Ïàðà-1. Áëóäíûé ñûí ïðîùàåòñÿ ñî ñâîèì îòöîì
(The Prodigal son takes leave of his Father)
31.2 õ 45_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå (1)

Ïàðà-2. Áëóäíûé ñûí ïðîìàòûâàå ñâîå ñîñòîÿíèå â ðàñïóòíîé æèçíè
(The Prodigal Son spending his money in Riotous Living)
31.2 õ 45_ìåäü, ìàñëî
×àñòíîå ñîáðàíèå
[ïîêàçàòü] 1730_Ïåéçàæ ñ ïðèäâîðíîé îõîòîé íà îëåíÿ
(Landscape with Courtly deer hunting)
60 x 87.5_õ.,ì.
×àñòíîå ñîáðàíèå
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Æàí Íîêðå (Jean Nocret, December 1615/17, Nancy - November 1672, Paris) - ôðàíöóçñêèé õóäîæíèê 17 ñòîëåòèÿ, êîòîðûé ÿâëÿëñÿ ñàìûì èçâåñòíûì ïîðòðåòèñòîì ôðàíöóçñêîé êîðîëåâñêîé ñåìüè. Ìíîãèå ïîðòðåòû íåèçâåñòíîãî ïðîèñõîæäåíèÿ, áûëè ïðèïèñàíû åìó.
Jean Nocret (1615-1672)
Portrait of Princess Marie Thérèse of France (1667–1672)
1671
Museo del Prado, Madrid
Ïðèíöåññà Ìàðèÿ-Òåðåçèÿ Ôðàíöóçñêàÿ (2 ÿíâàðÿ 1667 - 1 ìàðòà 1672) - äî÷ü êîðîëÿ Ôðàíöèè Ëþäîâèêà XIV (1638—1715) è åãî ñóïðóãè êîðîëåâû Ìàðèè Òåðåçèè Àâñòðèéñêîé (Èñïàíñêîé) (* 1638 — † 30 èþëÿ 1683)
Jean Nocret (1615-1672)
Portrait of Princess Marie Thérèse of France (1667–1672)
(detail), 1671
Museo del Prado, Madrid
(detail)
Ñåðèÿ ñîîáùåíèé "Äåòêè":
×àñòü 1 - Äèåãî Âåëàñêåñ (1599 - 1660) - Ïðåëåñòíàÿ Èíôàíòà
×àñòü 2 - Äåòêè. ÑòàðèííîÏîðòðåòíîå...\1\
...
×àñòü 42 - Ñýð Ïèòåð Ëåëè (Sir Peter Lely, 1618-1680, British) - Ïîðòðåò Äæîíà Ëåëè (1668-1728), ñûíà õóäîæíèêà
×àñòü 43 - Charles Beale attr. (1660 - 1724, English) - Ïîðòðåò Ïðèíöà Óèëüÿìà, ãåðöîãà Ãëîñòåðñêîãî (1689-1700)
×àñòü 44 - Æàí Íîêðå (Jean Nocret, ca. 1615-1672, French) - Ïîðòðåò ïðèíöåññû Ìàðèè–Òåðåçèè Ôðàíöóçñêîé (1667–1672)

Äðóçåé, ÷èòàòåëåé, ãîñòåé ýòîãî áëîãà, ñëîâîì âñåõ, êòî ïðàçäíóåò ñåãîäíÿ íî÷üþ Ðîæäåñòâî, ÿ ïîçäðàâëÿþ ñ ýòèì ñâåòëûì Ïðàçäíèêîì. Õðàíè Âàñ Ãîñïîäü!
Joos van Cleve (1485 - 1540)
Madonna and Child
Àíòâåðïåíñêàÿ øêîëà
(Antwerp School), XVI âåê
Ñâÿòàÿ Åêàòåðèíà
(St. Catherine of Alexandria)
28 x 22.8_ä.,ì._×àñòíîå ñîáðàíèå
Giovanni Battista Salvi (Sassoferrato)
(Italian Baroque painter,1609 – 1685)
Ìàäîííà ñ ðåáåíêîì
Circle of the MASTER OF FRANKFURT
(active circa 1500 - 1530 in Antwerp)
Ìàäîííà ñ ðåá¸íêîì
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Ôðàíö Êðèñòîô ßííåê (Franz Christoph Janneck; 1703, Ãðàö – 1761, Âåíà) – àâñòðèéñêèé õóäîæíèê ýïîõè ðîêîêî. Ôðàíö Êðèñòîô ßííåê ðîäèëñÿ â Ãðàöå â 1703 ãîäó.
Franz Christoph Janneck
GRAZ 1703 - 1761 VIENNA
AN ELEGANT COMPANY IN A LANDSCAPE WITH A COUPLE PLAYING BACKGAMMON, BESIDE A SCULPTED URN AND A CLASSICAL FAÇADE
Quantity: 2
the former signed lower right: JannecK / fe:
a pair, both oil on copper
each: 35.7 x 43 cm.; 14 1/8 x 16 7/8 in.
Ïåðâîíà÷àëüíî ó÷èëñÿ ó Ìàòòèàñà Âàíãóñà (Matthias Vangus) â ðîäíîì ãîðîäå, íî â 1726 ãîäó ïåðååõàë â Âåíó, ãäå ïîñòóïèë â âåíñêóþ Àêàäåìèþ õóäîæåñòâ â îáó÷åíèå ê ïðèäâîðíîìó õóäîæíèêó ßêîáó âàí Øóïïåíó (Jacob van Schuppen). Ïîçæå îí ïðîäîëæèë ó÷åáó âî Ôðàíêôóðòå.
Franz Christoph Janneck
GRAZ 1703 - 1761 VIENNA
AN ELEGANT COMPANY IN A LANDSCAPE SERENADED BY MUSICIANS, A CLASSICAL BUILDING BEYOND;
the former signed lower right: JannecK / fe:
a pair, both oil on copper
each: 35.7 x 43 cm.; 14 1/8 x 16 7/8 in.
Ðîæäåñòâî Äåâû Ìàðèè
(The Birth Of The Virgin)
41.9 õ 52.7_ìåäü, ìàñëî
×àñòíîå ñîáðàíèå
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Ôëàìàíäñêàÿ øêîëà
(Flemish School), XVI âåê
Ïîðòðåò äàìû â êðàñíîì ïëàòüå ñ êðóæåâíûì âîðîòíèêîì
(Portrait of a lady in red wearing a ruff)
40 õ 26.7_ä.,ì.
×àñòíîå ñîáðàíèå
Äàíèåëü Äþìóñòüå (ôð. Daniel Dumonstier, 14 ìàÿ 1574, Ïàðèæ, Ôðàíöèÿ — 22 èþíÿ 1646, Ïàðèæ, Ôðàíöèÿ) — ôðàíöóçñêèé ïðèäâîðíûé õóäîæíèê-ïîðòðåòèñò Ãåíðèõà IV, Ëþäîâèêà XIII è ïðèíöà Ãàñòîíà Îðëåàíñêîãî, ñîçäàòåëü êðóïíîé êîëëåêöèè ïðîèçâåäåíèé èñêóññòâà è êíèã. Äþìóñòüå âîñïðèíèìàëñÿ ñîâðåìåííèêàìè êàê îäèí èç ëó÷øèõ ðèñîâàëüùèêîâ Åâðîïû.
Daniel Dumonstier (1574–1646)
Portrait of a Young Man with Blond Hair
(Ïîðòðåò ìîëîäîãî ÷åëîâåêà ñî ñâåòëûìè âîëîñàìè)
1640
Æàí Ðàó (ôð. Jean Raoux, 1677, Ìîíïåëüå – 1734, Ïàðèæ) – ôðàíöóçñêèé õóäîæíèê. ×ëåí Êîðîëåâñêîé àêàäåìèè æèâîïèñè è âàÿíèÿ (c 1717). Ïèñàë æàíðîâûå, èñòîðè÷åñêèå è ìèôîëîãè÷åñêèå êàðòèíû, èçâåñòåí ðÿä åãî ïîðòðåòîâ. Ïîëîòíà Ðàó íàõîäÿòñÿ â ìóçåÿõ Åâðîïû, ÑØÀ, Àâñòðàëèè. Ìíîãèå èç íèõ ïåðåíåñåíû íà ãðàâþðû.
Æàí Ðàó (1677 – 1734)
Äàìà ó îêíà
(A Lady At a Window)
102.5 õ 81.1, õîëñò, ìàñëî
×àñòíîå ñîáðàíèå
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Circle of The Master of the Parrot
THE VIRGIN AND CHILD WITH THE INFANT SAINT JOHN THE BAPTIST
oil on panel, shaped top
87.5 by 56.5 cm.; 34 1/2 by 22 1/4 in.
Read Condition Report
Àíòâåðïåíñêàÿ øêîëà
(Antwerp School), XVI âåê
Ìàäîííà ñ Ìëàäåíöåì
(Virgin And Child)
27.5 õ 22_ä.,ì. ×àñòíîå ñîáðàíèå
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Èîãàíí Ãåîðã Ïëàòöåð (Johann Georg Platzer; 1704, Ñàíêò-Ìèõàýëü, Òèðîëü – 1761, Ñàíêò-Ìèõàýëü, Òèðîëü) – àâñòðèéñêèé õóäîæíèê ýïîõè ðîêîêî.
Èîãàíí Ãåîðã Ïëàòöåð (1704-1761)
Êîíöåðò âî äâîðöå
(Concert in a Palace)
65.3 x 92.4, ìåäü, ìàñëî
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Èîãàíí Ãåîðã Ïëàòöåð (1704-1761)
Êîíöåðò âî äâîðöå (äåòàëü)
(Concert in a Palace)
65.3 x 92.4, ìåäü, ìàñëî
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Èîãàíí Ãåîðã Ïëàòöåð (1704-1761)
Êîíöåðò âî äâîðöå (äåòàëü)
(Concert in a Palace)
65.3 x 92.4, ìåäü, ìàñëî
×àñòíîå ñîáðàíèå
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Ôðàíñ Ïóðáóñ Ìëàäøèé (íèäåðë. Frans Pourbus (II) (1569, Àíòâåðïåí — 1622, Ïàðèæ) — þæíîíèäåðëàíäñêèé (ôëàìàíäñêèé) õóäîæíèê. Ñûí Ôðàíñà Ïóðáóñà Ñòàðøåãî, âíóê Ïåòåðà Ïóðáóñà. Íàèáîëåå èçâåñòíûé ïðåäñòàâèòåëü ýòîé õóäîæåñòâåííîé äèíàñòèè.

Circle of Frans Pourbus the Younger (1569–1622)
PORTRAIT OF LADY, TRADITIONALLY IDENTIFIED AS ANNE OF AUSTRIA

Circle of Frans Pourbus the Younger (1569–1622)
PORTRAIT OF LADY, TRADITIONALLY IDENTIFIED AS ANNE OF AUSTRIA
KING GUSTAV AND QUEEN SOPHIA MAGDALENA
ab. 1480 Attributed to Master of the Embroidered Foliage
Louis Quarré & Barbe de Croesinck
second half of 15th century Maître de Saint-Jean-de-Luze
Hugues de Rabutin & Jeanne de Montaigu
LE DUC CHARLES III DE LORRAINE ET SON ÉPOUSE CLAUDE DE VALOIS-ANGOULÊME

1567 Unknown artist
Portrait of a Young Woman
ELIZABETH MARGUERITE D'ORLÉANS, MADEMOISELLE D'ALENÇON, PETITE-FILLE DE FRANCE ET PRINCESSE DU SANG, DUCHESSE DE GUISE ET DUCHESSE D'ALENÇON ET D'ANGOULÊME, FILLE DE GASTON DE FRANCE ET DE MARGUERITE DE LORRAINE
1529 Barthel Beham
Lady with a parrot
ab. 1630 Justus Sustermans
Anna de’ Medici
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Àëîíñî Ñà́í÷åñ Êîý́ëüî (Alonso Sánchez Coello; îêîëî 1531, Áåíèôàéî — 8 àâãóñòà 1588, Ìàäðèä) — èñïàíñêèé õóäîæíèê-ïîðòðåòèñò, ðàáîòàë ïðè äâîðå Ôèëèïïà II.
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Alonso Sánchez Coello
Portrait of a young woman
16th century
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(âîçìîæíî, ýòî ïîðòðåò îäíîé è òîé æå ëåäè, êàê äóìàåòå?)

Circle of Frans Pourbus the Younger (1569–1622)
PORTRAIT OF LADY, TRADITIONALLY IDENTIFIED AS ANNE OF AUSTRIA
ðàíåå ïîðòðåò ïóáëèêîâàëñÿ çäåñü
Jakob Bogdany
Peacocks and Other Exotic Birds
Jakob Bogdány
EPERJES CIRCA 1660 - 1724 LONDON
Íàòþðìîðò ñ öâåòàìè â ìåòàëëè÷åñêîé âàçå íà ìðàìîðíîì îñíîâàíèè
93.8 õ 59.7_õ.,ì.
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Neri di Bicci
FLORENCE 1419 - 1491
THE MADONNA AND CHILD WITH TWO ATTENDANT ANGELS
tempera and oil on panel, gold ground, unframed
67 by 41 cm.; 26 3/8 by 16 1/8 in.
ELIZABETH MARGUERITE D'ORLÉANS, MADEMOISELLE D'ALENÇON, PETITE-FILLE DE FRANCE ET PRINCESSE DU SANG, DUCHESSE DE GUISE ET DUCHESSE D'ALENÇON ET D'ANGOULÊME, FILLE DE GASTON DE FRANCE ET DE MARGUERITE DE LORRAINE
Alexander Roslin (Swedish Painter, 1718-1798)
Joseph Kinson (Flemish, 1771-1839)
Ìàäàì Ëåñòàïèñ
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Äåêîðàòèâíûå ñöåíû ñ èçîáðàæåíèåì æèâîòíûõ áûëè ÷ðåçâû÷àéíî ïîïóëÿðíû â ñòðàíàõ Çàïàäíîé Åâðîïû â êîíöå 17 - ïåðâîé ïîëîâèíå 18 âåêîâ.
Íàòþðìîðò ñ öâåòàìè â ñêóëüïòóðíîé êàìåííîé âàçå íà ôîíå êëàññè÷åñêîãî ïàâèëüîíà
96 õ 94.2_õ.,ì.
×àñòíîå ñîáðàíèå
Êàðòèíû åâðîïåéñêèõ õóäîæíèêîâ 18 âåêà îòëè÷àþòñÿ îñîáûì âíèìàíèåì êî âñåìó ÷àñòíîìó, ïîâñåäíåâíîìó, çàáàâíîìó è ëþáîïûòíîìó, â îòëè÷èå îò êàðòèíû çàïàäíûõ õóäîæíèêîâ 17 âåêà, ñî ñâîéñòâåííûìè åé ìàñøòàáíîñòüþ è ïîëíîçâó÷íûì «îðãàííûì» çâó÷àíèåì ïûøíîãî áàðîêêî.
Ïòèöû â ïàðêîâîì ïåéçàæå_2
187.3 õ 154.9_õ.,ì.
×àñòíîå ñîáðàíèå