Àíòóàí, èëè Àíòîí Ìèðî (Antoine, or Anton Mirou; 1578, Àíòâåðïåí – 1621/1627, Ôðàíêåíòàëü) – ôëàìàíäñêèé ïåéçàæèñò Çîëîòîãî âåêà øêîëû Ôðàíêåíòàëÿ.
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Anton Mirou (1578–1621/1627)
Extensive Landscape with the Rest on The Flight into Egypt
first half of 17th century
oil on copper 21 cm õ 30 cm
Private collection
Ïåéçàæ ñ îõîòíèêàìè
(Landscape with hunting party)
47 õ 63_ìåäü, ìàñëî
×àñòíîå ñîáðàíèå
Ñûí àïòåêàðÿ-êàëüâèíèñòà Àíòîí Ìèðî â ñîîòâåòñòâèè ñ ÐÊÄ ïåðååõàë ñî ñâîåé ñåìüåé â Ôðàíêåíòàëü â 1586 ãîäó. Â 1602 ãîäó æåíèëñÿ íà Ñþçàííå. Ïîñëåäíèé ðàç óïîìèíàåòñÿ â 1627 ãîäó.
Ñåðèÿ ñîîáùåíèé "Øâåéöàðèÿ":
×àñòü 1 - Æåíåâñêîå îçåðî - áèðþçîâîå çåðêàëî Øâåéöàðñêèõ Àëüï
×àñòü 2 - Î Øâåéöàðèè
...
×àñòü 38 - Lucerne Switzerland 4K
×àñòü 39 - Zermatt in 4K, (Öåðìàòò, Øâåéöàðèÿ)
×àñòü 40 - Âåíãåí àí Ïðèìàâåðà - Øâåéöàðèÿ
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Ñåðèÿ ñîîáùåíèé "Õðîíèêè ìîñêîâñêîãî áûòà":
×àñòü 1 - Áåçäåòíûå çâåçäû. Õðîíèêè ìîñêîâñêîãî áûòà
×àñòü 2 - Ðîæäåíèå ãëàìóðà. Õðîíèêè ìîñêîâñêîãî áûòà
...
×àñòü 44 - Äîçà äëÿ ìàæîðà. Õðîíèêè ìîñêîâñêîãî áûòà
×àñòü 45 - Íåäåòñêàÿ ðîëü. Õðîíèêè ìîñêîâñêîãî áûòà
×àñòü 46 - Ïåðâàÿ äðåâíåéøàÿ. Õðîíèêè ìîñêîâñêîãî áûòà
Laszlo Neogrady

Ëàñëî Íåîãðàäè (Laszlo Neogrady) (1896-1962). Ëàñëî ðîäèëñÿ â Áóäàïåøòå, Âåíãðèÿ, áûë ñûíîì õóäîæíèêà Àíàòàëà Íåîãðàäè (Anatal Neogrady), èçó÷èë æèâîïèñü â âåíãåðñêîé Àêàäåìèè Èñêóññòâ.
Ñ 1922 ãîäà Ëàñëî ïîêàçûâàë ñâîè ðàáîòû â âåíãåðñêîé Õóäîæåñòâåííîé ãàëåðåå. Îí ñïåöèàëèçèðîâàëñÿ íà ïåéçàæàõ, ìíîãèå èç êîòîðûõ èçîáðàæàëè çàñíåæåííûé ëåñ. Ëàñëî Íåîãðàäè ïèñàë ïåéçàæè â òåõíèêå èìïàñòî.
Åãî ðàáîòû âûñîêî öåíÿò è õðàíÿò â ÷àñòíûõ êîëëåêöèÿõ âî âñåì ìèðå. Íàëîæåíèÿ êðàñîê ãóñòûì ñëîåì ñîçäàåò ïî÷òè òðåõìåðíûé ýôôåêò â ðàáîòàõ õóäîæíèêà.

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Êðèòèêè è ïî÷èòàòåëè íàçûâàëè Ñåðãåÿ Åñåíèíà «êðåñòüÿíñêèì ñûíîì» è «ïåâöîì èç íàðîäà». Ñàì æå îí òÿãîòåë ê âûñøåìó îáùåñòâó, èçîáðàæàë èç ñåáÿ àðèñòîêðàòà, íîñèë àíãëèéñêèå êîñòþìû, îáîæàë ìîäíûå âåùèöû, äîðîãîé ïàðôþì, íî ïðè ýòîì ïðåçèðàë ëþäåé èç âûñøåãî îáùåñòâà â ëó÷øèõ äåðåâåíñêèõ òðàäèöèÿõ. Ê óñïåõó îí ø¸ë òåðíèñòîé äîðîãîé, è ìíîãèå åãî ñîâðåìåííèêè (à, âîçìîæíî, íåäîáðîæåëàòåëè) óòâåðæäàëè, ÷òî ïîìîãëè ãîëóáîãëàçîìó êðàñàâöó ñî ñâåòëûìè âèõðàìè âåñüìà íåîäíîçíà÷íûå ñâÿçè.

Ñóìåðêè. Ìåäëåííî â âîäó âîøëà Äåâî÷êà öâåòà ëóíû...
Ïîëü Ýìè́ëü Øàáà́ñ/Paul-Emile Chabas
(French, 1869-1937)
ÀóêöèîííîÍþÎáðàçíîå




"Æèâîïèñü - ìîÿ æèçíü"
Þðèé Êîðíèêîâ (Áåëàðóñü)
Òû ðîäíàÿ äóøå ñòîðîíà,
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Íå îñòàâëþ òåáÿ Áåëàðóñü,
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Romulus and Remus,
A narrative classical tapestry, Madrid, woven
by Artesanía Española dated MCMXLI (1941),
copy after a 16th century (1525-1530) Brussels cartoon, from the circle of Bernard van Orley (ca. 1492-1542),
border design after Joss van Liere
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Bernard van Orley (circa 1491/1492–1542)
Adoration of the Kings
circa 1530 –35
Metropolitan Museum of Art
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Ñèìâîë ×åõèè – âåëè÷åñòâåííûé Ïðàæñêèé Ãðàä (Pražský hrad) .Ñåãîäíÿ îí ÿâëÿåòñÿ êðóïíåéøèì äåéñòâóþùèì çàìêîâûì êîìïëåêñîì ìèðà. Ïðàæñêèé Ãðàä âíåñ¸í â Ñïèñîê ÞÍÅÑÊÎ è Êíèãó ðåêîðäîâ Ãèííåñà. Ïëîùàäü Ãðàäà, îáíåñ¸ííîãî êðåïîñòíîé ñòåíîé, ñîñòàâëÿåò îêîëî 70 000 ì².

Êîìïëåêñ ñîñòîèò èç òð¸õ îñíîâíûõ áîëüøèõ âíóòðåííèõ äâîðîâ, âîêðóã êîòîðûõ ñîñðåäîòî÷åíû çäàíèÿ. Íà åãî òåððèòîðèè ñ ðàçíûõ âðåì¸í ñîõðàíèëñÿ îáøèðíûé àíñàìáëü äâîðöîâ, õðàìîâ è äðóãèõ ïîñòðîåê, âûïîëíåííûõ â íåñêîëüêèõ àðõèòåêòóðíûõ ñòèëÿõ. Îêðåñòíîñòè Ãðàäà íàçûâàþò Ãðàä÷àíàìè.
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