Öâåòû â ñòåêëÿííîé âàçå íà ìðàìîðíîì ôðîíòîíå
(flowers in a glass vase on a marble pediment)
94.6 x 73_õ.,ì.
×àñòíîå ñîáðàíèå
Íàòþðìîðò ñ î÷èùåííûì ëèìîíîì
(Nature morte au citron pele)
59 õ 42_Ïàðèæ, Ëóâð
Circle of Jan Davidsz. de Heem
UTRECHT 1606 - 1683/4 ANTWERP
A GLASS VASE OF FLOWERS INCLUDING ROSES, A TULIP, AND THISTLES WITH SNAILS, A BUTTERFLY, AND A CATERPILLAR
oil on panel 26.3 by 20 cm.
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lomovolga for
Alja271161
Ãåðàðäî äè Äæîâàííè Äåëü Ôîðà (èòàë. Gherardo di Giovanni del Fora; 1445-1497), èòàëüÿíñêèé õóäîæíèê ôëîðåíòèéñêîé øêîëû, ÷åé òàëàíò îñîáî ïðîÿâèëñÿ â áîãàòî èëëþñòðèðîâàííûõ ðóêîïèñíûõ êíèãàõ äëÿ ìîíàñòûðåé Ôëîðåíöèè.
 åãî ìèíèàòþðàõ ÷óâñòâóåòñÿ âëèÿíèå Äîìåíèêî Ãèðëàíäàéî è Ëåîíàðäî äà Âèí÷è, íåìåöêèõ è ôëàìàíäñêèõ øêîë, õàðàêòåðíûõ âûñîêèì êà÷åñòâîì öâåòà. Äåëü Ôîðà âêëþ÷åí Äæîðäæî Âàçàðè â êíèãó Æèçíåîïèñàíèÿ íàèáîëåå çíàìåíèòûõ æèâîïèñöåâ, âàÿòåëåé è çîä÷èõ
Gherardo di Giovanni del Fora
Portrait of Piero di Lorenzo de' Medici
1488
Napoli Biblioteca Nazionale
Äîðîãàÿ Àëüêà, ïîäðóæêà ìîÿ çîëîòàÿ, ïîçäðàâëÿþ òåáÿ ñ Äíåì Ðîæäåíèÿ!
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Æåëàþ òåáå ëþáâè, êðàñîòû, ìîëîäîñòè, êðåïêîãî çäîðîâüÿ, ÷óäåñíîãî íàñòðîåíèÿ, íåèññÿêàåìîé æèçíåííîé ñèëû, òåïëà è óþòà â ñåìüå, ÷òîáû âñå ïðîøåäøèå è áóäóùèå ãîäû â òâîåé æèçíè, îñòàâèëè òîëüêî ñâåòëûå âîñïîìèíàíèÿ, è äàðèëè ðàäîñòü, äîáðî, íàäåæäó è áëàãîïîëó÷èå.
Ïóñòü âñå, ÷òî åùå íå ñáûëîñü â æèçíè – ñáóäåòñÿ! Âñå, ÷òî òåáå íåîáõîäèìî ó òåáÿ óæå åñòü, à ÷òî õî÷åòñÿ – îáÿçàòåëüíî áóäåò, ïîòîìó ÷òî ó òàêîãî õîðîøåãî ÷åëîâåêà, êàê òû ïðîñòî íå ìîæåò ÷åãî-òî íå áûòü!
Äàðþ òåáå æÎíèõà êðàñèâóùåãî!! Ñåé ãàðíûé èòàëüÿíñêèé õëîïåö, èç Ìåäè÷åé âñå-òàêè, íå àáû-êòî.
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[ïîêàçàòü](à ìóæà íàøÀãî â ñòîðîíî÷êó, â ñòîðîíî÷êó ïîêóäà
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Ïðîèçâåäåíèÿì ßíà äå Õåìà, ðàññ÷èòàííûì ïðåæäå âñåãî íà ñîçäàíèå ýôôåêòíîãî çðåëèùà, íå õâàòàëî, îäíàêî, ñòîëü òèïè÷íîãî äëÿ ôëàìàíäñêîé æèâîïèñè îùóùåíèÿ ñòèõèéíîé ïîëíîòû æèçíè.
Áóêåò öâåòîâ â ñòåêëÿííîé âàçå
(Still Life with Flowers in a Glass Vase)
1650_1683_54,5 õ 36,5_ìåäü, ìàñëî
Àìñòåðäàì, Ðåéêñìóçåóì
Jan Davidsz. de Heem.
Still Life with Fruit, Flowers, and Oysters.
1652
Ãèðëÿíäà öâåòîâ è ôðóêòîâ
(Festoen van vruchten en bloemen)
1670 (èëè ðàíåå)_74 õ 60_õ.,ì.
Àìñòåðäàì, Ðåéêñìóçåóì
Ñî÷åòàíèå äåêîðàòèâíîé ïûøíîñòè è ñóõîâàòîãî ðàöèîíàëèçìà îòëè÷àåò ïðîñëàâèâøèå äå Õåìà öâåòî÷íûå íàòþðìîðòû, ñîåäèíÿþùèå â ñëîæíîé, èñêóñíî ïîñòðîåííîé êîìïîçèöèè ìíîãî÷èñëåííûå ðàñòåíèÿ, öâåòóùèå â ðàçíîå âðåìÿ ãîäà, ñ òùàòåëüíî èçîáðàæåííûìè ìåëü÷àéøèìè äåòàëÿìè, â òîì ÷èñëå âñÿêîãî ðîäà íàñåêîìûìè — ìóõàìè, áàáî÷êàìè, ãóñåíèöàìè, ñòðåêîçàìè è ò. ï.
Ãèðëÿíäà öâåòîâ è ôðóêòîâ (äåòàëü)
(Festoen van vruchten en bloemen)
1670 (èëè ðàíåå)_74 õ 60_õ.,ì.
Àìñòåðäàì, Ðåéêñìóçåóì
1590-1600 Unknown French artist
Nicolas de Droullin and Susanne le Royer de Brisolliéres
North Netherlandish School, circa 1540
A PORTRAIT OF A GENTLEMAN, POSSIBLY A MEMBER OF THE VAN BAERSDORF FAMILY OF ZEELAND, HEAD AND SHOULDERS A PORTRAIT OF A LADY, POSSIBLY A MEMBER OF THE SCHAGEN OR VAN BEYEREN-SCHAGEN FAMILY, HEAD AND SHOULDERS
Quantity: 2
North Italian School, 1617
PORTRAIT OF A MAN, PROBABLY A MEMBER OF THE ASINARI DI MONBERCELLO FAMILY, THREE-QUARTER LENGTH, WEARING ARMOUR AND A RUFF, AND HOLDING GLOVES; PORTRAIT OF HIS WIFE, PROBABLY A MEMBER OF THE ZONDODARI FAMILY, THREE-QUARTER LENGTH, WEARING A BLACK DRESS AND A RUFF
Quantity: 2
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A un passo da te (èòàë.  øàãå îò òåáÿ) - òðåê ñ ñîâìåñòíîãî ñòóäèéíîãî àëüáîìà Le migliori (èòàë. Ëó÷øèå) èòàëüÿíñêîãî ïåâöà è àêò¸ðà Àäðèàíî ×åëåíòàíî è ïåâèöû Ìèíû Ìàööèíè

A Un Passo Da Te
(Mina & Celentano)
Íàðÿäó ñ Ðåìáðàíäòîì è Ôðàíñîì Õàëüñîì, ßí Âåðìååð Äåëüôòñêèé âõîäèò â ÷èñëî òðåõ âåëèêèõ ãîëëàíäñêèõ æèâîïèñöåâ XVII ñòîëåòèÿ.
Æèâîïèñíàÿ òåõíèêà Âåðìååðà óíèêàëüíà äàæå äëÿ åãî âðåìåíè, êîãäà ìàñòåðñòâî äåðæàíèÿ êèñòè ãîëëàíäñêèìè óìåëüöàìè áûëî äîâåäåíî äî ñîâåðøåíñòâà.
Johannes Vermeer
Äåâóøêà ñ æåì÷óæíîé ñåðåæêîé (äåòàëü)
Girl with a Pearl Earring
1660-å
Ìàóðèöõåéñ, Ãààãà
Johannes Vermeer
Ñâ.Ïðàêñåäà (äåòàëü)
Saint Praxedis (authorship is controversial)
1655, 102x83
Private Collection
Êîìïîçèöèÿ âåðìååðîâñêèõ ïîëîòåí, åãî âëàäåíèå íåíàâÿç÷èâûì êîëîðèòîì, òîí÷àéøåå ïîðòðåòèðîâàíèå, à ãëàâíîå – çíàìåíèòûé âåðìååðîâñêèé íåâåñîìûé âîçäóõ, ôèçè÷åñêîå ÷óâñòâî îòêðûâàþùåãîñÿ ïåðåä çðèòåëåì ïðîñòðàíñòâà ïîëîòíà – àíàëîãîâ íå èìåþò.
[ïîêàçàòü] Johannes Vermeer
Àëëåãîðèÿ Èñêóññòâà æèâîïèñè (äåòàëü)
“The Art of Painting”
1666_Oil on canvas120 × 100
Âåíà, Ìóçåé èñòîðèè èñêóññòâ
[ïîêàçàòü] Johannes Vermeer
Ìîëîäàÿ æåíùèíà ó âèðäæèíàëà (äåòàëü)
Young Woman at a Virginal
c.1670. 25.2 x 20
Private Collection
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Íàòþðìîðò ñ ôðóêòàìè, óñòðèöàìè, ïîçîëî÷åííûì êóáêîì è äð îáúåêòàìè
55.5 õ 66.5_õ.,ì.
×àñòíîå ñîáðàíèå
Íàòþðìîðò ñ ôðóêòàìè
(Stilleben med frukter)
31 x 46_õ.,ì.
×àñòíîå ñîáðàíèå
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Jan Davidsz. de Heem (1606–1683/1684)
Still Life
first half of 17th century
oil on canvas 47 cm 61 cm
St. Gallen Museum of Art
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Anonym
Emperor Ferdinand I (1503-1564) at the age of ten or twelve years
1520
Ìóçåé èñòîðèè èñêóññòâ
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Àíòîíèñ âàí Äåéê
Ïîðòðåò Ìàðèè Ëóèçû äå Òàññèñ, îê 1630
PRINCIPE DON PHILIPPINO DI FRANCESCO DE' MEDICI

1624 Unknown artist
A Lady and Her Two Children
1629 Unknown artist
Portrait of a gentleman

ab. 1643 Joachim von Sandrart
Archduchess Maria Anna of Austria, Electress of Bavaria

ßí Äàâèäñ äå Õåì (íèäåðë. Jan Davidsz. de Heem; àïðåëü 1606, Óòðåõò — 1683/1684, Àíòâåðïåí) — íèäåðëàíäñêèé õóäîæíèê è ñûí õóäîæíèêà Äàâèäà äå Õååìà, ñàìûé çíà÷èòåëüíûé ïðåäñòàâèòåëü ñåìåéñòâà äå Õåìîâ.
Íàòþðìîðò
(Still Life)
49 õ 64_ä..ì.
Ìàäðèä, ìóçåé Ïðàäî
Íàòþðìîðò ñ ñåðåáðåííûì áîêàëîì
1648_46 õ 65
Âåíà, Ìóçåé Ëèõòåíøòåéí
Ó÷èëñÿ ó Áàëüòàçàðà âàí äåð Àñòà â Óòðåõòå. Ðàáîòàë â Ëåéäåíå (1625—1636), Àíòâåðïåíå, ãäå æèë â 1636—1658 ãîäàõ è ïîñëå êðàòêîãî ïðåáûâàíèÿ â Óòðåõòå â 1669—1672 ãîäàõ è âòîðè÷íî â 1672—1684 ãîäàõ.
Ãèðëÿíäà ôðóêòîâ è öâåòîâ â êàìåííîé íèøå
(a festoon of fruit and flowers in a marble niche)
1675_67 õ 82.5_õ.,ì.
×àñòíîå ñîáðàíèå
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Èñààê Ñîðî (Isaak Soreau, ðàáîòàë â 1620 – 1638 ãîäàõ â Õàíàó-íà-Ìàéíå) – íåìåöêèé æèâîïèñåö Çîëîòîãî âåêà, ìàñòåð íàòþðìîðòà.
Íàòþðìîðò ñ êîðçèíîé ôðóêòîâ
(Still life with fruits in a basket)
48.2 x 72.5_ä.,ì.
×àñòíîå ñîáðàíèå
Íàòþðìîðò ñ ôðóêòàìè íà ñòîëå
(Still life with fruit on a table)
64.5 x 85.7_ä.,ì.
×àñòíîå ñîáðàíèå
Ðîäèëñÿ â ñåìüå õóäîæíèêà Äàíèèýëÿ Ñîðî (Daniel Soreau, óì â 1619 â Õàíàó) è åãî æåíû Èîãàííû Ôëåìèíã âìåñòå ñ áðàòîì-áëèçíåöîì Ïèòåðîì Ñîðî (Peter Soreau, 1604–îê. 1672). Ó÷èëñÿ ìàñòåðñòâó âìåñòå ñ áðàòîì ó ñâîåãî îòöà, à ïîñëå åãî ñìåðòè ó Ñåáàñòüÿíà Øòîñêîïôà (Sebastian Stoskopff).
Henric Van Zijll
Catherine van Arckel of Ammerzoden
ERZHERZOG FERDINAND II VON OSTERREICH, HERZOG VON TIROL
COSIMO III DE' MEDICI BAMBINO
Frans Pourbus the younger (1569–1622)
Margarita Gonzaga (1591–1632)
[ïîêàçàòü]
Âèä Óòðåõòà
(A view of the city in Utrecht)
56 õ 46.5_õ.,ì.
×àñòíîå ñîáðàíèå
Çèìíèì äíåì
(Daily activities on a winter's day)
1899_65.4 õ 48.3_õ.,ì.
×àñòíîå ñîáðàíèå
[ïîêàçàòü]
Venezianische Schule, 16.c
Jahrhundert Bildnis von Petrarcas Geliebter Laura
Cornelis de Vos HULST CIRCA 1584 - 1651 ANTWERP
PORTRAIT OF A LADY IN ELEGANT DRESS
1700 Jacques Courtilleau -
Maria Anna of Neuburg
Santi di Tito (1536–1603
Portrait of a Girl
16th century
Private collection

Ãåðìàí Õåíñòåíáóðã (Herman Henstenburgh; 1667, Õîðí - 1726, Õîðí) - õóäîæíèê 18-ãî âåêà èç Ñåâåðíûõ Íèäåðëàíäîâ, èçâåñòåí ôðóêòîâûìè è öâåòî÷íûìè íàòþðìîðòàìè, à òàêæå ýòþäàìè íàñåêîìûõ è ïòèö.
Íàòþðìîðò ñ ôðóêòàìè, êàøòàíàìè è óëèòêîé
îê.1700_êàðòîí, ñìåøàííàÿ òåõíèêà
Âåíà, Àëüáåðòèíà
Íàòþðìîðò ñ öâåòàìè, ôðóêòàìè, äâóìÿ ïòèöàìè è óëèòêîé
37.5 õ 30.2
ïåðãàìåíò, àêâàðåëü, ãóàøü è ãóììèàðàáèê
×àñòíîå ñîáðàíèå
Ñîãëàñíî Johan van Gool îí î÷åíü õîðîøî êîïèðîâàë ãðàâþðû è àêâàðåëè Ïèòåðà Ãîëüøòåéíà (Pieter Holstein). Êîïèè áûëè íàñòîëüêî õîðîøè, ÷òî ðîäèòåëè Ãåðìàíà ïîçâîëèëè åìó ñòàòü ó÷åíèêîì Èîãàííåñà Áðîíêõîðñòà (Johannes Bronkhorst) â 1683 ãîäó.
 ðóññêîé èñêóññòâîâåä÷åñêîé òðàäèöèè áîëåå ðàñïðîñòðàí¸ííûì âàðèàíòîì íàïèñàíèÿ èìåíè õóäîæíèêà ÿâëÿåòñÿ Âåðìååð Äåëüôòñêèé. Äðóãèå âàðèàíòû — Éîõàííèñ âàí äåð Ìåð, Éîõàííèñ âåð Ìåð, Âåðìåð Äåëüôòñêèé
[ïîêàçàòü] Johannes Vermeer
Êðóæåâíèöà
The Lacemaker
1669-1670 24.5 x 21
Louvre (Musée du Louvre), Paris.
Ðîäèëñÿ â Äåëôòå (îòñþäà ïðîçâèùå – «Äåëôòñêèé») â ñåìüå ïðåäïðèíèìàòåëÿ, êîòîðûé çàíèìàëñÿ ïðîèçâîäñòâîì øåëêà äëÿ ïîðòüåð è îáèâêè ìåáåëè, à òàêæå òîðãîâëåé êàðòèíàìè.
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Johannes Vermeer (1632–1675)
Äàìà â ãîëóáîì, ÷èòàþùàÿ ïèñüìî
Woman reading a letter
circa 1662-1663 (1647-1675)
oil on canvas 46.5 cm 39 cm
Rijksmuseum Amsterdam
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Johannes Vermeer
Äàìà, ïèøóùàÿ ïèñüìî
A Lady Writing
C. 1665. Oil on canvas, 45 x 39.9 cm.
Courtesy National Gallery of Art, Washington.
[ïîêàçàòü]
Unknown artist late 16th Century
King Richard III
National Portrait Gallery, London

Gortzius Geldorp (1553–circa 1618)
Portrait of Hortensia del Prado
1599
oil on panel 68 cm 52 cm
Rijksmuseum Amsterdam
Anthony van Dyck (1599–1641)
Five Eldest Children of Charles I
1637
Royal Collection of the United Kingdom

Þëèé Õàðå (23 ÿíâàðÿ 1859 – 12 ìàðòà 1932) - áðèòàíñêèé õóäîæíèê, ïèñàâøèé ïîðòðåòû è ïåéçàæè. Ðîäèëñÿ â Äóáëèíå â ñåìüå Ìàòèàñà Õàðå. Ñîñòîÿë ÷ëåíîì Êîðîëåâñêîé àêàäåìèè õóäîæåñòâ è âûñòàâëÿëñÿ òàì.
Julius Hare (1859-1932)
Ïîðòðåò äåâî÷êè
Ñåðèÿ ñîîáùåíèé "Äåòêè \2\":
×àñòü 1 - Ìîäíûå äåòêè. ÑòàðèííîÏîðòðåòíîå... (history of fashion in art) \18\
×àñòü 2 - Äåòêè. ÑòàðèííîÏîðòðåòíîå... (àóêöèîí Sotheby's) \19\
...
×àñòü 14 - Ìîäíûå äåòêè. ÑòàðèííîÏîðòðåòíîå... (history of fashion in art) \25\
×àñòü 15 - Äåòñêèé ïîðòðåò (history of fashion in art) \26\
×àñòü 16 - Þëèé Õàðå (Julius Hare, 1859-1932, British) - Ïîðòðåò äåâî÷êè