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Êàêèå ó äóøè çóáû? Ó÷åíèå î çàãðîáíîé æèçíè â ñîâðåìåííîì áîãîñëîâèè 24-10-2018 23:52


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Èñòî÷íèê: Áîðüáà
Íàñòîÿòåëü Êàëà÷¸âñêîãî Ñâÿòî-Íèêîëüñêîãî ñîáîðà îòåö Äèìèòðèé ðàññêàçûâàåò ïðî ó÷åíèå î çàãðîáíîé æèçíè â ñîâðåìåííîì áîãîñëîâèè 
Êàêèå ó äóøè çóáû?
 
 
 
 
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– Âî âðåìåíà ñðåäíåâåêîâûõ áîãîñëîâîâ è Äàíòå âåðóþùèå çíàëè, ÷òî åñëè áóäóò f ñåáÿ ïðàâèëüíî, òî ïîñëå êîí÷èíû ïîïàäóò â ðàé, ãäå àíãåëû è âå÷íîå áëàæåíñòâî, à åñëè íàîáîðîò – â àä, ñî ñêîâîðîäêàìè, êîòëàìè ñî ñìîëîé è ÷åðòÿìè. Èçìåíèëîñü ëè ÷òî-ëèáî ñ òåõ ïîð? 
Ñîâðåìåííîå áîãîñëîâèå ðàññìàòðèâàåò çàãðîáíóþ æèçíü êàê íå÷òî îáúåêòèâíî ñóùåñòâóþùåå, èëè âñ¸ æå êàê íåêóþ àëëåãîðèþ? 

– Áîãîñëîâèå áûâàåò ðàçíîå. Ëèáåðàëüíûå òå÷åíèÿ ïðîòåñòàíòèçìà, ìîãóò ðàññìàòðèâàòü âå÷íóþ æèçíü è êàê àëëåãîðèþ, íî â òðàäèöèîííûõ ïðàâîñëàâíûõ âçãëÿäàõ íà ýòîò ñ÷¸ò íå ïîìåíÿëîñü íè÷åãî.

Òîëüêî ñêîëüêî ÿ íè ÷èòàë ñâÿòûõ îòöîâ, íèãäå òàì î ñêîâîðîäêàõ ðå÷è íå èä¸ò. Ìîæåò, â ñõîëàñòè÷åñêîì êàòîëè÷åñêîì ñðåäíåâåêîâîì áîãîñëîâèè òàêèå îáðàçû è ïðèâîäèëèñü, äëÿ óïðîùåíèÿ. Íî ñõîëàñòè÷åñêîå áîãîñëîâèå ñïåöèàëüíî óïðîùàëî âñ¸ äî ïðèìèòèâèçìà, ÷òîáû ñòàëî ïîíÿòíî äàæå ñàìîìó íåîáðàçîâàííîìó ÷åëîâåêó.

Ñâÿòîîòå÷åñêîå áîãîñëîâèå èçíà÷àëüíî ôîðìèðîâàëîñü äëÿ ëþäåé îïðåäåë¸ííîé êóëüòóðû, íî â ñðåäíåâåêîâüå îáùèé óðîâåíü îáðàçîâàíèÿ çíà÷èòåëüíî ïîíèçèëñÿ, è ãîâîðèòü ñ ëþäüìè,

×èòàòü äàëåå...
êîììåíòàðèè: 45 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áîëüøàÿ âåðà ìàëåíüêîé äåâî÷êè 20-10-2018 21:55

Ýòî öèòàòà ñîîáùåíèÿ ÀííàÔèëàòîâíà Îðèãèíàëüíîå ñîîáùåíèå

ÁÎËÜØÀß ÂÅÐÀ ÌÀËÅÍÜÊÎÉ ÄÅÂÎ×ÊÈ

Òàê òðîíóë ìåíÿ ýòîò ðàññêàç... , âîçìîæíî óæå íàñòóïàþò ÂÐÅÌÅÍÀ, êîãäà è íàì íåîáõîäèìî áóäåò ñäåëàòü ñâîé âûáîð.

5996033_93883583_4059800_8f4d6e90d984 (400x81, 8Kb)

Âñÿ íàøà æèçíü - ýòî èñïîâåäàíèå íàøåé âåðû... .
Ýòî êàæäîäíåâíûé âûáîð ìåæäó äîáðîì è çëîì, ìåæäó  "íè÷åãî ñòðàøíîãî" è  íàñòîé÷èâîãî ãîëîñà ñîâåñòè, ìåæäó "íå ìîå äåëî è ïðîéòè ìèìî" è ñîñòðàäàíèåì. Íî, êàê ãîâîðèò ñòàðåö Èëèÿ, âîçìîæíî, çäåñü ìû è îïðàâäàåì ñåáÿ, íî ðàçâå ñ ýòèìè óõèùðåíèÿìè óñòîèì íà Ñóäå Áîæèåì?

5996033_image_1 (700x608, 56Kb)

Íàøå âðåìÿ ñêóïî íà ñâÿòîñòü, íî îíà åñòü è ïîðîé ïðîÿâëÿåòñÿ äàæå òàì, ãäå åå è íå æäåøü. Ïîìíþ, åùå â íà÷àëå äåâÿíîñòûõ ÷èòàë ðàññêàçèê â îäíîé ïðîòåñòàíòñêîé êíèæêå. Ïðîíçèòåëüíàÿ èñòîðèÿ, è ÷òî íåîæèäàííî, íàïå÷àòàíà îíà èìåííî ó ïðîòåñòàíòîâ. Ñëó÷èëîñü ýòî â ãîäû Âòîðîé ìèðîâîé âîéíû â îäíîé èç ñòðàí Çàïàäíîé Åâðîïû, îêêóïèðîâàííîé íåìöàìè.  âîñêðåñíûé äåíü íà ñëóæáó â ëþòåðàíñêóþ êèðõó ñîáðàëñÿ íàðîä. Âî âðåìÿ áîãîñëóæåíèÿ íåîæèäàííî â õðàì çàøëè íåñêîëüêî ïüÿíûõ ýñýñîâöåâ. Ìû çíàåì, ÷òî íåìöû íà çàõâà÷åííûõ òåððèòîðèÿõ âíîâü îòêðûâàëè çàêðûòûå áîëüøåâèêàìè ïðàâîñëàâíûå õðàìû, íî íà ñàìîì äåëå ýòî áûë ÷èñòî ïðîïàãàíäèñòñêèé òðþê. Ãèòëåð íåíàâèäåë õðèñòèàí è ïëàíèðîâàë âìåñòî òðàäèöèîííûõ õðèñòèàíñêèõ öåðêâåé ñîçäàòü íåêîå ñâîå íàöèîíàë-ñîöèàëèñòè÷åñêîå ïîäîáèå Öåðêâè, íî â íåå çàïèñàëîñü âñåãî ïÿòü òûñÿ÷ ÷åëîâåê, è ïëàí ïðîâàëèëñÿ, òîãäà îí ñòàë ìñòèòü. Ó ñåáÿ â Ãåðìàíèè íàöèñòû ðàñïðàâëÿëèñü ñî ñâÿùåííèêàìè, íè â ÷åì íå óñòóïàÿ ýíêàâýäýøíèêàì. À âîéñêà ÑÑ, òå áîëüøå íàïîìèíàëè îêêóëüòíóþ ñåêòó. Ïîòîìó èõ ïðèõîä â êèðõó íå ñóëèë âåðóþùèì íè÷åãî õîðîøåãî. Îäèí èç íåìöåâ âûñòðåëèë â ïîòîëîê è ïðåðâàë ñëóæáó. Ëþòåðàíå íå ïî÷èòàþò èêîí, ïîòîìó â èõ õðàìàõ íåò èçîáðàæåíèé. Íî íà ñòåíå â ýòîé öåðêâè âèñåëà êàðòèíà íà åâàíãåëüñêèé ñþæåò, à ìîæåò, èçîáðàæåíèå Ñïàñèòåëÿ — íå êàê èêîíà, à êàê óêðàøåíèå. Æåëàÿ ðàçâëå÷üñÿ, îäèí èç ýñýñîâöåâ ñíÿë ñî ñòåíû êàðòèíó è áðîñèë åå íà ïîë. Ñëóøàéòå, õðèñòèàíå, ñåé÷àñ âñå âû ïîéäåòå íà âûõîä, è êàæäûé, ïðåæäå ÷åì âûéòè, ïîäîéäåò ê ýòîìó ïîðòðåòó è ïëþíåò íà Õðèñòà. Èìåéòå â âèäó, êòî îòêàæåòñÿ ïëåâàòü, òîò ïîëó÷èò ïóëþ. Ìîæíî ñåáå ïðåäñòàâèòü, î ÷åì äóìàëè ëþäè, ñòîÿâøèå ïîä äóëîì ïèñòîëåòà. Ìû ïðîòåñòàíòû, ãîâîðèëè îíè ñåáå, à âñÿêîå èçîáðàæåíèå Áîãà åñòü èäîë, êîòîðîãî íèêòî ïî÷èòàòü íå îáÿçàí. Ñ äðóãîé ñòîðîíû, êàê íè âåðòè, à íà ïîðòðåòå-òî èçîáðàæåí Õðèñòîñ. Âåäü îíè è ñîáðàëèñü ñþäà â êèðõó, ÷òîáû Åìó ïîìîëèòüñÿ. Åùå ìèíóòó íàçàä îíè ïðîñèëè ó Íåãî ìèëîñòè, óâåðÿëè Åãî â áåñêîíå÷íîé ñâîåé áëàãîäàðíîñòè è ëþáâè. À ñåé÷àñ, ÷òîáû îñòàòüñÿ â æèâûõ, èì ïðåäëàãàþò ïëþíóòü íà Òîãî, Êîãî åùå òàê íåäàâíî ëþáèëè. Íî ïèñòîëåò â ðóêàõ ïüÿíîãî ýñýñîâöà áûë ñëèøêîì âåñîìûì àðãóìåíòîì â ïîëüçó òîãî, ÷òîáû âñå-òàêè ïëþíóòü. Íó, íå óìèðàòü æå, íà ñàìîì-òî äåëå! È îíè ïîøëè. ß ÷àñòî âîçâðàùàþñü ê ýòîé èñòîðèè è ïûòàþñü ïîñòàâèòü ñåáÿ íà ìåñòî òåõ íåñ÷àñòíûõ, è äàæå ïðåäñòàâëÿþ, êàê îíè ýòî äåëàëè. Êòî-òî ïëåâàë òîëüêî ëèøü äëÿ òîãî, ÷òîáû îáîçíà÷èòü ïëåâîê, è íåìåäëåííî óáåãàë èç õðàìà, ïðåçèðàÿ ñåáÿ çà ìàëîäóøèå. À êòî-òî, îïàñàÿñü, ÷òî åãî óñåðäèå íå áóäåò çàìå÷åíî, óãîäëèâî óëûáàÿñü, ïëåâàë îáèëüíî, è òîæå óõîäèë, íî îïðàâäûâàÿ ñåáÿ. Íè÷åãî ñòðàøíîãî — Áîã ìèëîñòèâ, à ÿ ïëåâàë íå â Íåãî, à íà èäîëà. Ñðåäè òåõ, êòî â òî óòðî ìîëèëñÿ â õðàìå, áûëà äåâî÷êà äâåíàäöàòè ëåò. Âìåñòå ñî âñåìè îíà øëà íà âûõîä. Êîãäà ïîäîøëà åå î÷åðåäü, ðåáåíîê âñòàë íà êîëåíè, âûòåð ïëåâêè è ïîöåëîâàë Õðèñòà â ëèê. Îíà áûëà åùå ìàëåíüêîé è íå íàó÷èëàñü ÿçûêó êîìïðîìèññîâ ñ ñîâåñòüþ.  òîò æå ìèã íåìåö âûñòðåëèë, è äèòÿ, çàëèâàÿ ïîðòðåò ñâîåé êðîâüþ, îñòàëîñü ëåæàòü íà ïîëó êèðõè. Íåìöû òî÷íî î÷íóëèñü, ïðèøëè â
×èòàòü äàëåå...
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè

Îôèãåííûå è îáàëäåííûå ïîðòðåòû Ñòàðûõ ìàñòåðîâ. 11-10-2018 17:52

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Íà ïîäèóìå èñòîðè÷åñêèé êîñòþì | Ìîäíûå äàìû â æèâîïèñè Ñòàðûõ Ìàñòåðîâ (THE BEST!!) \49\

[ïîêàçàòü]lomovolga

[ïîêàçàòü]

[ïîêàçàòü]

https://upload.wikimedia.org/wikipedia/commons/a/a1/Hans_Eworth_-_Portrait_of_a_woman%2C_aged_sixteen%2C_previously_identified_as_Mary_Fitzalan%2C_Duchess_of_Norfolk%2C_1565_-_Google_Art_Project.jpg

Hans Eworth  (circa 1520 –1574?)
Portrait of a woman, aged sixteen, previously identified as Mary Fitzalan, Duchess of Norfolk, 1565
1565
oil on panel 889 mm õ 711 mm
Yale Center for British Art

 Ãåðàðòñ, Ìàðêóñ II (àòð.)
Ïîðòðåò ëåäè
Òåéò Áðèòàí Ëîíäîí

[ïîêàçàòü]

after George Gower
Mary Kytson, Lady Darcy
1583 (1700 copy of 1583 original)
(auctioned by Sotheby's)

êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Îôèãåííûå Ïîðòðåòû Ñòàðûõ ìàñòåðîâ (40) 07-10-2018 19:46

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ìîäíûå êàâàëåðû íà ïîðòðåòàõ Ñòàðûõ Ìàñòåðîâ \40\

[ïîêàçàòü]lomovolga

 

[ïîêàçàòü]

THE KING OF POLAND AND GRAND DUKE OF LITHUANIA STANISLAS AUGUST PONIATOWSKI

ab. 1579-1580 Bartolomeo Passarotti
Portrait of Lope Varona di Villanahue of Burgos
(Sotheby’s)

ab. 1613-1620 Michiel Jansz. van Mierevelt
Maurice of Nassau, Prince of Orange
(Rijksmuseum)

9 (138x91, 24Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Óèëüÿì Ëàðêèí. Ïðèäâîðíûé è õóäîæíèê Òþäîðîâ (2) 07-10-2018 18:59

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Óèëüÿì Ëàðêèí (William Larkin, 1580-1619, British) - ïðèäâîðíûé õóäîæíèê Òþäîðîâ \2\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

ALL COLLECTION

William Larkin (1580–1619)
Portrait of Diana Cecil later Countess of Oxford
circa 1614
oil on canvas
Kenwood House  Suffolk Collection

https://upload.wikimedia.org/wikipedia/commons/1/1e/Richard_Sackville_Earl_of_Dorset.jpg

William Larkin (1580–1619)
Edward Sackville, later 4th Earl of Dorset
1613
Oil on canvas
206.6 x 122.6 cm
Kenwood House Suffolk Collection

https://upload.wikimedia.org/wikipedia/commons/c/c3/Larkin_cary.jpg

William Larkin (1580–1619)
Probably Elizabeth Cary, née Tanfield, (1585-1639) later Vicountess Falkland
between circa 1614-1618
Kenwood House Suffolk Collection

lwL4PCIX51EG (120x120, 22Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Àíòîíèñ âàí Äàñõîðñò Ìîð. Âîëøåáíèê— ïîðòðåòèñò ( 3) 07-10-2018 17:00

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Àíòîíèñ âàí Äàñõîðñò Ìîð (Anthonis Mor, c.1519—1576, Flemish) - Ëèöà ïðåêðàñíûå ÷åðòû... (DETAILS) \3\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

ALL COLLECTION

Àíòîíèñ Ìîð
Êîðîëåâà Àííà Èñïàíñêàÿ
1570. 161õ110.
Ìóçåé èñòîðèè èñêóññòâ 

https://www.christies.com/img/LotImages/2013/CSK/2013_CSK_09441_0426_000(circle_of_antonis_mor_portrait_of_philip_ii_of_spain_bust-length_in_a).jpg

Circle of Antonis Mor (Utrecht 1516/20-?1576 Antwerp)
Portrait of Philip II of Spain (1527-1598)
oil on canvas, laid down on panel
37.2 x 27.7 cm.

7 (135x96, 23Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Ïîðòðåòû Ñòàðûõ Ìàñòåðîâ (47) 06-10-2018 10:11

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ìîäíûå êàâàëåðû íà ïîðòðåòàõ Ñòàðûõ Ìàñòåðîâ (auction Christie's, THE BEST!) \47\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

https://www.christies.com/img/LotImages/2013/CSK/2013_CSK_09577_0020_000(english_school_probably_16th_century_portrait_of_king_henry_viii_bust-).jpg

English School, probably 16th Century
Portrait of King Henry VIII (1491-1547), bust-length, in a fur-lined cloak and gold-brocade doublet, with a chain and feathered black hat
oil on panel, marouflaged
17.5/8 x 14¾ in. (44.7 x 37.5 cm.)

https://www.christies.com/img/LotImages/2014/CKS/2014_CKS_01537_0009_000(bernhard_strigel_portrait_of_maximilian_i_holy_roman_emperor_half-leng).jpg

Bernhard Strigel (Memmingen 1460-1528)
Portrait of Maximilian I, Holy Roman Emperor (1459-1519),
oil on panel, marouflaged
21 5/8 x 15 in. (55 x 38 cm.)

https://www.christies.com/img/LotImages/2013/CSK/2013_CSK_09577_0048_000(manner_of_alessandro_filipepi_called_sandro_botticelli_portrait_of_a_y).jpg

Manner of Alessandro Filipepi, called Sandro Botticelli
Portrait of a young man, bust-length, possibly Piero Lorenzo de' Medici (1492-1519,
oil on panel, unframed
17.3/8 x 14¼ in. (44.1 x 36.1 cm.)

9 (138x91, 24Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Æåíñêèé ïîðòðåò â æèâîïèñè 15-17 ââ (45) 05-10-2018 23:39

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ìîäíûå äàìû | Æåíñêèé ïîðòðåò â æèâîïèñè XV-XVII ââ. (auction Christie's , THE BEST!) \45\

[ïîêàçàòü]lomovolga

 

0_50061_14b7fe41_XL (600x126, 76Kb) [ïîêàçàòü]

https://www.christies.com/img/LotImages/2011/CSK/2011_CSK_02591_0027_000(after_frans_pourbus_ii_portrait_of_maria_de_medici_queen_consort_of_fr).jpg

After Frans Pourbus II
Portrait of Maria de Medici (1573-1642), Queen Consort of France,
oil on canvas laid down on board
40¼ x 30 in. (102 x 76.2 cm.)

https://www.christies.com/img/LotImages/2016/CKS/2016_CKS_11973_0001_000(william_larkin_portrait_of_a_lady_bust-length_in_a_black_dress_with_a).jpg

William Larkin (London c. 1585-1619)
Portrait of a lady
oil on panel
22 5/8 x 17 ½ in. (57.5 x 44.4 cm.)

16th century, probably France
Portrait of a woman in red dress
(Nantes Museum of Arts)

lwL4PCIX51EG (120x120, 22Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Ñòàðèííûé ïîðòðåò (58) 05-10-2018 15:44

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ñòàðèííûé ïîðòðåò (auction Christie's) \58\

[ïîêàçàòü]lomovolga

 

[ïîêàçàòü]

https://www.christies.com/img/LotImages/2008/CSK/2008_CSK_05432_0070_000().jpg

Attributed to Joseph Wright of Derby, A.R.A (Derby 1734-1797)
Portrait of a lady, three-quarter-length, seated in a blue satin jewelled dress with lace sleeves and collar, with a pug dog

https://www.christies.com/img/LotImages/2010/CKS/2010_CKS_07888_0121_000(jacob_ferdinand_voet_portrait_of_philippe_duc_de_vendome_grand_prior_o).jpg

Jacob Ferdinand Voet (Antwerp 1639-1689 Paris)
Portrait of Philippe, Duc de Vendôme (1655-1727), Grand Prior of the Knights of Malta in France, bust-length, in a feigned oval
oil on canvas
28¾ X 23½ in. (73 x 59.7 cm.)

https://www.christies.com/img/LotImages/2008/CSK/2008_CSK_05432_0161_000().jpg

Circle of Pierre Mignard (Troyes 1612-1695 Paris)
Portrait of Marie-Thérèse de Bourbon, Princesse de Conti (1666-1732),

7 (135x96, 23Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Õóäîæíèê- ïåéçàæèñò Òîìàñ Êîóë (2) 04-10-2018 21:27

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Õóäîæíèê-ïåéçàæèñò Òîìàñ Êîóë (Thomas Cole, 1801-1848, British-USA) \2\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

ALL COLLECTION

https://2.bp.blogspot.com/-m2UXPqLxMH0/W1HeYBqcHOI/AAAAAAABYyk/sHmMxEknttYpjs7vqEftL-c8Q22vClQZQCLcBGAs/s1600/1845_%25D0%2592%25D0%25B5%25D1%2581%25D1%2591%25D0%25BB%25D1%258B%25D0%25B9%2B%2528%25D0%25BF%25D0%25BE%25D1%258D%25D0%25BC%25D0%25B0%2B%25D0%259C%25D0%25B8%25D0%25BB%25D1%258C%25D1%2582%25D0%25BE%25D0%25BD%25D0%25B0%2529%2B%2528L%2527Allegro%2529_81.6%2B%25D1%2585%2B121.9_%25D1%2585.%252C%25D0%25BC._%25D0%259B%25D0%25BE%25D1%2581-%25D0%2590%25D0%25BD%25D0%25B4%25D0%25B6%25D0%25B5%25D0%25BB%25D0%25B5%25D1%2581%252C%2B%25D0%259C%25D1%2583%25D0%25B7%25D0%25B5%25D0%25B9%2B%25D0%25B8%25D1%2581%25D0%25BA%25D1%2583%25D1%2581%25D1%2581%25D1%2582%25D0%25B2%2B%25D0%25BE%25D0%25BA%25D1%2580%25D1%2583%25D0%25B3%25D0%25B0%2B%25D0%259B%25D0%25BE%25D1%2581-%25D0%2590%25D0%25BD%25D0%25B4%25D0%25B6%25D0%25B5%25D0%25BB%25D0%25B5%25D1%2581%2B%25282%2529.jpg

Âåñ¸ëûé (ïîýìà Ìèëüòîíà)
(L'Allegro)
1845_81.6 õ 121.9_õ.,ì.
Ëîñ-Àíäæåëåñ, Ìóçåé èñêóññòâ îêðóãà Ëîñ-Àíäæåëåñ

https://img-fotki.yandex.ru/get/51/mangiana.7d/0_47af8_da6353aa_orig

https://3.bp.blogspot.com/-oDaittJzqFI/W1HeZy0AZRI/AAAAAAABYys/YS296a0QVhcKPrGRAbm1WrqbU4Q7tOAEgCLcBGAs/s1600/1845_%25D0%2592%25D0%25B5%25D1%2581%25D1%2591%25D0%25BB%25D1%258B%25D0%25B9%2B%2528%25D0%25BF%25D0%25BE%25D1%258D%25D0%25BC%25D0%25B0%2B%25D0%259C%25D0%25B8%25D0%25BB%25D1%258C%25D1%2582%25D0%25BE%25D0%25BD%25D0%25B0%2529%2B%2528L%2527Allegro%2529_81.6%2B%25D1%2585%2B121.9_%25D1%2585.%252C%25D0%25BC._%25D0%259B%25D0%25BE%25D1%2581-%25D0%2590%25D0%25BD%25D0%25B4%25D0%25B6%25D0%25B5%25D0%25BB%25D0%25B5%25D1%2581%252C%2B%25D0%259C%25D1%2583%25D0%25B7%25D0%25B5%25D0%25B9%2B%25D0%25B8%25D1%2581%25D0%25BA%25D1%2583%25D1%2581%25D1%2581%25D1%2582%25D0%25B2%2B%25D0%25BE%25D0%25BA%25D1%2580%25D1%2583%25D0%25B3%25D0%25B0%2B%25D0%259B%25D0%25BE%25D1%2581-%25D0%2590%25D0%25BD%25D0%25B4%25D0%25B6%25D0%25B5%25D0%25BB%25D0%25B5%25D1%2581.jpg

Âåñ¸ëûé (ïîýìà Ìèëüòîíà) (äåòàëü)
(L'Allegro)
1845_81.6 õ 121.9_õ.,ì.
Ëîñ-Àíäæåëåñ, Ìóçåé èñêóññòâ îêðóãà Ëîñ-Àíäæåëåñ

9c647137d7df (393x68, 39Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Äæîâàííè Ïàîëî Ïàíèíè. Ðèìñêîå êàïðè÷÷î (3) 04-10-2018 01:45

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ðèìñêîå êàïðè÷÷î Äæîâàííè Ïàîëî Ïàíèíè (Giovanni Paolo Panini, 1691-1765, Italian) \3\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

https://upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Giovanni_Paolo_Pannini_-_F%C3%AAte_musicale_-_1747.jpg/1245px-Giovanni_Paolo_Pannini_-_F%C3%AAte_musicale_-_1747.jpg

Äæîâàííè Ïàîëî Ïàíèíè
Ïðåäñòàâëåíèå â òåàòðå Àðäæåíòèíà, äàííîå êàðäèíàëîì Ðîøôóêî 15 èþëÿ 1747 ãîäà ïî ñëó÷àþ áðàêîñî÷åòàíèÿ äîôèíà Ëþäîâèêà XV ñ Ìàðèåé Æîçåôèíîé Ñàêñîíñêîé

https://img-fotki.yandex.ru/get/51/mangiana.7d/0_47af8_da6353aa_orig

Äæîâàííè Ïàîëî Ïàíèíè
Êàïðè÷÷î ñ ðèìñêèìè ðóèíàìè
89õ120, ÷àñòíîå ñîáðàíèå

https://img-fotki.yandex.ru/get/51/mangiana.7d/0_47af8_da6353aa_orig

https://upload.wikimedia.org/wikipedia/commons/thumb/2/27/Interior_of_Saint_Peter%27s%2C_Rome_SC-001576.jpg/1280px-Interior_of_Saint_Peter%27s%2C_Rome_SC-001576.jpg

Äæîâàííè Ïàîëî Ïàíèíè
Èíòåðüåð ñîáîðà ñâÿòîãî Ïåòðà â Ðèìå
1750, 132õ145,
Èíñòèòóò èñêóññòâ Äåòðîéò

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êîììåíòàðèè: 2 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Äæîâàííè Ïàîëî Ïàíèíè. Àðõèòåêòóðíîå êàïðè÷÷î (1) 30-09-2018 19:37

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Äæîâàííè Ïàîëî Ïàíèíè (Giovanni Paolo Panini, 1691-1765, Italian) - Àðõèòåêòóðíîå êàïðè÷÷î \1\

[ïîêàçàòü]lomovolga

[ïîêàçàòü]

 

Äæîâàííè Ïàîëî Ïàíèíè (Giovanni Paolo Panini; 17 èþíÿ 1691, Ïüÿ÷åíöà — 21 îêòÿáðÿ 1765, Ðèì) — èòàëüÿíñêèé õóäîæíèê è çîä÷èé, èçâåñòíûé ñâîèìè ðàáîòàìè â æàíðå ãîðîäñêîãî ïåéçàæà — «âåäóòû» (ñ èòàë. — «âèäåííàÿ»)

 

Äæîâàííè Ïàîëî Ïàíèíè
Ãåðìåñ, íàïðàâëÿþùèéñÿ ê Êàëèïñî
îê 1719, 129õ163,
ìóçåé Ðèíãëèíãà, Ñàðàñîòà

https://img-fotki.yandex.ru/get/51/mangiana.7d/0_47af8_da6353aa_orig

Follower of Giovanni Paolo Panini
A CAPRICCIO OF A MEDITERRANEAN HARBOUR SCENE
oil on copper
50.8 by 61 cm.

https://img-fotki.yandex.ru/get/51/mangiana.7d/0_47af8_da6353aa_orig

Äæîâàííè Ïàîëî Ïàíèíè
Ïàíòåîí è äðóãèå ìîíóìåíòû (Ðèìñêîå êàïðè÷÷î)
Ìóçåé èñêóññòâ, Èíäèàíàïîëèñ
(Museum of Arts, Indianapolis).

https://img-fotki.yandex.ru/get/51/mangiana.7d/0_47af8_da6353aa_orig

 þíîøåñòâå Ïàíèíè ó÷èëñÿ â ñâî¸ì ðîäíîì ãîðîäå Ïüÿ÷åíöå ó Äæóçåïïå Íàòàëè è Àíäðåà Ãàëóööè, çàòåì ñîâåðøåíñòâîâàë ìàñòåðñòâî ó Ôðàí÷åñêî Ãàëëè-Áèáüåíà.  1711 îí ïåðååõàë â Ðèì, ãäå îáó÷àëñÿ õóäîæåñòâåííîìó ðèñóíêó ó Áåíåäåòòî Ëóòè è ðàáîòàë íàä óáðàíñòâîì òàêèõ ðåçèäåíöèé, êàê âèëëà Ïàòðèööè (1719—1725) è ïàëàööî Ëèâèî äå Êàðîëèñà (1720), à òàêæå Ðèìñêàÿ ñåìèíàðèÿ

 

//s50.radikal.ru/i129/1208/c5/63529e1fb2c5.jpg

Giovanni Paolo Pannini
Gallery of Views of Modern Rome
1759._Oil on canvas, 231 x 303 cm.
Musée du Louvre, Paris

0_13d21a_29fee13f_S (120x62, 15Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Þñòóñ Cóñòåðìàíñ (4) 23-09-2018 17:59

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Þñòóñ Ñóñòåðìàíñ (Justus Sustermans, Antwerp 1597–1681 Florence), êðóã è ïîñëåäîâàòåëè \4\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

ALL COLLECTION

https://www.christies.com/img/LotImages/2012/CSK/2012_CSK_04212_0122_000(circle_of_justus_sustermans_portrait_of_a_gentleman_bust-length_in_a_b).jpg

Circle of Justus Sustermans (Antwerp 1597-1681 Florence)
Portrait of a gentleman, bust-length, in a breastplate with a grey wrap, and a feathered hat
Christie’s

Justus Sustermans (1597–1681)
Català: Leonor de Màntua (Detail)
between 1600 and 1681
Biblioteca Museu Víctor Balaguer

https://upload.wikimedia.org/wikipedia/commons/4/45/Portrait_Ferdinando_II_de_Medici.jpg

Justus Sustermans (1597–1681)
Bildnis des Großherzogs Ferdinand II. de' Medici von Toskana
17th century
oil on canvas 89.9 cm õ 73 cm

Þñòóñ Ñþñòåðìàíñ
Âèòòîðèÿ äåëëà Ðîâåðå (1622-95), Âåëèêàÿ êíÿãèíÿ Òîñêàíû
õîëñò, ìàñëî
Õóäîæåñòâåííàÿ ãàëåðåÿ, Ãàìáóðã
(Hamburger Kunsthalle, Hamburg).

lwL4PCIX51EG (120x120, 22Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
×üÿ âîçüì¸ò ??? 21-09-2018 21:36

Ýòî öèòàòà ñîîáùåíèÿ ÇÄÎÐÎÂÜÅ_ÐÎÑÑÈÈ Îðèãèíàëüíîå ñîîáùåíèå

Àìåðèêàíöû ìàññîâî ñóäÿòñÿ ñ Monsanto

0 (500x282, 39Kb)Íàñåëåíèå ÑØÀ çàðàæàåòñÿ ðàêîì ñ ïîìîùüþ ãåðáèöèäà Ðàóíäàï

Îäèí èç ãëàâíûõ ïðîèçâîäèòåëåé ãåííî-ìîäèôèöèðîâàííîãî çåðíà è ãåðáèöèäîâ â ìèðå, òðàíñíàöèîíàëüíàÿ êîìïàíèÿ Bayer-Monsanto ñòàëà ôèãóðàíòîì ãðàíäèîçíîãî ñêàíäàëà. Ïîñëå òîãî, êàê ñóä ÑØÀ è ðÿäà äðóãèõ ñòðàí äîêàçàë, ÷òî âíåäðÿåìûé «Ìîíñàíòî» ãåðáèöèä Roundup âûçûâàåò îíêîëîãè÷åñêèå çàáîëåâàíèÿ, æèòåëè ÑØÀ è ðÿäà äðóãèõ ñòðàí ñòàëè ïðåäúÿâëÿòü êîìïàíèè òûñÿ÷è èñêîâ íà ìèëëèàðäû äîëëàðîâ. Áîëåå òîãî, òåïåðü è Âüåòíàì, ïîäâåðãøèéñÿ àìåðèêàíñêîé àãðåññèè â 1960-1970-õ ãã, òðåáóåò îò ÑØÀ êîìïåíñàöèè çà ïðèìåíåíèå õèìè÷åñêîãî îðóæèÿ Îðàíæ, ïî ñóòè òîãî æå ðàóíäàïà, êîòîðûé ïîâëåê ãèáåëü äåñÿòêîâ, åñëè íå ñîòåí òûñÿ÷ ëþäåé è óíè÷òîæåíèå òðîïè÷åñêèõ ëåñîâ. Ïðåêðàñíî ñåáÿ ÷óâñòâóåò Bayer-Monsanto ðàçâå ÷òî â Ðîññèè, ãäå áóøóåò íàñòîÿùàÿ ýïèäåìèÿ îíêîçàáîëåâàíèé ïî «íåèçâåñòíûì ïðè÷èíàì».

Ïî äàííûì ÑÌÈ, â îäíèõ òîëüêî ÑØÀ êîëè÷åñòâî ïîäàííûõ èñêîâ ïðîòèâ Bayer (ýòà êîðïîðàöèÿ íåäàâíî êóïèëà Monsanto) ïî ïîâîäó çàáîëåâàíèÿ ðàêîì èç-çà ãëèôîñàòíûõ ãåðáèöèäîâ óæå äîñòèãëî 8000. Ðàíåå Bayer ñîîáùàë î 5200 ïîäîáíûõ èñêàõ ïðîòèâ Monsanto, êîòîðûå îí «ïîëó÷èë â íàñëåäñòâî» ïîñëå çàâåðøåíèÿ â èþíå ñäåëêè ïî ïîêóïêå àìåðèêàíñêîé êîðïîðàöèè çà $63 ìèëëèàðäà. Îá ýòîì ñîîáùàåò Ðóññêîå àãåíñòâî íîâîñòåé.

Ìàññîâûå èñêè ïîøëè ïîñëå òîãî, êàê êîìïàíèÿ Monsanto ïðîèãðàëà äåëî â îêðóæíîì ñóäå Ñàí-Ôðàíöèñêî è òåïåðü áóäåò îáÿçàíà âûïëàòèòü øòðàô â $289 ìëí øêîëüíîìó ñàäîâíèêó Äèóýéíó Äæîíñîíó, èñïîëüçîâàâøåìó ãåðáèöèä Roundup è äîêàçàâøåìó, ÷òî çàáîëåë èç-çà ýòîãî ðàêîì. Ó Äæîíñîíà â 2014 ãîäó îáíàðóæèëè íåõîäæêèíñêóþ ëèìôîìó. Îí ïîëüçîâàëñÿ Roundup äîëãèå ãîäû è íåñêîëüêî ðàç ïî íåîñòîðîæíîñòè ïðîëèâàë âåùåñòâî íà ñåáÿ. 10 àâãóñòà ïðèñÿæíûå ïðèçíàëè, ÷òî ãëèôîñàò, âõîäÿùèé â ñîñòàâ ãåðáèöèäà, âûçûâàåò ðàê, è ñî÷ëè äåéñòâèÿ êîìïàíèè ïî ñîêðûòèþ ýòîãî ôàêòà çëîíàìåðåííûìè.

×èòàòü äàëåå...
êîììåíòàðèè: 2 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áåñïîäîáíûé Þñòóñ Ñóñòåðìàíñ— ôëàìàíäñêèé ïîðòðåòèñò ( 1) 21-09-2018 10:29

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Þñòóñ Ñóñòåðìàíñ (Justus Sustermans, Antwerp 1597–1681, Florence) - ôëàìàíäñêèé ïîðòðåòèñò ýïîõè áàðîêêî \1\

[ïîêàçàòü]lomovolga

[ïîêàçàòü]

[ïîêàçàòü]

 

Þñòóñ Ñóñòåðìàíñ (íèäåðë. Justus Sustermans, èòàë. Giusto Sustermans) (1597, Àíòâåðïåí — 1681, Ôëîðåíöèÿ) — ôëàìàíäñêèé æèâîïèñåö ýïîõè áàðîêêî

 

https://upload.wikimedia.org/wikipedia/commons/5/5a/Justus_Sustermans_-_Eleonora_Gonzaga_%281598-1655%29%2C_wife_of_Ferdinand_II%2C_in_wedding_dress.jpg

 Þñòóñ Ñþñòåðìàíñ
Ýëåîíîðà Ãîíçàãà â ñâàäåáíîì ïëàòüå
Eleonora Gonzaga in her wedding dress
1621. 188õ125.
Ìóçåé èñòîðèè èñêóññòâ

[ïîêàçàòü]

Studio of Justus Sustermans
Antwerp 1597-1681 Florence
PORTRAIT OF COSIMO DE'MEDICI III (1642-1723), AGED ONE YEAR OLD, FULL LENGTH, HOLDING A PLUMED HAT, WITH HIS HAND RESTING ON HIS SWORD
inscribed and dated along the upper edge: COSIMO.DI.MEDICI.PRENINO.DI.TOSCANA.ET.DI / MESI 13 1643
oil on canvas
93.5 by 72 cm.

https://upload.wikimedia.org/wikipedia/commons/b/b8/Justus_Sustermans_-_Anna_de%27_Medici%2C_wife_of_archduke_Ferdinand_Charles_of_Austria.jpg

Þñòóñ Ñþñòåðìàíñ (1597–1681)
Ýðöãåðöîãèíÿ Àííà äå Ìåäè÷è ñ ñîáà÷êîé
(Anna de' Medici, wife of archduke Ferdinand Charles of Austria)
circa 1630
oil on canvas 129 cm õ 100 cm
Ìóçåé èñòîðèè èñêóññòâ
Kunsthistorisches Museum

Ñóñòåðìàíñ ðîäèëñÿ â 1597 ãîäó â Àíòâåðïåíå è çäåñü æå ñ ðàííèõ ëåò íà÷àë ó÷èòüñÿ æèâîïèñè. Ïðåäïîëàãàþò, ÷òî åãî ó÷èòåëÿìè áûëè Âèëëåì äå Âîñ (ïëåìÿííèê æèâîïèñöà Ìàðòèíà äå Âîñà) è Ôðàíñ Ïîóðáóñ Ìëàäøèé. Íå èñêëþ÷åíî, ÷òî ñ 1616 ãîäà Ñóñòåðìàíñ îáó÷àëñÿ â Ïàðèæå

 

https://upload.wikimedia.org/wikipedia/commons/f/fa/Margherita_de%27_Medici%2C_duchess_of_Parma.jpg

Justus Sustermans
Portrait of Margherita de' Medici, duchess of Parma
17th century 

lwL4PCIX51EG (120x120, 22Kb)
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Þñòóñ Ñóñòåðìàíñ (Justus Sustermans, Antwerp 1597–1681, Florence) - ôëàìàíäñêèé ïîðòðåòèñò ýïîõè áàðîêêî \1\ 21-09-2018 10:26
https://www.liveinternet.ru...440856655/


lomovolga





 

Þñòóñ Ñóñòåðìàíñ (íèäåðë. Justus Sustermans, èòàë. Giusto Sustermans) (1597, Àíòâåðïåí — 1681, Ôëîðåíöèÿ) — ôëàìàíäñêèé æèâîïèñåö ýïîõè áàðîêêî

 



 Þñòóñ Ñþñòåðìàíñ
Ýëåîíîðà Ãîíçàãà â ñâàäåáíîì ïëàòüå
Eleonora Gonzaga in her wedding dress
1621. 188õ125.
Ìóçåé èñòîðèè èñêóññòâ





Studio of Justus Sustermans
Antwerp 1597-1681 Florence
PORTRAIT OF COSIMO DE'MEDICI III (1642-1723), AGED ONE YEAR
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Äæîâàííè Áàòòèñòà Ìîðîíè (1) Èòàëüÿíñêèé ïîðòðåòèñò 19-09-2018 19:35

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Äæîâàííè Áàòòèñòà Ìîðîíè (Giovanni Battista Moroni, c.1525–1578, Italian) - èòàëüÿíñêèé õóäîæíèê-ïîðòðåòèñò \1\

[ïîêàçàòü]lomovolga

 

 

[ïîêàçàòü]

 

 Äæîâàííè Áàòòèñòà Ìîðîíè, òàêæå Äæàìáàòòèñòà Ìîðîíè (èòàë. Giovanni Battista Moroni, îê.1522, Àëüáèíî, ïðîâèíöèÿ Áåðãàìî – 5 ôåâðàëÿ 1578, Áåðãàìî) – èòàëüÿíñêèé õóäîæíèê, îäèí èç êðóïíåéøèõ ïîðòðåòèñòîâ XVI â.

 

https://upload.wikimedia.org/wikipedia/commons/thumb/b/bd/Giovanni_Battista_Moroni_-_Portret_van_een_jonge_vrouw.jpg/913px-Giovanni_Battista_Moroni_-_Portret_van_een_jonge_vrouw.jpg

 Giovanni Batista Moroni
Portrait of a Woman with a Fan
1570-1578

1560 Giovanni Battista Moroni
Portrait of Prospero Alessandri

1564-1570 Giovanni Battista Moroni
Portrait of a Young Woman

lwL4PCIX51EG (120x120, 22Kb)
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Îòëè÷íàÿ ñòàòüÿ ïðî íàøó äåéñòâèòåëüíîñòü 15-09-2018 10:39

Ýòî öèòàòà ñîîáùåíèÿ Âèêòîð_Æèãóëèí Îðèãèíàëüíîå ñîîáùåíèå

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 Ðîññèè íè÷åãî íå ìåíÿåòñÿ – áîÿðå, êàê è âñåãäà, ñàìàÿ áîëüøàÿ îïàñíîñòü äëÿ ðàçâèòèÿ ñòðàíû

Êîãäà â äåòñòâå ìû ñòàëêèâàåìñÿ ñ òðóäíîñòÿìè è îïàñíîñòÿìè, ìû âåðèì, ÷òî âçðîñëûå âñåãäà íàéäóò âûõîä èç ïîëîæåíèÿ, ïîòîìó ÷òî îíè ñòàðøå è óìíåå. Êîãäà ìû ñòàíîâèìñÿ ñòàðøå, ìû âåðèì âî âëàñòü - òàì, â Êðåìëå, âñþ íî÷ü ãîðèò ëàìïà, è Öàðü, Âîæäü, Ãåíñåê èëè Ïðåçèäåíò çíàåò âñ¸ òî, ÷òî íå çíàåì ìû, îñâåäîìë¸í îáî âñåõ îïàñíîñòÿõ è óãðîçàõ, çíàåò, êàê íà íèõ ðåàãèðîâàòü, è ñòðàíà ìîæåò ñïàòü ñïîêîéíî. 

Êîãäà ìû ñòàíîâèìñÿ âçðîñëûìè, ìíîãèå èç íàñ íà÷èíàþò ïîíèìàòü, ÷òî âñå íå òàê ïðîñòî. ×òî ðîäèòåëè â íàøåì äåòñòâå ñàìè áûëè ìîëîäûìè è íàèâíûìè, äåëàëè ãëóïåéøèå îøèáêè, è âîîáùå æèâûìè ìû îñòàëèñü òîëüêî êàêèì-òî ÷óäîì. Ïîñëå îêîí÷àíèÿ èíñòèòóòà ìû ïîíèìàåì, ÷òî âçðîñëûå âîîáùå-òî íå ñàìàÿ óìíàÿ ÷àñòü ÷åëîâå÷åñòâà. Âñå ñàìûå ñòðàøíûå ãëóïîñòè ñäåëàíû èìåííî âçðîñëûìè, à íå äåòüìè. È äîáðàâøèñü äî êàêèõ-òî äàæå íåáîëüøèõ ðóêîâîäÿùèõ ïîñòîâ, ìû ñ óæàñîì âäðóã ïîíèìàåì: à çíà÷èòåëüíàÿ ÷àñòü ýëèòû, îêàçûâàåòñÿ, òîãî. Íåàäåêâàòíà – êàê áû ýòî ïîìÿã÷å ñêàçàòü.

Ñóäÿ ïî òîìó, êàêèå óæàñíûå îøèáêè äåëàþò åå ïðåäñòàâèòåëè, âîîáùå íåïîíÿòíî, êàê îíè äîñòèãëè ñâîèõ ïîñòîâ è áîãàòñòâ. Òàêîå âïå÷àòëåíèå, ÷òî äëÿ äîñòèæåíèÿ áîãàòñòâà è êàðüåðíûõ âûñîò óì íóæåí ÷óòü ëè íå â ïîñëåäíþþ î÷åðåäü. È íàîáîðîò – óì è ïîðÿäî÷íîñòü òîëüêî ìåøàåò â áèòâå çà âëàñòü è äåíåæíûå çíàêè. È âîçíèêàåò ñòðàøíûé âîïðîñ: "À êòî æå íàìè ðóêîâîäèò?"

Ïîñëå ýòîãî ïðîçðåíèÿ îñòà¸òñÿ îòâåòèòü íà äâà ïðîñòûõ âîïðîñà "Êòî âèíîâàò?" è "×òî äåëàòü?", è òàê êàê ñ îòâåòîì íà ýòè âîïðîñû çàäåðæåê íèêîãäà íå âîçíèêàåò, òî â ðåçóëüòàòå ðåôîðì îäíè èäèîòû ïðèõîäÿò íà ñìåíó äðóãèì è, êàê ãîâîðèëè åù¸ â äðåâíåé Âèçàíòèè: "Ñ öàð¸ì âñåãäà áûâàåò äâà âàðèàíòà: èëè ïîâåç¸ò, èëè íåò". Íî åñëè äàæå ïîâåç¸ò ñ öàð¸ì, íå ôàêò, ÷òî ïîâåç¸ò ñ ÷åëÿäüþ. Ñ àðèñòîêðàòèåé. Èëè êàê ñåé÷àñ ãîâîðÿò - ñ ýëèòîé.

 

Ýòà ýëèòà òîëüêî è äåëàåò, ÷òî âûðîæäàåòñÿ. Åñëè, êàê øóòèë Æâàíåöêèé, ÷òî ñ ÷åëîâåêîì íè äåëàé, îí óïðÿìî ïîëç¸ò íà êëàäáèùå, òî âîçãëàâëÿåò ýòó ïðîöåññèþ ýëèòà. Îíà âûðîæäàåòñÿ ïåðâîé è èç-çà íå¸ ñòðàäàþò âñå îñòàëüíûå.

Ëþäè ïîòðÿñåíû, óñëûøàâ Äåðèïàñêó â ïðÿìîì ýôèðå, êàê òàêîé ÷åëîâåê ñìîã äîáðàòüñÿ äî ìèëëèàðäîâ. Îíè íå ïîíèìàþò, óñëûøàâ Àáðàìîâè÷à, çà ñ÷¸ò ÷åãî òîò ñòàë òàê áîãàò. Îíè ïðîñòî îòêàçûâàþòñÿ âåðèòü â ýëèòó, ãëÿäÿ íà Åëüöèíà, Êîçûðåâà, Øóìåéêî, Ðûáêèíà, ×åðíîìûðäèíà.  Äîëãî íàðîä ïûòàëñÿ íàéòè óì ó Áåðåçîâñêîãî, íî íè÷åãî óìíîãî íå íàø¸ë. Íè â ñëîâàõ, íè â äåëàõ. Òî, ÷òî áûëî ó âñåõ ýòèõ ëþäåé â èçáûòêå, áûëî ÷åì óãîäíî, íî òîëüêî íå óìîì. È ïîíÿë íàðîä - â øêîëàõ èõ ó÷àò ñîâñåì íå òîìó, ÷òî íóæíî â æèçíè äëÿ óñïåõà.  

 æèçíè êàê-òî òàê âûøëî, ÷òî å¸ õîçÿåâàìè ñòàëè â÷åðàøíèå òðîå÷íèêè. Ëþáîé âå÷åð âñòðå÷è âûïóñêíèêîâ ýòî ïîäòâåðæäàåò. À õîðîøèñòû è îòëè÷íèêè, íàîáîðîò, âñþ æèçíü ðàáîòàëè íà ýòèõ âîò õîçÿåâ, êîòîðûå íà êîíòðîëüíûõ ïðîñèëè äàòü ñïèñàòü è íå âûëåçàëè èç ïðèâîäîâ â ìèëèöèþ, à ñåé÷àñ âäðóã ñòàëè áèçíåñìåíàìè è äåïóòàòàìè. Îòëè÷íèêè ó÷èëèñü -  è òàê íè÷åãî è íå äîáèëèñü. Ïðàâäà, áûëè èç îòëè÷íèêîâ íåêîòîðûå óíèêóìû - îíè ñìîãëè â Ìîñêâå âûó÷èòüñÿ è ñòàòü îëèãàðõàìè, íî âñ¸-òàêè íå ïîíÿòíî - à çà ÷òî æå èì ïÿò¸ðêè ñòàâèëè? Âðîäå, ÷òîáû êðàñòü è êèäàòü áîëüøîãî óìà íå íàäî...  

È ïîø¸ë íàðîä íà òðåíèíãè ðàçíûå. Ëè÷íîñòíîãî ðîñòà è âñ¸ òàêîå ïðî÷åå. Ãäå ëîâêèå ïðîõèíäåè îòíèìàëè ó íèõ äåíüãè, ðàññêàçûâàÿ î ôîðìóëàõ óñïåõà, îáó÷àÿ íà ñàìîì äåëå îáûêíîâåííîé íàãëîñòè è îòñóòñòâèþ ñòûäà, ñîâåñòè, óìåíèþ âðàòü è ëèöåìåðèòü, ñêðûâàòü ïðåçðåíèå è êóëüòèâèðîâàòü ýãîèçì – òî åñòü âñåìó òîìó, ÷òî â Ðîññèè îáðàçîâàííûé ÷åëîâåê âñåãäà ñ÷èòàë ïîçîðîì è ïðèçíàêîì îòñóòñòâèÿ óìà,

×èòàòü äàëåå...
êîììåíòàðèè: 5 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Äëÿ îñìûñëåíèÿ 13-09-2018 15:05

Ýòî öèòàòà ñîîáùåíèÿ Òàòüÿíà_Êîëîñîâà Îðèãèíàëüíîå ñîîáùåíèå

Äëÿ îñìûñëåíèÿ.

 êîíöå 1960-õ â ìèðîâîé êèíåìàòîãðàô âîðâàëñÿ Áðþñ Ëè. Çàãàäî÷íûé Âîñòîê â åãî ïîäà÷å ïðèîáðåë áîåâóþ îêðàñêó. Ïîÿâèëñÿ è áûñòðî ðàçâèëñÿ íîâûé æàíð êèíî – «êóí-ôó ôèëüì». Âñëåä çà êîøà÷üèìè êðèêàìè ñ ýêðàíà è ìîëíèåíîñíûìè äâèæåíèÿìè áüþùèõ ðóê è íîã ïîñëåäîâàëà âîëíà ìàññîâîãî óâëå÷åíèÿ áîåâûìè âîñòî÷íûìè åäèíîáîðñòâàìè. Äîøëà ýòà âîëíà ñî âðåìåíåì è äî Ñîâåòñêîãî Ñîþçà. Äîøëà ñ çàìåòíûì îïîçäàíèåì èç-çà «æåëåçíîãî çàíàâåñà» è èíôîðìàöèîííîé çàêðûòîñòè. Íî äîøëà, è òûñÿ÷è ìîëîäûõ ëþäåé óøëè â ïîäâàëû, ÷òîáû áèòü áîêñåðñêèå ãðóøè è âûæèìàòü øòàíãè. Óøëè â ïàðêè è ñêâåðû, ÷òîáû ïî óòðàì äåëàòü ðàñòÿæêó è ðàçó÷èâàòü íåïðèâû÷íûå äâèæåíèÿ. Ìíîãèå ñî âðåìåíåì, âîïðåêè äåôèöèòó òðåíåðîâ è îòñóòñòâèþ ìàòåðèàëüíîé áàçû, äîñòèãëè íåìàëûõ óñïåõîâ. È âîò ïåðåä èõ ìûñëåííûì âçîðîì, òåõ, êòî äîñòèã óñïåõîâ, âîçíèê âîïðîñ: ×òî äàëüøå? «ß óìåþ áèòü», - ñêàçàëè îíè. Òåïåðü íóæíî ïîíÿòü: êîãî áèòü? Èëè – çà÷åì áèòü?
Òå, ó êîãî âîçíèê ïåðâûé âîïðîñ (êîãî?) ñî âðåìåíåì ìîãëè íàéòè ïðèìåíåíèå ïîëó÷åííûì íàâûêàì â ðàçëè÷íûõ «áðèãàäàõ». Ñòðàíà ðàçâàëèâàëàñü, è âñêîðå âîçíèê õîðîøèé ñïðîñ íà óìåíèå äåéñòâîâàòü êóëàêîì è ïÿòêîé, ëîêòåì è ðåáðîì ëàäîíè. À âîò ó òåõ, êòî ñïðàøèâàë «çà÷åì?», âñå áûëî ñëîæíåå è ïðàâèëüíåå. Îíè ïîíÿëè, ÷òî íåâåëèê ïîäâèã ñëîìàòü ÷åëîâåêó íîñ èëè ðåáðà. Îíè ñòàëè ïî÷èòûâàòü íå òîëüêî ìåòîäè÷êè ïî òåõíèêå íàíåñåíèÿ óäàðîâ, íî è ôèëîñîôñêóþ ëèòåðàòóðó. À ëèòåðàòóðà ýòà, ìåæäó ïðî÷èì, ãîâîðèëà, ÷òî ëó÷øèé áîé - ýòî òîò, êîòîðûé íå ñîâåðøèëñÿ; ÷òî äóìàòü âàæíåå, ÷åì áèòü; ÷òî ïîáåäà íàä ñîáîé – ñàìàÿ âàæíàÿ ïîáåäà, è ïðî÷. Òàê ìûñëåííîå ïîëå îäíèõ ñóçèëîñü äî ïðèêëàäíûõ íàâûêîâ, à ó äðóãèõ ðàñøèðèëîñü äî ñåðüåçíûõ âîïðîñîâ.
Òî÷íî òàêîé æå ìåõàíèçì â ñàìûõ ðàçíûõ âèäàõ ÷åëîâå÷åñêîé äåÿòåëüíîñòè.
image (11) (330x333, 50Kb)
Íàïðèìåð, â îòíîøåíèè áîãàòñòâà.

Áîãàòñòâî - ýòî, íåñîìíåííî, ôèëîñîôñêàÿ êàòåãîðèÿ. Ãîâîðÿ ïî õîðîøåìó, áîãàò íå òîò, êòî èìååò ìíîãî, íî òîò, êîìó õâàòàåò òîãî, ÷òî åñòü.
Íî ñ òî÷êè çðåíèÿ ãðóáîãî ìàòåðèàëèçìà, âëàäåëåö ñòàäà êîðîâ áîãà÷å îáëàäàòåëÿ îäíîé êîðîâåíêè. È òóò ìû íàòûêàåìñÿ íà ñïåöèôè÷åñêóþ ïðîáëåìó. À èìåííî: áîãàòñòâî ðàñïîëàãàåò ê ôèëîñîôèè, òî åñòü ê ðàçìûøëåíèþ î ñìûñëàõ. Áîãàòñòâî ðîæäàåò âîïðîñ «çà÷åì?» Òî÷íî òàê æå, êàê ÷åëîâåê, îâëàäåâøèé ïðèåìàìè áîðüáû, ñïðàøèâàåò ñåáÿ, ÷òî òåïåðü ñ ýòèìè íàâûêàìè äåëàòü?
êíîïêà2 (170x100, 25Kb)



Ñåðèÿ ñîîáùåíèé "Ðåëèãèÿ. Äëÿ îñìûñëåíèÿ.":

×àñòü 1 - ÄËß ÎÑÌÛÑËÅÍÈß.
×àñòü 2 - Äóõîâíûé ìèð ÷åëîâåêà.
×àñòü 3 - Äëÿ îñìûñëåíèÿ.


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Õóäîæíèê ßí Àíòîíèñçîí âàí Ðàâåñòåéí. Ïîðòðåòíàÿ ãàëåðåÿ (2) 21-08-2018 16:19

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

ßí Àíòîíèñçîí âàí Ðàâåñòåéí (Jan Anthonisz. van Ravesteyn, c.1572-1657, Dutch) - Ïîðòðåòíàÿ ãàëåðåÿ \2\

 
 

https://www.christies.com/img/LotImages/2008/CSK/2008_CSK_05431_0035_000().jpg

Jan Anthonisz. van Ravesteyn  1570-1657)
Portrait of a lady, three-quarter length, in a black slashed silk dress with lace collar and cuffs, a fan in her right hand

ðàçäåëèòåëè,ÇÎËÎÒÛÅ,ÑÅÐÅÁÐßÍÛÅ

Attributed to Jan Antonisz. van Ravesteyn (1572-1657)
Portrait of a civic guard, half-length, in a buff coat and a gorget, with a white lace collar and a white silk sash

ðàçäåëèòåëè,ÇÎËÎÒÛÅ,ÑÅÐÅÁÐßÍÛÅ

Jan Anthonisz. van Ravesteyn
Memorietafel van Adriaen van Maeusyenbroeck en Anna Elant (DETAIL)
1618
  Museum Catharijneconvent

lwL4PCIX51EG (120x120, 22Kb)
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