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Áåç çàãîëîâêà 03-04-2019 15:08

Ýòî öèòàòà ñîîáùåíèÿ Dalgren Îðèãèíàëüíîå ñîîáùåíèå

ÄÐ. ÑÅÐÆ ÃÅÍÑÁÓÐ

Âïåðâûå óâèäåëà Ãåíñáóðà â ôèëüìå "Îõ, óæ ýòîò äåä" - êðîøå÷íàÿ ðîëü, à âîò çàïîìíèëñÿ. Ïîòîì áûëà ïåñíÿ Je t’aime… moi non plus... ñåé÷àñ êàæåòñÿ ïî÷òè íåâèííîé è î÷åíü êðàñèâîé!
Íî îïðåäåë¸ííî - ýïàòàæíûé ãîñïîäèí!




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Áåç çàãîëîâêà 02-04-2019 12:43

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Äèåãî Âåëàñêåñ (Diego Velazquez, 1599-1660, Spanish) - Èíôàíòà Ìàðãàðèòà - ìèëîå ñîëíûøêî Âåëàñêåñà

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

 Åñëè ñïðîñèòü ëþáèòåëåé æèâîïèñè, êîãî èç èñïàíñêèõ äåâî÷åê îíè ïîìíÿò ëó÷øå âñåãî, îòâåò áóäåò åäèíîäóøíûì: èíôàíòó Ìàðãàðèòó.  ýòîì ïîäëóííîì ìèðå îíà ïðîæèëà âñåãî 22 ãîäà, îñòàâèâ êðàéíå ìàëî ñâèäåòåëüñòâ î ñâîåé æèçíè, è åñëè áû íå ïîðòðåòû Âåëàñêåñà, îáåññìåðòèâøèå îáðàç ìàëåíüêîé õðóïêîé äåâî÷êè, çàïåðòîé â óäóøëèâîì ìàäðèäñêîì Àëüêàñàðå, áîþñü, îíà çàòåðÿëàñü áû â âåðåíèöå èíôàíò-ýðöãåðöîãèíü ñòàâøèõ æåðòâàìè äèíàñòè÷åñêèõ áðàêîâ Ãàáñáóðãîâ.

 

Äèåãî Âåëàñêåñ
Ïîðòðåò èíôàíòû Ìàðãàðèòû (äåòàëü)
1653. 128õ100
Õóäîæåñòâåííî-èñòîðè÷åñêèé ìóçåé, Âåíà

Îíà ðîäèëàñü â 1651 ãîäó ïî÷òè ñëó÷àéíî, â ðåçóëüòàòå ñîâåðøåííî íåâîîáðàçèìîãî ðîäñòâåííîãî ñîþçà. Ÿ îòåö Ôèëèïï IV óæå èìåë îò ïåðâîãî áðàêà äâîèõ âûæèâøèõ çàêîííûõ äåòåé (íå ñ÷èòàÿ âåñüìà çíà÷èòåëüíîãî êîëè÷åñòâà âíåáðà÷íûõ), êîãäà â åãî æèçíåííûå ïëàíû âìåøàëàñü ñóäüáà.

 

Äèåãî Ðîäðèãåñ äå Ñèëüâà è Âåëàñêåñ
Ïîðòðåò èíôàíòû Ìàðãàðèòû â ãîëóáîì ïëàòüå (äåòàëü)
1659. 127õ107
Õóäîæåñòâåííî-èñòîðè÷åñêèé ìóçåé, Âåíà

Äèåãî Âåëàñêåñ
Êîðîëü Èñïàíèè Ôèëèïï IV (äåòàëü)
1632. 128õ86
Õóäîæåñòâåííî-èñòîðè÷åñêèé ìóçåé, Âåíà

Ìàðãàðèòà áûëà ñòàðøèì ðåáåíêîì îò âòîðîãî áðàêà êîðîëÿ Èñïàíèè ñ ýðöãåðöîãèíåé  Ìàðèàííîé. Âòîðàÿ æåíèòüáà Ôèëèïïà  íå âõîäèëà â åãî æèçíåííûå ïëàíû è áûëà îáóñëîâëåíà ñìåðòüþ åãî åäèíñòâåííîãî íà òîò ìîìåíò ñûíà è íàñëåäíèêà ïðèíöà Áàëüòàçàðà Êàðëîñà, ñûíà åãî ëþáèìîé æåíû Èçàáåëëû äå Áóðáîí.

 

Äèåãî Âåëàñêåñ (1599–1660)
Èíôàíò Áàëüòàñàð Êàðëîñ íà îõîòå (äåòàëü)
1635-36, 191x103
Ïðàäî, Ìàäðèä

7 (135x96, 23Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè

Áåç çàãîëîâêà 31-03-2019 17:53

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Äèåãî Âåëàñêåñ (Diego Velazquez, 1599-1660, Spanish) - «Ìåíèíû» («Ñåìüÿ Ôèëèïïà IV»)

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

«Ìåíè́íû» (èñï. Las Meninas — «ôðåéëèíû»), èëè «Ñåìüÿ Ôèëèïïà IV» — êàðòèíà Äèåãî Âåëàñêåñà, íàïèñàííàÿ â 1656 ãîäó. Îäíà èç ñàìûõ çíàìåíèòûõ êàðòèí â ìèðå, íûíå õðàíÿùàÿñÿ â ìóçåå Ïðàäî. Ýòî êàðòèíà-èëëþçèÿ, êàðòèíà-çåðêàëî, êàðòèíà-àâòîáèîãðàôèÿ.

 

https://s-media-cache-ak0.pinimg.com/originals/8d/26/ef/8d26efcccad53cf9eafbee07f5349351.jpg

Äèåãî Âåëàñêåñ (1599–1660)
Ìåíèíû
*Las Meninas, or The Family of Felipe IV*
1656, 318 ñì x 276 ñì, õîëñò
Ìóçåé Ïðàäî

 ìóçåå Ïðàäî «Ìåíèíû» íàìåðåííî ðàçìåùàþòñÿ î÷åíü íèçêî – òàê, ÷òîáû çðèòåëü îêàçàëñÿ ïðàêòè÷åñêè íà îäíîì óðîâíå ñ ïåðñîíàæàìè êàðòèíû.

 

«Êîãäà âû ñòîèòå ïåðåä íåé, - äåëèòñÿ âïå÷àòëåíèåì èñòîðèê èñêóññòâà Ïàîëà Âîëêîâà, - ó âàñ âîçíèêàåò ïîëíàÿ èëëþçèÿ, ÷òî âû â ìàñòåðñêîé, êîòîðàÿ èçîáðàæåíà íà ýòîé êàðòèíå. ß íèêîãäà â æèçíè íå èñïûòûâàëà òàêîãî ñòðàííîãî, äàæå æóòêîâàòîãî – äî õîëîäà â ñïèíå – îùóùåíèÿ, ÷òî âû íàõîäèòåñü âíóòðè êàðòèíû; ÷òî âû ïåðåñåêëè òàèíñòâåííóþ ãðàíèöó âðåìåíè è ïîãðóçèëèñü â ýòîò ìèð, ñ êîòîðûì âû ñåé÷àñ îáúåäèíåíû. Âû ñòîèòå ìåæäó ìàëåíüêîé äåâî÷êîé, èíôàíòîé Ìàðãàðèòîé, ôðåéëèíàìè, êîòîðûå ïðèâåëè å¸ â ìàñòåðñêóþ õóäîæíèêà, è òåì, êòî ñòîèò çà âàøåé ñïèíîé».

 

https://artchive.ru/res/media/img/oy1800/work/fcf/311083@2x.jpeg

Äèåãî Âåëàñêåñ (1599–1660)
Ôèëèïï IV Èñïàíñêèé â êîðè÷íåâîì ñ ñåðåáðîì
1631-32
Íàöèîíàëüíàÿ ãàëåðåÿ, Ëîíäîí

Ïîëîòíî èçîáðàæàåò ñöåíó íàïèñàíèÿ Âåëàñêåñîì ñîâìåñòíîãî ïîðòðåòà èñïàíñêîãî êîðîëÿ Ôèëèïïà IV ñ åãî ñóïðóãîé è ïëåìÿííèöåé Ìàðèàííîé Àâñòðèéñêîé â ïðèñóòñòâèè èõ äî÷åðè èíôàíòû Ìàðãàðèòû Òåðåçû ñî ñâèòîé.

 

Äèåãî Âåëàñêåñ (1599–1660)
Ìàðèàííà Àâñòðèéñêàÿ, êîðîëåâà Èñïàíèè
1652, 234,2x132
Ïðàäî, Ìàäðèä

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Áåç çàãîëîâêà 30-03-2019 16:24

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Äèåãî Âåëàñêåñ (Diego Velazquez, 1599-1660, Spanish) - Ïîðòåò ýïîõè áàðîêêî \2\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

Äèåãî äå Âåëàñêåñ – çíàìåíèòûé èñïàíñêèé æèâîïèñåö ýïîõè áàðîêêî, ïðèäâîðíûé õóäîæíèê è äèïëîìàò. Îí ïðîæèë íàñûùåííóþ è ïëîäîòâîðíóþ æèçíü, ó÷àñòâîâàë âî ìíîãèõ èñòîðè÷åñêèõ ñîáûòèÿõ ñâîåãî âðåìåíè è îáùàëñÿ ñî ìíîãèìè ãîñóäàðñòâåííûìè äåÿòåëÿìè.

 

Äèåãî Ðîäðèãåñ äå Ñèëüâà è Âåëàñêåñ
Èíôàíòà Ìàðèÿ Òåðåçà Àâñòðèéñêàÿ
1650, 71õ60
Ëóâð, Ïàðèæ

https://i.pinimg.com/originals/c5/d4/70/c5d4705c42eb79628142699b41d955f1.jpg

Follower of Diego Rodriguez de Silva y Velásquez
PORTRAIT OF A MILITARY OFFICER, BUST LENGTH
oil on canvas
59 by 48.5 cm.

Åãî ðàáîòû ïîëó÷èëè ïðèçíàíèå åù¸ ïðè æèçíè õóäîæíèêà è âñåãäà áûëè ãîðäîñòüþ èñïàíñêîãî èñêóññòâà. Ìèðîâóþ èçâåñòíîñòü îíè ïîëó÷èëè âî âðåìåíà ôðàíöóçñêîãî èìïðåññèîíèçìà – êîíåö XIX – íà÷àëî XX âåêîâ. Ýäóàðä Ìàíå íàçûâàë Âåëàñêåñà âåëè÷àéøèì èç êîãäà-ëèáî æèâøèõ õóäîæíèêîâ, à Ñàëüâàäîð Äàëè è Ïàáëî Ïèêàññî ñîçäàâàëè ñâîè èíòåðïðåòàöèè åãî çíàìåíèòûõ ïîëîòåí.

 

https://i.pinimg.com/originals/45/02/0f/45020f877c3672c786ca30d39972bb83.jpg

Follower of Diego Rodríguez de Silva y Velázquez
PORTRAIT OF MARIANA OF AUSTRIA (1635-1696), HEAD AND SHOULDERS
oil on canvas 68 by 57 cm.

0_13d21a_29fee13f_S (120x62, 15Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áåç çàãîëîâêà 29-03-2019 11:47

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Äèåãî Âåëàñêåñ (Diego Velazquez, 1599-1660, Spanish) - ïðèäâîðíûé æèâîïèñåö èñïàíñêèõ ìîíàðõîâ \1\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

Äèåãî Ðîäðèãåñ äå Ñèëüâà è Âåëàñêåñ ðîäèëñÿ â Ñåâèëüå (Àíäàëóñèÿ), â ñåìüå ìåñòíîé óðîæåíêè Æåðîíèìû Âåëàñêåñ è íàñëåäíèêà ïîðòóãàëüñêèõ îáåäíåâøèõ äâîðÿí (ïî äðóãîé âåðñèè – êðåù¸íûõ åâðååâ) – Õóàíà äå Ñèëüâà. Î äàòå ðîæäåíèÿ õóäîæíèêà ìîæíî ñóäèòü ëèøü ïî çàïèñè â öåðêîâíîé êíèãå î åãî êðåùåíèè, äàòèðîâàííîé 6 èþíÿ 1599 ãîäà.

 

Äèåãî Ðîäðèãåñ äå Ñèëüâà è Âåëàñêåñ
Ïîðòðåò èíôàíòû Ìàðèè Òåðåçû
1652-53. 127õ99
Õóäîæåñòâåííî-èñòîðè÷åñêèé ìóçåé, Âåíà
(Kunsthistorisches Museum, Wien).

Äèåãî Âåëàñêåñ (1599–1660)
Êîðîëü Èñïàíèè Ôèëèïï IV
1625-28. 209x121
Õóäîæåñòâåííûé ìóçåé Äæîíà è Ìåéáë Ðèíãëèíã, Ñàðàñîòà
(John and Mable Ringling Museum of Art, Sarasota).

https://artchive.ru/res/media/img/oy1800/work/eb4/309738@2x.jpeg

Äèåãî Âåëàñêåñ
Ïîðòðåò êîðîëåâû Èçàáåëëû Áóðáîíñêîé
1632, 207×109 ñì
×àñòíàÿ êîëëåêöèÿ, Íüþ-Éîðê

9 (138x91, 24Kb)
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Áåç çàãîëîâêà 28-03-2019 13:31

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ñòàðèííûé Ïîðòðåò \73\

[ïîêàçàòü]lomovolga

 

4080226_adorno23 (556x77, 9Kb)

[ïîêàçàòü]

1664 Caesar van Everdingen
Portrait of a two-year-old boy with an apple and a finch
(Cannon Hall, South Yorkshire)

https://www.rct.uk/sites/default/files/collection-online/9/c/256209-1500035663.jpg

Follower of Raphael (Urbino 1483-Rome 1520)
Portrait of a Man
c. 1506-13
Oil on poplar | 42.8 x 41.9 cm
© Royal Collection

https://www.rct.uk/sites/default/files/679966-1492512213.jpg

 Lucas Cranach the Elder (1472-1553) and workshop
Portrait of a Lady and her Son
c.1510-40
Oil on panel | 53.0 x 38.4

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Áåç çàãîëîâêà 28-03-2019 13:17

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Áàëòàçàð âàí äåð Àñò (Balthasar van der Ast, c.1593–1657, Dutch) - Ðîñêîøü ñòàðèííîãî íàòþðìîðòà \3\

[ïîêàçàòü]lomovolga

[ïîêàçàòü]

[ïîêàçàòü]

Balthasar van der Ast
MIDDELBURG 1593/94 - 1657 DELFT
STILL LIFE OF FLOWERS IN A GLASS BEAKER ON A STONE LEDGE, TOGETHER WITH INSECTS AND A LIZARD
1622.
oil on copper 37.4 x 26 cm.

Áàëòàçàð âàí äåð Àñò
Áóêåò öâåòîâ â êèòàéñêîé âàçå â íèøå
1640-å , 63×48 ñì
×àñòíàÿ êîëëåêöèÿ

Balthasar van der Ast
Stilleven met bloemen
between circa 1625 and circa 1630
Medium oil on panel
Rijksmuseum 

5230261_kras_roza (150x53, 14Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áåç çàãîëîâêà 27-03-2019 21:41

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Áàëòàçàð âàí äåð Àñò (Balthasar van der Ast, 1593–1657, Dutch) - Ðîñêîøü ñòàðèííîãî íàòþðìîðòà \2\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

PART I

Áàëòàçàð âàí äåð Àñò
Áëþäî ñ ôðóêòàìè è ðàêîâèíû íà ñòîëå
1620, 46×64.5 ñì

Áàëòàçàð âàí äåð Àñò
Áëþäî ñ ôðóêòàìè è ðàêîâèíû íà ñòîëå (Äåòàëü)
1620, 46×64.5 ñì

[ïîêàçàòü]

Balthasar van der Ast
MIDDELBURG 1593/94 - 1657 DELFT

[ïîêàçàòü]

Balthasar van der Ast
MIDDELBURG 1593/94 - 1657 DELFT

5230261_kras_roza (150x53, 14Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áåç çàãîëîâêà 26-03-2019 13:54

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Áàëòàçàð âàí äåð Àñò (Balthasar van der Ast, c.1593–1657, Dutch) - Ðîñêîøü ñòàðèííîãî íàòþðìîðòà \1\

[ïîêàçàòü]lomovolga

 

[ïîêàçàòü]

 

Áàëüòàçàð âàí äåð Àñò (íèäåðë. Balthasar van der Ast; îê. 1593, Ìèääåëáóðã — 1657, Äåëôò) — íèäåðëàíäñêèé õóäîæíèê è ðèñîâàëüùèê.

 

Áàëòàçàð âàí äåð Àñò
Êîðçèíà ñ öâåòàìè è êðàñíàÿ ñìîðîäèíà
1622, 17.8×23.5 ñì
Íàöèîíàëüíàÿ ãàëåðåÿ èñêóññòâà, Âàøèíãòîí

[ïîêàçàòü]

Balthasar van der Ast (1593/94-1657)
Still Life with Fruit

[ïîêàçàòü]

Balthasar van der Ast
MIDDELBURG 1593/94 - 1657 DELFT
A STILL LIFE WITH APRICOTS, CHERRIES, A WILD STRAWBERRY, RED CURRANTS, SHELLS AND INSECTS
oil on panel 19 by 33.7 cm. 

Ðîäèëñÿ â Ìèääåëáóðãå, â ñåìüå òîðãîâöà øåðñòüþ. Åãî ðîæäåíèå íå áûëî çàôèêñèðîâàíî, íî ñïóñòÿ ãîäà, â èþíå 1618 ãîäà, èñê áðàòà ßêîáà ïîêàçàë, ÷òî Áàëüòàçàðó â òî âðåìÿ áûëî 25 ëåò, çàïèñàâ äàòó ðîæäåíèÿ â 1593 èëè 1594 ãîäó. Ïîñëå ñìåðòè îòöà â 1609 ãîäó Áàëüòàçàð ïåðååõàë ê ñâîåé ñòàðøåé ñåñòðå Ìàðèè, êîòîðàÿ áûëà çàìóæåì çà Àìáðîçèóñîì Áîñõàðòîì Ñòàðøèì.

 

https://pbs.twimg.com/media/DxWF8QJWsAAdHju.jpg

AST, Balthasar van der
Still-Life of Flowers, Shells, and Insects
c. 1635
Oil on panel, 24 x 35 cm
Private collection

5230261_kras_roza (150x53, 14Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áåç çàãîëîâêà 25-03-2019 22:26

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Francisco Gutierrez (active in Madrid, 17th century) - Àðõèòåêòóðíîå êàïðè÷÷èî ñ ãîñóäàðñòâåííîé áàðæåé íà êàíàëå è äî÷åðüþ ôàðàîíà, íàõîäÿùåé Ìîèñåÿ

[ïîêàçàòü]lomovolga

 

[ïîêàçàòü]

[ïîêàçàòü]

Francisco Gutiérrez
ACTIVE IN MADRID, SECOND HALF OF THE 17TH CENTURY
EXTRAVAGANT ARCHITECTURAL CAPRICCIO WITH A STATE BARGE ON A CANAL AND PHARAOH'S DAUGHTER FINDING MOSES
1693
oil on canvas 168 by 216 cm.

Francisco Gutiérrez
ACTIVE IN MADRID, SECOND HALF OF THE 17TH CENTURY
EXTRAVAGANT ARCHITECTURAL CAPRICCIO WITH A STATE BARGE ON A CANAL AND PHARAOH'S DAUGHTER FINDING MOSES (DETAIL)
1693
oil on canvas 168 by 216 cm.

Francisco Gutiérrez
ACTIVE IN MADRID, SECOND HALF OF THE 17TH CENTURY
EXTRAVAGANT ARCHITECTURAL CAPRICCIO WITH A STATE BARGE ON A CANAL AND PHARAOH'S DAUGHTER FINDING MOSES (DETAIL)
1693
oil on canvas 168 by 216 cm.

 




110 (250x246, 76Kb) 

 

 

Ïîëîòíî ïðîäàíî íà àóêöèîíå Sotheby's London,
â ôåâðàëå 2018 çà 350,000 USD
FROM THE COLLECTION OF J.E. SAFRA

 

 

[ïîêàçàòü]

Ñåðèÿ ñîîáùåíèé "Àðõèòåêòóðíûé, êëàññè÷åñêèé ïåéçàæ \5\":
×àñòü 1 - Ôëàìàíäñêèé æèâîïèñåö-ïåéçàæèñò Òåîáàëüä Ìèøî (Theobald Michau (Micho), 1676-1765, Flanders) \1\
×àñòü 2 - Ôëàìàíäñêèé æèâîïèñåö-ïåéçàæèñò Òåîáàëüä Ìèøî (Theobald Michau (Micho), 1676-1765, Flanders) \2\
...
×àñòü 36 - Âäîõíîâëåííûé Âåíåöèåé... Ôðàíöóçñêèé õóäîæíèê Ôåëèêñ Çèì (Felix Ziem, 1821–1911, French)
×àñòü 37 - Àíòîí Ìèðî (Anton Mirou, 1578-1627, Flanders) - ôëàìàíäñêèé õóäîæíèê-ïåéçàæèñò.
×àñòü 38 - Francisco Gutierrez (active in Madrid, 17th century) - Àðõèòåêòóðíîå êàïðè÷÷èî ñ ãîñóäàðñòâåííîé áàðæåé íà êàíàëå è äî÷åðüþ ôàðàîíà, íàõîäÿùåé Ìîèñåÿ
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áåç çàãîëîâêà 25-03-2019 22:21

Ýòî öèòàòà ñîîáùåíèÿ Bo4kaMeda Îðèãèíàëüíîå ñîîáùåíèå

Ëàéçà Ìèííåëëè (Liza Minnelli)

Bo4kaMeda



01




02

✂…
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áåç çàãîëîâêà 17-03-2019 16:19

Ýòî öèòàòà ñîîáùåíèÿ Ìàðèíà_Óøàêîâà Îðèãèíàëüíîå ñîîáùåíèå

Êàê âûãëÿäåë Ìèíñê â 1954 ãîäó. Íàöèîíàëüíàÿ êèíîñòóäèÿ "Áåëàðóñüôèëüì"



Äîêóìåíòàëüíûé ôèëüì î Ìèíñêå 1954 ã.

ðåæèññåð Èîñèô Øóëüìàí (1912−1990),

ñöåíàðèé Íèêîëàé Ñàäêîâè÷

äèðåêòîð ôèëüìà Àêèì Æóê

îïåðàòîðû: Âëàäèìèð Îêóëè÷, Âëàäèìèð Öèòðîí

êîìïîçèòîð Äìèòðèé Ëóêàñ

ìîíòàæ: Ì. Áîäðåííèêîâ.

Âèäåî ïðîäîëæèòåëüíîñòüþ ïîë÷àñà ïîçâîëèò âàì óâèäåòü àýðîïîðò «Ìèíñê-1», ñòàðûé æåëåçíîäîðîæíûé âîêçàë, Ïðèâîêçàëüíóþ ïëîùàäü, ãäå ïîñòðîåíà òîëüêî îäíà èç áàøåí, à òàêæå äðóãèå äîñòîïðèìå÷àòåëüíîñòè ãîðîäà.

À åùå ïóñòûå óëèöû, ìíîãî çåëåíè è äàæå ïàëüìû, êîòîðûå âûñàæèâàëèñü íà ëåòíèå ìåñÿöû ó Äîìà ïðàâèòåëüñòâà (íà îòìåòêå 14.28).

Íàöèîíàëüíàÿ êèíîñòóäèÿ "Áåëàðóñüôèëüì" ©1954

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Áåç çàãîëîâêà 11-03-2019 11:01

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Àíòîí Ìèðî (Anton Mirou, 1578-1627, Flanders) - ôëàìàíäñêèé õóäîæíèê-ïåéçàæèñò.

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

Àíòóàí, èëè Àíòîí Ìèðî (Antoine, or Anton Mirou; 1578, Àíòâåðïåí – 1621/1627, Ôðàíêåíòàëü) – ôëàìàíäñêèé ïåéçàæèñò Çîëîòîãî âåêà øêîëû Ôðàíêåíòàëÿ.

 

https://upload.wikimedia.org/wikipedia/commons/thumb/c/c9/Anthonie_Mirou_-_Extensive_Landscape_with_the_Rest_on_the_Flight_into_Egypt_-_WGA16046.jpg/1280px-Anthonie_Mirou_-_Extensive_Landscape_with_the_Rest_on_the_Flight_into_Egypt_-_WGA16046.jpg

Anton Mirou (1578–1621/1627)
Extensive Landscape with the Rest on The Flight into Egypt
first half of 17th century
oil on copper 21 cm õ  30 cm
Private collection

https://img-fotki.yandex.ru/get/51/mangiana.7d/0_47af8_da6353aa_orig

[ïîêàçàòü]

Ïåéçàæ ñ îõîòíèêàìè
(Landscape with hunting party)
47 õ 63_ìåäü, ìàñëî
×àñòíîå ñîáðàíèå

https://img-fotki.yandex.ru/get/51/mangiana.7d/0_47af8_da6353aa_orig

Ñûí àïòåêàðÿ-êàëüâèíèñòà Àíòîí Ìèðî â ñîîòâåòñòâèè ñ ÐÊÄ ïåðååõàë ñî ñâîåé ñåìüåé â Ôðàíêåíòàëü â 1586 ãîäó. Â 1602 ãîäó æåíèëñÿ íà Ñþçàííå. Ïîñëåäíèé ðàç óïîìèíàåòñÿ â 1627 ãîäó.

 

http://4.bp.blogspot.com/-IJWF76OqfrY/Vp7gKcJhowI/AAAAAAAA5mE/h2kP13ORa-Y/s1600/%25D0%259E%25D1%2580%25D1%2584%25D0%25B5%25D0%25B9%2B%25D0%25BE%25D1%2587%25D0%25B0%25D1%2580%25D0%25BE%25D0%25B2%25D1%258B%25D0%25B2%25D0%25B0%25D0%25B5%25D1%2582%2B%25D0%25B6%25D0%25B8%25D0%25B2%25D0%25BE%25D1%2582%25D0%25BD%25D1%258B%25D1%2585%2B%2528Orpheus%2Bcharming%2Bthe%2Banimals%2529%2B%2528%25D0%25B0%25D1%2582%25D1%2580%2529_21.2%2B%25D1%2585%2B29.2_%25D0%25BC%25D0%25B5%25D0%25B4%25D1%258C%252C%2B%25D0%25BC%25D0%25B0%25D1%2581%25D0%25BB%25D0%25BE_%25D0%25A7%25D0%25B0%25D1%2581%25D1%2582%25D0%25BD%25D0%25BE%25D0%25B5%2B%25D1%2581%25D0%25BE%25D0%25B1%25D1%2580%25D0%25B0%25D0%25BD%25D0%25B8%25D0%25B5.jpg

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Áåç çàãîëîâêà 10-03-2019 14:09

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ôðàíñóà Áóøå "Îäàëèñêà". Ïðàâäèâûå ôàíòàçèè î Êðàñàâèöå.

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

"ß äàë øåñòü ëóèäîðîâ îäíîìó íåìåöêîìó õóäîæíèêó, ÷òîáû îí íàïèñàë å¸ ñ íàòóðû îáíàæåííîé, è îíà âûøëà êàê æèâàÿ. Îí èçîáðàçèë å¸ ëåæàùåé íà æèâîòå, îïèðàÿñü ðóêàìè è ãðóäüþ íà ïîäóøêó è äåðæà ãîëîâó òàê, ñëîâíî ëåæàëà íà ñïèíå. Èñêóñíûé õóäîæíèê íàðèñîâàë íîãè å¸ è áåäðà òàê, ÷òî ãëàç íå ìîã è æåëàòü áîëüøåãî. Âíèçó ÿ âåëåë íàïèñàòü: O-Morphi. Ñëîâî ýòî íå èç Ãîìåðà, íî âïîëíå ãðå÷åñêîå; îçíà÷àåò îíî Êðàñàâèöà."

Äæàêîìî Äæèðîëàìî Êàçàíîâà
"Èñòîðèÿ ìîåé æèçíè"

 

Îòäûõàþùàÿ îäàëèñêà
(Ïîðòðåò ìàäåìóàçåëü Ëóèçû Î'Ìåðôè)
(Resting odalisque, also known as Portrait of Marie-Louise O'Murphy)
1752_59 õ 73_õ.,ì.
Ìþíõåí, Ñòàðàÿ Ïèíàêîòåêà

https://4.bp.blogspot.com/-Tz2l47rzHeM/W6krXj-pg9I/AAAAAAABbg4/QjMaHlSSz1oL8Y3wl30GzsLnYoe08I6bACLcBGAs/s1600/1751_%25D0%2591%25D0%25B5%25D0%25BB%25D0%25BE%25D0%25BA%25D1%2583%25D1%2580%25D0%25B0%25D1%258F%2B%25D0%25BE%25D0%25B4%25D0%25B0%25D0%25BB%25D0%25B8%25D1%2581%25D0%25BA%25D0%25B0%2B%2528%25D0%259F%25D0%25BE%25D1%2580%25D1%2582%25D1%2580%25D0%25B5%25D1%2582%2B%25D0%25BC%25D0%25B0%25D0%25B4%25D0%25BC%25D1%2583%25D0%25B0%25D0%25B7%25D0%25B5%25D0%25BB%25D1%258C%2B%25D0%259B%25D1%2583%25D0%25B8%25D0%25B7%25D1%258B%2B%25D0%259E%2527%25D0%259C%25D0%25B5%25D1%2580%25D1%2584%25D0%25B8%2B%2528The%2BBlonde%2BOdalisque%252C%2Balso%2Bknown%2Bas%2BPortrait%2Bof%2BMarie-Louise%2BO%2527Murphy%2529_59.5%2B%25D1%2585%2B73.5_%25D1%2585.%252C%25D0%25BC._%25D0%259A%25D1%2591%25D0%25BB%25D1%258C%25D0%25BD%252C%2B%25D0%2592%25D0%25B0%25D0%25BB%25D1%258C%25D1%2580%25D0%25B0%25D1%2584%25D0%25B0-%25D0%25A0%25D0%25B8%25D1%2585%25D0%25B0%25D1%2580%25D1%2586%25D0%25B0.jpg

Áåëîêóðàÿ îäàëèñêà
(Ïîðòðåò ìàäìóàçåëü Ëóèçû Î'Ìåðôè)
(The Blonde Odalisque, also known as Portrait of Marie-Louise O'Murphy)
1751_59.5 õ 73.5_õ.,ì.
ʸëüí, Âàëüðàôà-Ðèõàðöà

- ß áîëüøå íå èíòåðåñíà êîðîëþ! - ìàðêèçà äå Ïîìïàäóð çàêðûëà ëèöî ðóêàìè. Ìàäàì Îññå íåæíî îáíÿëà åå çà ïëå÷è.
- Âñå îáîéäåòñÿ, ìàäàì.
- Ìíå ñêîðî ñîðîê, ìîé îðãàíèçì óæå íå âûäåðæèâàåò íè ëþáîâíûõ âîçëèÿíèé, íè àáîðòîâ. Ëþäîâèêó íðàâÿòñÿ ìîëîäûå æåíùèíû, à çäåñü â Âåðñàëå ëþáàÿ äåâèöà íîðîâèò ïðûãíóòü ê êîðîëþ â ïîñòåëü! Íåóæåëè ìíå ñòîèò âîïëîòèòü ìîþ äàâíþþ çàäóìêó, Îëåíèé ïàðê?
- Îëåíèé ïàðê? - ñïðîñèëà ìàäàì Îññå óäèâëåííî.- ß ÷òî-òî î íåì íå ñëûøàëà.
- Êîðîëþ íàäî ðàçâëåêàòüñÿ. - îòâåòèëà Ïîìïàäóð.

 

https://s09.radikal.ru/i182/1401/c3/23d068cf6af1.jpg

  Ôðàíñóà Áóøå
Ïîðòðåò ìàðêèçû äå Ïîìïàäóð

×èòàòü äàëåå...
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Áåç çàãîëîâêà 09-03-2019 16:19

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ìîäíûå êàâàëåðû íà ïîðòðåòàõ Ñòàðûõ Ìàñòåðîâ \50\

[ïîêàçàòü]lomovolga

 

[ïîêàçàòü]

https://69.media.tumblr.com/277022753e0f413c8b11cf74369015c3/tumblr_png6rakhTL1t658edo1_1280.jpg

ab. 1510 Jörg Breu the Elder
Portrait of a Young Man
(San Diego Museum of Art)

Ìàðòèí Êîáåð
Êîðîëü Ïîëüøè Ñèãèçìóíä III Âàçà (1566-1632)
Êîëëåêöèÿ æèâîïèñè çàìêà Àìáðàñ â îêðåñòíîñòÿõ Èíñáðóêà

Ñîôîíèñáà Àíãèøîëà
Ôèëèïï II, êîðîëü Èñïàíèè
Êîëëåêöèÿ æèâîïèñè çàìêà Àìáðàñ â îêðåñòíîñòÿõ Èíñáðóêà

https://69.media.tumblr.com/9db78688d5974e7b792024e0427a462e/tumblr_pnt0woJBiU1t658edo1_1280.jpg

ab. 1465-1470 Master of the Mornauer Portrait
Duke Sigismund of Austria
(Alte Pinakothek)

9 (138x91, 24Kb)
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Áåç çàãîëîâêà 09-03-2019 16:17

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ãîáåëåíû ïî ýñêèçàì ôëàìàíäñêîãî õóäîæíèêà Áåðíàðäà âàí Îðëåÿ (Bernard van Orley, c.1488-1541, Flanders)

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

PART III

[ïîêàçàòü]

Romulus and Remus,
A narrative classical tapestry, Madrid, woven
by Artesanía Española  dated MCMXLI (1941),
copy after a 16th century (1525-1530) Brussels cartoon, from the circle of Bernard van Orley (ca. 1492-1542),
border design after Joss van Liere

 

https://upload.wikimedia.org/wikipedia/commons/thumb/a/a7/Adoration_of_the_Kings_MET_DT1835.jpg/1243px-Adoration_of_the_Kings_MET_DT1835.jpg

Bernard van Orley (circa 1491/1492–1542)
Adoration of the Kings
circa 1530 –35
Metropolitan Museum of Art

9 (138x91, 24Kb)
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Áåç çàãîëîâêà 08-03-2019 11:41

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ãåðöîã Áýêèíãåì - Ëþáîâíèê íà âñå âðåìåíà

[ïîêàçàòü]lomovolga

 

0_418b6_a8f943bd_L (500x160, 49Kb)

[ïîêàçàòü]

 

 Äâàäöàòü òðåòüåãî àâãóñòà 1628 ãîäà àíãëèéñêèé ïîðòîâûé ãîðîä Ïîðòñìóò áûë ïåðåïîëíåí âîåííûìè è ïðèäâîðíûìè. Ëó÷øèé äîì â ãîðîäå, ïðåäîñòàâëåííûé ãëàâíîêîìàíäóþùåìó, íàïîìèíàë ï÷åëèíûé óëåé: ãîíöû è îðóæåíîñöû ñíîâàëè âî âñåõ íàïðàâëåíèÿõ, âîåíà÷àëüíèêè ñîâåùàëèñü î òîì, ÷òî òåïåðü äåëàòü.

 

John Hoskins,
George Villiers, 1stDuke of Buckingham, c. 1628-9,
watercolour on vellum laid on playing card, 5.2 x 4.2 cm,
Royal Collection.

[1200x]

Ïèòåð Ïàóëü Ðóáåíñ
Ïîðòðåò Äæîðäæà Âèëëåðñà, ãåðöîãà Áàêèíãåìà
1625
àëåðåÿ Ïàëàòèíà Ôëîðåíöèÿ

Íàêàíóíå ôðàíöóçû ñíÿëè îñàäó ñ ïðîòåñòàíòñêîé òâåðäûíè – ãîðîäà Ëà Ðîøåëè, è òåïåðü ïîìîùü àíãëè÷àí òàì áûëà íå íóæíà. Çíà÷èëî ëè ýòî ïðåêðàùåíèå âîéíû? Äëÿ òîãî ÷òîáû ïðèíÿòü îêîí÷àòåëüíîå ðåøåíèå, ãëàâíîêîìàíäóþùåìó ñëåäîâàëî âåðíóòüñÿ â Ëîíäîí – ê ïàðëàìåíòó è êîðîëþ.

 

after Daniel Mytens
George Villiers, First Duke of Buckingham (1592-1628)

Äîðîæíûé ýêèïàæ áûë ïîäàí, è áëèñòàòåëüíûé âåëüìîæà â ñîïðîâîæäåíèè ñâèòû øåë ïî êîðèäîðó ê ïàðàäíûì äâåðÿì. Âíåçàïíî îòêóäà-òî èç-çà óãëà ìåëüêíóëà ÷åðíàÿ òåíü, ñâåðêíóëî ëåçâèå êèíæàëà, è ÷åðåç ñåêóíäó âñå áûëî êîí÷åíî. Ãåðöîã Áýêèíãåì, ôàêòè÷åñêèé âëàäûêà Àíãëèè, òðèíàäöàòü ëåò îñëåïëÿâøèé Åâðîïó áëåñêîì ñâîèõ ïîáåä íå ñòîëüêî íà ïîëÿõ ñðàæåíèé, ñêîëüêî â àëüêîâàõ êðàñàâèö, áûë óáèò íåêèì Äæîíîì Ôåëüòîíîì, ñîëäàòîì è ïðîòåñòàíòîì-ôàíàòèêîì, êîòîðûé äàæå è íå äóìàë áåæàòü ñ ìåñòà ïðåñòóïëåíèÿ, à ïðåñïîêîéíî îòäàëñÿ â ðóêè ñòðàæè. Óáèéöà çàÿâèë, ÷òî “ïîêàðàë íå÷åñòèâöà”, è ÷åðåç íåñêîëüêî äíåé áûë ïîâåøåí.

 

https://upload.wikimedia.org/wikipedia/commons/thumb/1/1a/Paul_van_Somer_-_George_Villiers%2C_1st_Duke_of_Buckingham_-_Google_Art_Project.jpg/825px-Paul_van_Somer_-_George_Villiers%2C_1st_Duke_of_Buckingham_-_Google_Art_Project.jpg

Paul van Somer (1576/1578–1622)
George Villiers, 1st Duke of Buckingham
1576/1621
Oil on wood 87 x h74.9 cm (overall)
Museum of Fine Arts, Houston

0_13d21a_29fee13f_S (120x62, 15Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áåç çàãîëîâêà 07-03-2019 11:42

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Æèâîïèñåö ñòèëÿ ðîêîêî Æàí Ôðåäåðèê Øàëëü (Jean-Frederic Schall, 1752-1825, French)

[ïîêàçàòü]lomovolga

 

[ïîêàçàòü]

 

Æàí Ôðåäåðèê Øàëëü (Jean Frédéric Schall, 1752-1825) – ôðàíöóçñêèé õóäîæíèê ýïîõè ðîêîêî.
Ðîäèëñÿ â Ñòðàñáóðãå â 1752 ãîäó è ïîëó÷èë íà÷àëüíîå îáðàçîâàíèå â ñâîåì ðîäíîì ãîðîäå â Ãîñóäàðñòâåííîé øêîëå ðèñîâàíèÿ (Ecole publique de Dessin) îê.1768

 

Ïîðòðåò äàìû, âåðîÿòíî, Ìàðè-Ìàäëåí Ãèìàð, òàê íàçûâàåìîé ìàäåìóàçåëü Ãèìàð, áàëåðèíû ïàðèæñêîé Îïåðû
32.5 õ 24.2_õ.,ì.
×àñòíîå ñîáðàíèå

 

 1772 ãîäó îí ïîêèíóë ñâîé äîì, ÷òîáû ïðîäîëæèòü ó÷åáó â Ïàðèæå â ìàñòåðñêîé Ôðàí÷åñêî Äæóçåïïå Êàçàíîâà (Francesco Giuseppe Casanova, 1727-1802).

 

Äàìà ñ ãèðëÿíäîé öâåòîâ â ñàäó
(A Young Lady In A Garden, Holding A Garland Of Flowers)
42.6 õ 33_õ.,ì.
×àñòíîå ñîáðàíèå

 

Òàíöîâùèöà â ñèíåì ñ æåëòûì ïëàòüå
(Danseuse a la robe bleue et jaune)
32 õ 23_õ.,ì.
Ôðàíöèÿ, Ëàçóðíûé Áåðåã, Âèëëà Ýôðóññè-äå-Ðîòøèëüä

 

 Â1775 ãîäó Øàëëü áûë ïðèíÿò â Êîðîëåâñêóþ àêàäåìèþ æèâîïèñè è ñêóëüïòóðû (Académie royale de Peinture et Sculpture), ãäå îí îáó÷àëñÿ ñðåäè ïðî÷èõ ïîä ðóêîâîäñòâîì Íèêîëÿ Ðåíå Æîëëåíà (Nicolas René Jollain, 1732-1804) è Íèêîëÿ Áåðíàðà Ëåïèñüå (Nicolas Bernard Lépicié, 1735-1784).

 

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Áåç çàãîëîâêà 06-03-2019 16:05

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ìóçû Ðóáåíñà - Åëåíà Ôîóðìåí, Èçàáåëëà Áðàíäò, ñåìåéíîÏîðòðåòíîå è äåòàëè...\2\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

Âåðøèíà òâîð÷åñòâà ïîñëåäíèõ ëåò æèçíè õóäîæíèêà — êàðòèíà «Øóáêà» èç ñîáðàíèÿ Âåíñêîãî ìóçåÿ. Âîçìîæíî, õóäîæíèê íå çàäàâàëñÿ öåëüþ ñïåöèàëüíî ïèñàòü ïîðòðåò æåíû. Îí, âèäèìî, ñîçäàí âñåãî ëèøü â ïåðåðûâàõ, êîãäà Åëåíà Ôîóðìåíò îòäûõàëà îò óòîìèòåëüíîãî ïîçèðîâàíèÿ.

 

https://i.pinimg.com/originals/3d/c2/d4/3dc2d4246edc5846a8e3c655711ef7a0.jpg

Peter Paul Rubens (1577-1640)
Helene Fourment in a Fur Coat
(The Furlet, "Øóáêà")
  176 x 83 ñ_ìäåðåâî, ìàñëî,
1638
Ìóçåé èñòîðèè èñêóññòâ, Âåíà

https://upload.wikimedia.org/wikipedia/commons/2/2e/Peter_Paul_Rubens_019.jpg

Peter Paul Rubens (1577-1640)
Helene Fourment in a Fur Coat
(The Furlet, "Øóáêà")
  176 x 83 ñ_ìäåðåâî, ìàñëî,1638
Ìóçåé èñòîðèè èñêóññòâ, Âåíà

Ïîëíàÿ ðàñêîâàííîñòü, íåïðèíóæäåííîñòü ïîçû è ïîìîãëè ñîçäàòü øåäåâð. Îí íå ïîáîÿëñÿ - ðåøèë, ÷òî êðàñîòà åãî Åëåíû äîëæíà îñòàòüñÿ íàâñåãäà: õóäîæíèê ñîçäàë ðåäêèé ïî îòêðîâåííîñòè ëè÷íîãî ÷óâñòâà îáðàç îáíàæåííîé Åëåíû ñ íàêèíóòîé íà ïëå÷è áàðõàòíîé, îòîðî÷åííîé ìåõîì øóáêîé.

 

[ïîêàçàòü]

Circle of Sir Peter Paul Rubens
PORTRAIT OF A YOUNG WOMAN
(Ïîðòðåò æåíùèíû ñ áåëûì âîðîòíèêîì)

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Áåç çàãîëîâêà 06-03-2019 01:50

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ìóçû Ðóáåíñà - Åëåíà Ôîóðìåí, Èçàáåëëà Áðàíäò, ñåìåéíîÏîðòðåòíîå... \1\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

Êîãäà ìû ñëûøèì èìÿ Ðóáåíñà, ïåðåä íàøèì âíóòðåííèì âçîðîì âîçíèêàþò ãðîìàäíûå ìíîãîôèãóðíûå êîìïîçèöèè ñ áóðëÿùèì äâèæåíèåì ôèãóð è ïûøíîòåëûå çëàòîêóäðûå êðàñàâèöû — ïëîòü è êðîâü ñòàðèííîé öâåòóùåé Ôëàíäðèè. Ýòè îáðàçû çàñëîíÿþò ïîä÷àñ äðóãèå ñòîðîíû ïëîäîòâîðíîé õóäîæåñòâåííîé äåÿòåëüíîñòè Ðóáåíñà, â òîì ÷èñëå è åãî ìàñòåðñòâî ïîðòðåòèñòà.

 

https://i.pinimg.com/originals/47/0a/db/470adb8fbb579e9ff5f6d8702141e715.jpg

Ðóáåíñ, Ïèòåð Ïàóëü (è ìàñòåðñêàÿ)
Æåíñêèé ïîðòðåò ((Helene Fourment)
Îêîëî 1620-1630 98×76 ñì.
Ìàóðèöõ¸éñ

https://i.pinimg.com/originals/44/79/d0/4479d01a37f7e03bd67fe5f88db05611.jpg

Ïèòåð Ïàóëü Ðóáåíñ
or
Attributed to Jan Boeckhorst after Rubens
Ïîðòðåò Åëåíû Ôóðìàí
îê1630. 65õ50.
Êîðîëåâñêèé ìóçåé èñêóññòâ Áðþññåëü
or
Antwerp Rubenshuis

Ïèòåð Ïàóëü Ðóáåíñ
Àâòîïîðòðåò ñ Èçàáåëëîé Áðàíäò
1609-10. 178õ136.
Ñòàðàÿ ïèíàêîòåêà Ìþíõåí

 òå÷åíèå ñâîåé æèçíè åìó ïðèøëîñü íàïèñàòü ìíîãî ïîðòðåòîâ. Ïðè÷åì, åñëè íåêîòîðûå êðóïíûå êîìïîçèöèè, ñîçäàííûå ïî ýñêèçàì Ðóáåíñà â åãî ìàñòåðñêîé ñ ïîìîùüþ ìíîãî÷èñëåííûõ ó÷åíèêîâ, õðàíèëè èíîãäà òîëüêî ñëåäû ñîáñòâåííîðó÷íîé ðàáîòû, òî ïîðòðåòû, îñîáåííî ðîäíûõ è äðóçåé, îí ïèñàë ñàì îò ïåðâîíà÷àëüíîãî ýñêèçà äî îêîí÷àòåëüíîãî çàâåðøåíèÿ.

 

Ïèòåð Ïàóëü Ðóáåíñ
Àâòîïîðòðåò ñ Èçàáåëëîé Áðàíäò (Äåòàëü)
1609-10. 178õ136.
Ñòàðàÿ ïèíàêîòåêà Ìþíõåí

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