDSCAPE WITH A SHEPHERD AND CATTLE CROSSING A RIVER
Johannes Janson
AMBON 1729 - 1784 LEIDEN
A DROVER WITH LIVESTOCK BY A CHURCH AND A RIVER
Pieter Neefs the Elder, Frans Francken the Younger
ANTWERP 1578 (?) - 1656/61
THE INTERIOR OF A GOTHIC CATHEDRAL WITH ELEGANT FIGURES STROLLING AND OTHERS ATTENDING A MASS
Jules-Romain Joyant
PARIS 1803 - 1854
VIEW OF THE GRAND CANAL, VENICE, LOOKING SOUTHWEST
oil on canvas
Attributed to Jan Jacobsz. van der Stoffe
LEIDEN 1610/11 - 1682
A CAVALRY SKIRMISH
oil on oak pane_l45.3 x 58.4 cm.
Bernardo Bellotto
VENICE 1722 - 1780 WARSAW
VENICE; VIEW OF THE GRAND CANAL WITH THE RIALTO BRIDGE, SEEN FROM THE NORTH, THE FONDACO DEI TEDESCHI AT LEFT, THE PALAZZO DEI CAMERLENGHI AND THE FABBRICHE VECCHIE DI RIALTO AT RIGHT
oil on canvas
Johannes Janson
Ambon 1729 - 1784 Leiden
A VIEW OF A CANAL WITH BOATS BY A VILLAGE AND A SHEPHERD WITH HIS CATTLE ON A PATH
Quantity: 2
a pair
Johannes Janson
Ambon 1729 - 1784 Leiden
AN EXTENSIVE LANDSCAPE WITH A WOMAN MILKING A COW, WITH CATTLE AND HORSES IN A MEADOW, A MILL IN THE DISTANCE
Quantity: 2
a pair
John Wootton
SNITTERFIELD, WARWICKSHIRE CIRCA 1678 - 1764 LONDON
A WOODED CLASSICAL LANDSCAPE WITH FIGURES RESTING IN THE FOREGROUND AND BATHING IN THE RIVER, A TOWN BEYOND
Jan Frans van Bloemen, called l'Orizzonte
ANTWERP 1662 - 1749 ROME
AN ITALIANATE LANDSCAPE WITH FIGURES IN THE FOREGROUND, A HILLTOP TOWN BEYOND
oil on canvas
99 x 138.4 cm.
Серия сообщений "Архитектурный, классический пейзаж \5\":
Часть 1 - Фламандский живописец-пейзажист Теобальд Мишо (Theobald Michau (Micho), 1676-1765, Flanders) \1\
Часть 2 - Фламандский живописец-пейзажист Теобальд Мишо (Theobald Michau (Micho), 1676-1765, Flanders) \2\
...
Часть 5 - Французский художник-пейзажист Чарльз-Франсуа Гренье де Лакруа (Charles-Francois Grenier de Lacroix (Lacroix de Marseille), ca. 1700-1782) \1\
Часть 6 - Французский художник-пейзажист Чарльз-Франсуа Гренье де Лакруа (Charles-Francois Grenier de Lacroix (Lacroix de Marseille), ca. 1700-1782) \2\
Часть 7 - Пейзаж в живописи Старых Мастеров (аукцион Sotheby's) \23\