
Giovanni Antonio Boltraffio
Francesco Sforza, conte di Pavia?
1498
1629 Dutch School
Two Little Dutch Children in Aprons, Holding Apples, Cherries and a Straw Bag

17th Century Dutch School
Portrait of a Boy ages Seven and three quarters
[ïîêàçàòü]
Âûëåò ðåãóëÿðíûõ ïàññàæèðñêèõ ðåéñîâ èç àýðîïîðòà Ïóëêîâî âðåìåííî ïðèîñòàíîâèëè äëÿ îòïðàâêè ïðåìüåð-ìèíèñòðà Äìèòðèÿ Ìåäâåäåâà. Îí ãîñòèë â ðîäíîì ãîðîäå òðè äíÿ ÒÓÒ
Ãóáåðíàòîð Òîêèî ïîêèíåò ïîñò èç-çà ïîåçäêè íà äà÷ó íà ñëóæåáíîì àâòî.

Ïðåçèäåíò Ôèíëÿíäèè ïðîñèò ñíèçèòü ñåáå çàðïëàòó íà 20% ÒÓÒ
Íà ñîäåðæàíèå Ïóòèíà íà 2017 ãîä çàëîæåíî. - 75 ìëðä.ðóá.,
Ñîäåðæàíèå êîðîëåâû Àíãëèè - 3 ìëðä.ðóá â ãîä
Ïðåìüåð Ôðàíöèè ïðîâîäèò îòïóñê íà âåëîñèïåäå




Ðèäîëüôî Ãèðëàíäàéî (èòàë. Ridolfo del Ghirlandaio; 4 ôåâðàëÿ 1483, Ôëîðåíöèÿ — 6 èþíÿ 1561) — èòàëüÿíñêèé æèâîïèñåö èç õóäîæåñòâåííîé äèíàñòèè Ãèðëàíäàéî, ñûí çíàìåíèòîãî Äîìåíèêî äè Áèãîðäè. Åãî íàñòàâíèêàìè áûëè äÿäÿ, Äàâèä Ãèðëàíäàéî, è (ïî ñîîáùåíèþ Âàçàðè) ôðà Áàðòîëîìåî.

Ïîðòðåò þíîøè
(Portrait of a Young Man)
1510-1520_30 õ 24_ä.,ì.
Ðèì, Ãàëåðåÿ Áîðãåçå
Michele Tosini, called Michele di Ridolfo del Ghirlandaio
FLORENCE 1503 - 1577
Ëåäà
1560-70. 73x51
Ãàëåðåÿ Áîðãåçå, Ðèì (Galleria Borghese, Roma).
Äàíèåëü Ìåéòýíñ (c.1590–1647) - ãîëëàíäñêèé õóäîæíèê-ïîðòðåòèñò, èçâåñòíûé â Àíãëèè, êàê Äàíèýëü Ìåéòåíñ Ñòàðøèé (Daniel Mytens the Elder), ïîñêîëüêó ìíîãî ëåò ïðîðàáîòàë â Ëîíäîíå.
Daniel Mytens (c.1590–1647)
QUEEN HENRIETTA MARIA OF THE UNITED KINGDOM
1630
LOUIS XIV DIEUDONNÉ
1767 Pompeo Batoni
Portrait of Duke Carl Wilhelm Ferdinand, Hereditary Prince of Brunswick
[ïîêàçàòü]
Êëàðà Ïåòåðñ (Clara Peeters, îê.1594 – 1657 èëè ïîçæå) — ôëàìàíäñêàÿ õóäîæíèöà, îäíà èç ïåðâûõ, êòî ðèñîâàë çàâòðàêè è íàêðûòûå ñòîëû. Îíà áûëà êâàëèôèöèðîâàííûì æèâîïèñöåì íàòþðìîðòà, ðàáîòàþùèì â òðàäèöèè æàíðà Ñåâåðíîé Åâðîïû â êîíöå 16-îãî ñòîëåòèÿ.
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Íàòþðìîðò
1611_52 õ 73_ä.,ì.
Ìàäðèä, ìóçåé Ïðàäî
Íàòþðìîðò ñ àðòèøîêîì, ðàêàìè, ñîëîíêîé è äð îáúåêòàìè
ä.,ì.
×àñòíîå ñîáðàíèå
Ïî ïðåäïîëîæåíèÿì, ðîäèëàñü â ãîðîäå Àíòâåðïåí, ãåðöîãñòâî Áðàáàíò, Þæíûå Íèäåðëàíäû (íûíå Áåëüãèÿ). Íàéäåíû ñâèäåòåëüñòâà î åå êðåùåíèè â Àíòâåðïåíå â 1594 ãîäó. Ïðîèñõîäèëà èç áîãàòîé ñåìüè, òàê êàê äåëàëà íàòþðìîðòû ñ èçîáðàæåíèÿìè öåííîé ïîñóäû (çîëîòûå áîêàëû, ôàðôîð, äðàãîöåííûå áîêàëû èç ñòåêëà, íåäåøåâûå ñûðû è âûïå÷êà). Íàèáîëåå ðàííåå ïðîèçâåäåíèå Êëàðû äàòèðîâàíî 1607 ãîäîì.
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Àëëåãîðèÿ ñâàäüáû
(Allegorie der Hochzeit)
1607_23.7 õ 36.7_ä.,ì.
×àñòíîå ñîáðàíèå
[ïîêàçàòü]
ab. 1607-1608 Anonymous
Johann Karl of Habsburg
Studio Alonso Sanchez Coello
Infantas Isabella Clara Eugenia and Catalina Micaela of Spain (detail)
c.1569-70
[ïîêàçàòü]
Louise-Élizabeth Vigée Lebrun.
MADAME LA COMTESSE JEANNE DE LAMOTTE DE VALOIS SAINT-RÉMY
1838 Andrew Geddes
Hannah Fry, Mrs Harris Prendergast
ab. 1850 Joseph Karl Stieler
Grand Duchess Alexandra Iosifovna of Russia
[ïîêàçàòü]

Âðåìåíà ãîäà 3. Âåñíà. Äåâóøêà è ïóòòè, óêðàøàþùèå óðíó ãèðëÿíäîé öâåòîâ
(Seasons. Spring. A girl and putto adorning the urn with a garland)
98.2 õ 135.5_õ.,ì.
×àñòíîå ñîáðàíèå

Êðóã.
Íàòþðìîðò ñ ôðóêòàìè íà êàìåííîì öîêîëå
(Still life with fruit on a stone plinth)
78 x 95_õ.,ì.
×àñòíîå ñîáðàíèå
Æîçåô Ïàððîñåëü (ôð. Joseph Parrocel; 3 îêòÿáðÿ 1646, Áðèíüîëü — 1 ìàðòà 1704, Ïàðèæ) — ôðàíöóçñêèé æèâîïèñåö è ãðàâåð ýïîõè áàðîêêî. Îòåö õóäîæíèêà-áàòàëèñòà Øàðëÿ Ïàððîñåëÿ
attributed to Joseph Parrocel (1646–1704)
or
Pierre Mignard (1612-1695)
Madame Francoise Madeleine Claude La Comtesse de Saint Geran f. de Warignes
(1675 - 1682), oil on canvas
680 mm x 570 mm.
Skokloster Castle
Àáðàõàì Áðåéãåëü (Abraham Brueghel, 1631, Àíòâåðïåí – 1690, Íåàïîëü) – ôëàìàíäñêèé õóäîæíèê, ñûí ßíà Áðåéãåëÿ Ìëàäøåãî è âíóê ßíà Áðåéãåëÿ Ñòàðøåãî (Áàðõàòíîãî), àâòîð íàòþðìîðòîâ è ìèôîëîãè÷åñêèõ ñöåí.

Íàòþðìîðò ñ öâåòàìè â ìåòàëëè÷åñêîé óðíå íà óñòóïå
(Still life with flowers in a metallic urn on a ledge)
71.1 õ 100_õ.,ì.
×àñòíîå ñîáðàíèå

Íàòþðìîðò ñ ôðóêòàìè, öâåòàìè è äâóìÿ áàðî÷íûìè âàçàìè
(Still life of fruit and flowers, with two Baroque vases)
1675_58 x 98,5_õ.,ì.
×àñòíîå ñîáðàíèå
1825 Thomas Lawrence
Marie Caroline de Bourbon-Sicile, duchess de Berry
1808-1809 Andrea Appiani
Auguste Amalie de Beauharnais with her daughters Josephine und Eugenie
1900-1901 Nikolai Bogdanov-Belsky
Portrait of Princess Maria Abamelek-Lazareva
[ïîêàçàòü]
Äæîðæ Ãåíðè Äóððèå (George Henry Durrie) ðîäèëñÿ â Õàðòôîðäå, øòàò Êîííåêòèêóò.  þíîñòè õóäîæíèê-ñàìîó÷êà ïèñàë ïîðòðåòû.  1839 ãîäó îí ïîëó÷èë óðîêè æèâîïèñè îò Íàòàíèåëü Äæîñåëèí, ìåñòíîãî õóäîæíèêà-ïîðòðåòèñòà è ãðàâåðà.
Çèìà â äåðåâíå. õîëîäíîå óòðî
1863_66.0 x 91,4_õ.,ì.
×àñòíîå ñîáðàíèå
![]()
George Henry Durrie (1820–1863)
Hunter in Winter Wood
1860
w67.625 x h49.25 x d4.25 in (Frame)
Berkshire Museum
Ïîñëå 1842ã. îí ïîñåëèëñÿ â Íüþ-Õåéâåíå, íî ÷àñòî áûâàë â Íüþ-Äæåðñè, Íüþ-Éîðêå è Âèðæèíèè. Îêîëî 1850ã. íà÷àë ïèñàòü æàíðîâûå ñöåíû èç ñåëüñêîé æèçíè. ×åòûðå õóäîæåñòâåííûõ èçäàíèÿ ñ åãî ðàáîòàìè áûëè îïóáëèêîâàíû â ïåðèîä ìåæäó 1860 è 1863 ãîäîì, â êîòîðîì íàñòóïèëà ñìåðòü õóäîæíèêà. Øåñòü äîïîëíèòåëüíûõ áûëè îïóáëèêîâàíû ïîñìåðòíî. Åãî çèìíèå êàðòèíû íàïîìèíàþò ãîëëàíäñêóþ æèâîïèñü ñâîåé óìèðîòâîðåííîñòüþ è êðàñîòîé áûòîâûõ ñöåí.
George Henry Durrie (1820–1863)
Going to Church
Oil on canvas, 22 x 30 in
1853
[443x697]
 ìóçûêàëüíîì ìèðå îäíî èç ñàìûõ ïî÷èòàåìûõ — èìÿ Ïåòðà Ñîëîìîíîâè÷à Ñòîëÿðñêîãî. Ýòîò ïîëóãðàìîòíûé îäåññêèé åâðåé áûë âåëèêèì ïåäàãîãîì: èç åãî ðóê âûõîäèëè âåëèêèå ñêðèïà÷è. Îäíîãî èìåíè Äàâèäà Îéñòðàõà óæå äîñòàòî÷íî.
Ãóëÿÿ ïî îäåññêèì óëèöàì è çàâèäåâ æåíùèíó ñ ìàëåíüêèì ðåáåíêîì, Ñòîëÿðñêèé òóò æå áðîñàëñÿ íàïåðåðåç: «Ìàäàì, ïîçâîëüòå ïîñìîòðåòü ðó÷êó âàøåãî ðåáåíêà!» Áðàë ðó÷êó, îñòîðîæíî ìÿë åå, îùóïûâàë, ïîäíîñèë ê ñâîèì áëèçîðóêèì ãëàçàì è îãîð÷åííî âçäûõàë: «Àõ, íåò, ìàäàì — æèâèòå ñïîêîéíî...»
Èç êíèãè Á. Ëüâîâè÷à «Àêò¸ðñêàÿ êóðèëêà».

Ëóè-Ýäóàðä Äþáþô (ôð. Édouard Louis Dubufe; 31 ìàðòà 1819, Ïàðèæ — 11 àâãóñòà 1883, Âåðñàëü) — ôðàíöóçñêèé æèâîïèñåö-ïîðòðåòèñò.
Louis-Edouard Dubufe
Maria Ricci, Countess Walewska
1859

1506 Raphael
Agnolo Doni and Maddalena Doni
1534 Hans Holbein the Younger
A servant of King Henry VIII and his wife
ab. 1538-1539 Bartholomäus Bruyn the Elder
Portrait of a man from the Weinsberg family and his wife
ab. 1663 Joseph Werner
Louis XIV in Costume & Mlle. de la Valliere in Costume
[ïîêàçàòü]Ìàêñ ظäëü (Max Schödl, ðîäèëñÿ 2 ôåâðàëÿ 1834ã. â Âåíå, óìåð 23 ìàðòà 1921ã. òàì æå), àâñòðèéñêèé ìàñòåð íàòþðìîðòîâ.
Íàòþðìîðò ñ àíòèêâàðèàòîì
(Still Life with Antiques)
1902_32 x 24_ä.,ì.
×àñòíîå ñîáðàíèå
Íàòþðìîðò ñ àçèàòñêèìè âàçàìè
(Still Life with Asian vases)
1895_30 x 21_ä.,ì.
×àñòíîå ñîáðàíèå
ظäëü îáó÷àëñÿ æèâîïèñè â âåíñêîé Àêàäåìèè õóäîæåñòâ ó Ôðèäðèõà Ôðèäëàíäåðà ôîí Ìàíãåéìà. Íà ïðîòÿæåíèè äëèííîãî æèçíåííîãî è òâîð÷åñêîãî ïóòè õóäîæíèê ðàáîòàë â ðàçíûõ ãîðîäàõ è ñòðàíàõ – â Âåíå, Ïàðèæå, Ëîíäîíå, â Èòàëèè – è äîáèëñÿ âûñî÷àéøåãî ïðîôåññèîíàëüíîãî ìàñòåðñòâà, óñïåõà è ïðèçíàíèÿ.
Íàòþðìîðò ñ âîñòî÷íûì àíòèêâàðèàòîì
(Still Life with Oriental Antiques)
1907_42 x 24,3_ä.,ì.
×àñòíîå ñîáðàíèå
[ïîêàçàòü]
[ïîêàçàòü]
Îñåíü. Âåðàíäà. 1911
Àðñåíèé ßêøèÿíö - Îñåííèé ðîìàíñ
Ïå÷àëü ìîÿ, ñåäàÿ îñåíü,
Ìîÿ çâåíÿùàÿ òîñêà!..
Êàê áóäòî â ñåðäöå ìåñòà ïðîñÿò
Äàâíî ïðîøåäøèå âåêà.
È ñåðäöó íàäî ïîòåñíèòüñÿ.
Âîò ïî÷åìó ñðåäü òåìíîòû
Äðîæàò, êàê ñëåçû íà ðåñíèöàõ,
Ïîçîëî÷åíûå ëèñòû.
È òèøèíà ñòîèò òàêàÿ,—
×òî ñëûøíî, êàê âïëûâàåò äûì,
È ëåñ áåççâó÷íûé èñòåêàåò
Äðîæàùèì çîëîòîì ñâîèì…
Çèíàèäà Ìèðêèíà
[ïîêàçàòü]
 ñòàðîé àëëåå. 1913