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Òðàäèöèîííûé êîñòþì. Áåçâîäíîå. 03-08-2016 08:33

Ýòî öèòàòà ñîîáùåíèÿ Åðìîëîâñêàÿ_Òàòüÿíà Îðèãèíàëüíîå ñîîáùåíèå

Òðàäèöèîííûé êîñòþì. Áåçâîäíîå.

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Òðàäèöèîííûé êîñòþì. Ðÿçàíñêàÿ îáë. 03-08-2016 06:08

Ýòî öèòàòà ñîîáùåíèÿ Åðìîëîâñêàÿ_Òàòüÿíà Îðèãèíàëüíîå ñîîáùåíèå

Òðàäèöèîííûé êîñòþì. Ðÿçàíñêàÿ îáë.

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Êàðòèíû-ïàííî íà ïåíîêàðòîíå ñ ïîìîùüþ îáúåìíîé àïïëèêàöèè èç òêàíè 23-07-2016 08:40

Ýòî öèòàòà ñîîáùåíèÿ Åëåíà_Åâãðàôîâà Îðèãèíàëüíîå ñîîáùåíèå

Êàðòèíû-ïàííî íà ïåíîêàðòîíå ñ ïîìîùüþ îáúåìíîé àïïëèêàöèè èç òêàíè

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Îñîáåííîñòè êðîÿ íàöèîíàëüíîé îäåæäû 12-07-2016 05:05

Ýòî öèòàòà ñîîáùåíèÿ Valentina_iv Îðèãèíàëüíîå ñîîáùåíèå

Îñîáåííîñòè êðîÿ íàöèîíàëüíîé îäåæäû

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Õðîíîëîãèÿ ìîäû Èñòîðè÷åñêèé æåíñêèé êîñòþì 18 âåê 10-07-2016 00:38

Ýòî öèòàòà ñîîáùåíèÿ vesna_2014 Îðèãèíàëüíîå ñîîáùåíèå

Õðîíîëîãèÿ ìîäû Èñòîðè÷åñêèé æåíñêèé êîñòþì 18 âåê

Robe à la Française, ca. 1770, French, silk:  1750-75  Robe a la francaiseRobe à la Française, 1740s : Women with coquettish airs were wearing robes à la française and robes à l'anglaise throughout the period between 1720 and 1780. The silhouette of the robe à la française, composed of a funnel-shaped bust feeding into wide rectangular skirts, allowed for expansive amounts of textiles with delicate decoration.:  1740  robe a la francaiseEngland, Great Britain (probably), 1740-1745, Silk, embroidered with coloured silk and silver thread. 'Court dress' was an exclusive and very ornate style of clothing worn by the aristocracy, the only people usually invited to attend at Court. The style of the robe is quite old-fashioned, and based on the 17th-century mantua.  This ensemble recalls a garment worn by the Duchess of Queensbury in 1740.: 18th century 'open gown' - fabric woven about 1736-38, possibly in Spitalfields, London, the gown made about 1770-80.:  1736-38 London  

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Ðóññêèé íàöèîíàëüíûé êîñòþì â Ýðìèòàæå è íå òîëüêî 17-19 âåê 10-07-2016 00:36

Ýòî öèòàòà ñîîáùåíèÿ vesna_2014 Îðèãèíàëüíîå ñîîáùåíèå

Ðóññêèé íàöèîíàëüíûé êîñòþì â Ýðìèòàæå è íå òîëüêî 17-19 âåê

19th century Russian: Öåíòðàëüíàÿ Ðîññèÿ [ïîêàçàòü] [ïîêàçàòü]"le costume populaire russe" Ðóññêèé êîñòþì XVIII-XIX ââ. Ìîñêîâñêàÿ ãóáåðíèÿ.: Ìîñêîâñêàÿ Ãóáåðíÿ

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Õðîíîëîãèÿ ìîäû æåíñêèé êîñòþì 19 âåê 10-07-2016 00:32

Ýòî öèòàòà ñîîáùåíèÿ vesna_2014 Îðèãèíàëüíîå ñîîáùåíèå

Õðîíîëîãèÿ ìîäû æåíñêèé êîñòþì 19 âåê

Gown: ca. 1800, silk taffeta with silk net shawl with an embroidered floral motif and silk fringe as well as hat silk net and pongee. With pineapple reticule.  From the Kyoto Costume Institute, "Fashion: The Collection of the Kyoto Costume Institute": 1805, The Philadelphia Museum of Art:

          1800                                                 1805, Philadelphia Museum

 Evening dress, 1805-10 France (possibly), the V Museum:  1805-1810 Franse the V Museum

Evening dress, 1805-1810, owned by the Victoria and Albert Museum. A detail of this dress is pictured on the book jacket of the forthcoming THE ANNOTATED EMMA (March 20, 2012).: 1805-1810:

 1805-1810  Museum Number                                   1805-1810  Museum Number

Dress  1805-1810  The Philadelphia Museum of Art:  1805-1810,English. The Philadelphia Museum 

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Øåäåâð â äåòàëÿõ | Ïèòåð Ïàóëü Ðóáåíñ (workshop Peter Paul Rubens, 1577–1640, Flemish) - Ïîðòðåò Àííû Àâñòðèéñêîé (1601-1666) 17-06-2016 08:26

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Øåäåâð â äåòàëÿõ | Ïèòåð Ïàóëü Ðóáåíñ (workshop Peter Paul Rubens, 1577–1640, Flemish) - Ïîðòðåò Àííû Àâñòðèéñêîé (1601-1666)

[ïîêàçàòü]lomovolga

 

[ïîêàçàòü]

 

À́ííà Àâñòðè́éñêàÿ (ôð. Anne d'Autriche, èñï. Ana María Mauricia de Austria (de Habsburgo); 22 ñåíòÿáðÿ 1601 — 20 ÿíâàðÿ 1666) — êîðîëåâà Ôðàíöèè, ñóïðóãà (ñ 18 îêòÿáðÿ 1615 ãîäà) êîðîëÿ Ôðàíöèè Ëþäîâèêà XIII. Ýïèòåò «Àâñòðèéñêàÿ» îçíà÷àåò ëèøü ïðèíàäëåæíîñòü ê äèíàñòèè Ãàáñáóðãîâ, àâñòðèéñêîé ïî ïðîèñõîæäåíèþ.

 

https://s-media-cache-ak0.pinimg.com/originals/ff/ce/49/ffce49b42f30427ffbc4a2e305cfb611.jpg

Workshop of Peter Paul Rubens (1577–1640)
After Peter Paul Rubens
Portrait of Anne of Austria (1601-1666), wife of Louis XIII, King of France
circa 1625 (1620-1630),
oil on panel, 105 × 74 cm
Rijksmuseum Amsterdam

Äî÷ü èñïàíñêîãî êîðîëÿ Ôèëèïïà III è åãî æåíû Ìàðãàðèòû Àâñòðèéñêîé. Àííà âìåñòå ñî ñâîåé ìëàäøåé ñåñòðîé Ìàðèåé Àííîé ïîëó÷èëè õîðîøåå îáðàçîâàíèå, îáó÷àëèñü ëàòûíè, îñíîâàì åâðîïåéñêèõ ÿçûêîâ, øèòüþ, òàíöàì, ïèñüìó, ñâÿùåííîé èñòîðèè è ãåíåàëîãèè öàðñòâóþùåé äèíàñòèè Ãàáñáóðãîâ.

 

https://s-media-cache-ak0.pinimg.com/originals/19/71/4f/19714fe1b9409104a73f1e103cf46eeb.jpg

Workshop of Peter Paul Rubens (1577–1640)
After Peter Paul Rubens
Portrait of Anne of Austria (1601-1666), wife of Louis XIII, King of France (detail)
circa 1625 (1620-1630),
oil on panel, 105 × 74 cm
Rijksmuseum Amsterdam

https://s-media-cache-ak0.pinimg.com/originals/5a/94/f4/5a94f488ceb304a67209cc4c1dbfcd30.jpg

Workshop of Peter Paul Rubens (1577–1640)
After Peter Paul Rubens
Portrait of Anne of Austria (1601-1666), wife of Louis XIII, King of France (detail)
circa 1625 (1620-1630),
oil on panel, 105 × 74 cm
Rijksmuseum Amsterdam

[ïîêàçàòü]
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Áîðèñ Êîøåëåâ —ìîëîäîé è òàëàíòëèâûé ðåæèññåð 15-05-2016 07:44


Áîðèñ Êîøåëåâ —ìîëîäîé è òàëàíòëèâûé ðåæèññåð.Åãî ôèëüì "Ïîñëåçàâòðà" Âñå êàê âñåãäà. Åùå îäèí äåíü, ìîæåò áûòü, ÷óòü òÿæåëåå è áåçðàäîñòíåé. Íî è ýòîò äåíü ïîäõîäèò ê êîíöó è òå, êòî ïðåäñêàçûâàë êàòàñòðîôó, êàæóòñÿ ÷óäàêàìè. Íî ÷òî, åñëè îíè ïðàâû, ÷òî åñëè áåç ãðîçíûõ çíàìåíèé ñáóäóòñÿ âñå âñå ñàìûå ìðà÷íûå ïðîãíîçû? Òû ñòðîèøü ïëàíû, íî óæå ÷åðåç äåíü âåñü ìèð âîêðóã òåáÿ ìîæåò íåîáðàòèìî èçìåíèòüñÿ. È ÷òî áóäåò ïî-íàñòîÿùåìó âàæíî â ìèðå ÏÎÑËÅÇÀÂÒÐÀ? https://www.youtube.com/watch?v=307Oaq7j_TE&featu..
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ÏÎÐÒÐÅÒÍÀß ÆÈÂÎÏÈÑÜ 07-05-2016 03:33

Ýòî öèòàòà ñîîáùåíèÿ Áóëãàêîâà_Òàòüÿíà Îðèãèíàëüíîå ñîîáùåíèå

ÏÎÐÒÐÅÒÍÀß ÆÈÂÎÏÈÑÜ

Þæíîíèäåðëàíäñêèé õóäîæíèê Ôðàíñ Ïóðáóñ Ìëàäøèé

(1569-1622)

 

Ïîðòðåò çíàòíîé äàìû

ÑÌÎÒÐÅÒÜ ÄÀËÅÅ ...
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Êîðîëåâà Åëèçàâåòà I, ðèñóíêè. 05-05-2016 05:48

Ýòî öèòàòà ñîîáùåíèÿ slavyankaLI Îðèãèíàëüíîå ñîîáùåíèå

Êîðîëåâà Åëèçàâåòà I, ðèñóíêè.

Ýëèçàáåò

[ïîêàçàòü]

Ïîðòðåò Åëèçàâåòû I, " ãîëîâà è ïëå÷è " â îâàëå; ãåðá íèæå. Ãðàâèðîâêà

* * Ïîïå÷èòåëåé Áðèòàíñêèé ìóçåé

Êîðîëåâà Åëèçàâåòà â ïàðëàìåíòå

[ïîêàçàòü]

Åëèçàâåòà I âîññåäàåò íà ïðåñòîëå, äåðæà äåðæàâà è ñêèïåòð, ïåðåä ïàðëàìåíòîì; èëëþñòðàöèè ê ñýðó Ñàéìîíäñ D'Ewes' 'æóðíàëàõ âñå ïàðëàìåíòû â öàðñòâîâàíèå êîðîëåâû Åëèçàâåòû' (1682). Òðàâëåíèå

* * Ïîïå÷èòåëåé Áðèòàíñêèé ìóçåé

Åëèçàâåòà, êîðîëåâà Àíãëèè.

[ïîêàçàòü]

Ïîðòðåò êîðîëåâû Åëèçàâåòû I, âñåé äëèíå, ñòîÿ ÷óòü íàïðàâî, äåðæà øàð â ëåâîé ðóêå è ñêèïåòðîì â ïðàâîé; ïîñëå Èñààêà Îëèâåðà; äîêàçàòåëüñòâî. 1820 òðàâëåíèÿ

* * Ïîïå÷èòåëåé Áðèòàíñêèé ìóçåé

Äàëåå..
êîììåíòàðèè: 0 ïîíðàâèëîñü! ââåðõ^ ê ïîëíîé âåðñèè
Íàáîð ãðàâþð: Åâðîïåéñêèé êîñòþì Xvi âåêà : [ýñòàìï] 05-05-2016 05:29

Ýòî öèòàòà ñîîáùåíèÿ slavyankaLI Îðèãèíàëüíîå ñîîáùåíèå

Íàáîð ãðàâþð: Åâðîïåéñêèé êîñòþì Xvi âåêà : [ýñòàìï]

[ïîêàçàòü]

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Ìóæñêîé ïîðòðåò â æèâîïèñè XVI-XVIII ââ. \6\ 05-05-2016 04:59

Ýòî öèòàòà ñîîáùåíèÿ lomovolga Îðèãèíàëüíîå ñîîáùåíèå

Ìóæñêîé ïîðòðåò â æèâîïèñè XVI-XVIII ââ. \6\

[ïîêàçàòü]lomovolga

[ïîêàçàòü]

[ïîêàçàòü]


[ïîêàçàòü]

1616 Isaac Oliver
Richard Sackville, 3rd Earl of Dorset

[ïîêàçàòü]

[ïîêàçàòü]

ab. 1615 Unknown artist
Dudley, the 3rd Baron North

[ïîêàçàòü]

[ïîêàçàòü]

1618 attributed to Daniel Mytens
Portrait of a Nobleman

[ïîêàçàòü]

[ïîêàçàòü]

93 Hieronimo Custodis
Sir John Ashburnham

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Napoleon and the Empire of Fashion (1795-1815) 26-04-2016 04:29

Ýòî öèòàòà ñîîáùåíèÿ keb59 Îðèãèíàëüíîå ñîîáùåíèå

Napoleon and the Empire of Fashion (1795-1815)

 From the exhibition "Napoleon and the Empire of Fashion". Lancaster-Barreto collection.

Chapeau a la Pamela. France, circa 1810.:

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Antique French Fashion doll 26-04-2016 04:09

Ýòî öèòàòà ñîîáùåíèÿ keb59 Îðèãèíàëüíîå ñîîáùåíèå

Antique French Fashion doll

View Catalog Item - Theriault's Antique Doll Auctions:

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Âûñòàâêà ðóññêîãî êîñòþìà 17-04-2016 21:21

Ýòî öèòàòà ñîîáùåíèÿ ÍÀÒÀËÈ_ÐÈÂÀÐÀ Îðèãèíàëüíîå ñîîáùåíèå

Âûñòàâêà ðóññêîãî êîñòþìà

Âî âñåõ òû, äóøåíüêà, íàðÿäàõ õîðîøà 

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Íîâîãîäíèå êóêëû-ñóâåíèðû Ñâåòëàíû Êðèøòàí 24-12-2015 13:49


[597x402]

 

 

 

Î÷åíü äàâíî ñ 1991 ãîäà ïåòåðáóðãñêàÿ õóäîæíèöà Ñâåòëàíà Êðèøòàí ðàçðàáàòûâàåò êóêëû äëÿ ñóâåíèðíûõ ïðåäïðèÿòèé, òàì èõ ðàçìíîæàþò è ïðîäàþò â ñóâåíèðíûõ ëàâêàõ, íî , ïîêóïàÿ òàêóþ êóêëó, ìàëî êòî çíàåò ôàìèëèþ àâòîðà. Åñòü èíòåðíåò-ìàãàçèí, ãäå ìîæíî êóïèòü êóêëû áåç òîðãîâîé íàöåíêè   http://sdolls.myinsales.ru  

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[430x604]

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Èíòåðâüþ Äæîíà Ðàïïîïîðòà ñ áûâøèì ñîçäàòåëåì âàêöèí 16-12-2015 10:14


Èíòåðâüþ Äæîíà Ðàïïîïîðòà ñ áûâøèì ñîçäàòåëåì âàêöèí


Êîãäà-òî âû áûëè óâåðåíû, ÷òî ïðèâèâêè — ñèìâîë ïðîãðåññèâíîé ìåäèöèíû.
Äà. ß ïîìîãàë â ðàçðàáîòêå íåñêîëüêèõ âàêöèí. ß íå ñêàæó, êàêèõ èìåííî.

Ïî÷åìó?
ß õî÷ó îñòàòüñÿ èíêîãíèòî.

Çíà÷èò, âû ñ÷èòàåòå, ÷òî ó âàñ ìîãóò áûòü ïðîáëåìû, åñëè âû îòêðîåòåñü?
Ïîëàãàþ, ÷òî ÿ ïîòåðÿþ ñâîþ ïåíñèþ.

Íà êàêîì îñíîâàíèè?
Ýòî íå èìååò çíà÷åíèÿ. Ó ýòèõ ëþäåé åñòü âîçìîæíîñòü äîñòàâèòü âàì íåïðèÿòíîñòè, åñëè âû êîãäà-òî áûëè ÷ëåíîì êëóáà. ß çíàþ íåñêîëüêî ÷åëîâåê, çà êîòîðûìè ñëåäèëè è êîòîðûõ áåñïîêîèëè.
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Õóäîæíèê-ñàìîó÷êà ïî òåêñòèëþ èç Âåëèêîáðèòàíèè Êðèñòèí Êåëëè (Christine Kelly) - âèíòàæíûå ðàáîòû 08-11-2015 08:43

Ýòî öèòàòà ñîîáùåíèÿ perlana Îðèãèíàëüíîå ñîîáùåíèå

Õóäîæíèê-ñàìîó÷êà ïî òåêñòèëþ èç Âåëèêîáðèòàíèè Êðèñòèí Êåëëè (Christine Kelly) - âèíòàæíûå ðàáîòû

Õóäîæíèê-ñàìîó÷êà ïî òåêñòèëþ èç Âåëèêîáðèòàíèè
Êðèñòèí Êåëëè (Christine Kelly) - Gentlework

"ß Êðèñòè Êåëëè, ÿ õóäîæíèê-ñàìîó÷êà ïî òåêñòèëþ è êîëëåêöèîíåð âèíòàæíûõ òêàíåé è ãàëàíòåðåè. Ñêîëüêî ÿ ñåáÿ ïîìíþ, ÿ âñåãäà äåëàëà ìîè  âåùèöû, íî çà ýòè ãîäû ÿ ïîëþáèëà ðó÷íîå øèòüå. Ïîñëåäíèå, áîëåå ëè÷íûå è ïîäðîáíàÿ îáðàçöû, áûëè ñîçäàíû ïîä âïå÷àòëåíèåì òîíêèõ âàðèàöèé öâåòîâ, êîòîðûå ÿ îáíàðóæèëà   â âèíòàæíîì ëüíå è êðóæåâàõ.   Îíè äîêàçàëè, ÷òî ìîãóò áûòü èñòî÷íèêîì âäîõíîâåíèÿ  äëÿ òâîð÷åñòâà."

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Gentlework (äåëèêàòíàÿ  ðàáîòà) - ñäåëàííûå è ðàñøèòûå âðó÷íóþ  ñîêðîâèùà èç ñòàðèííûõ  (âèíòàæíûõ) íàõîäîê.

[750x747]

[713x686]

[ïîêàçàòü]

[744x654]

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Àíãåë ãîðîäà.... Õóäîæíèê Àëåêñàíäð Ïðîñòåâ 05-11-2015 08:51

Ýòî öèòàòà ñîîáùåíèÿ êðàñàâèöó_âèäåòü_õîòèòå Îðèãèíàëüíîå ñîîáùåíèå

Àíãåë ãîðîäà.... Õóäîæíèê Àëåêñàíäð Ïðîñòåâ

Òèõî ñòóïàþò íîãè áîñûå.
Óñòà ïîâòîðÿþò: "Ñïàñè è ïîìèëóé!"
Âåëèêóþ ïîìîùü Ãîñïîäü íàì äàåò:
Áëàæåííàÿ Êñåíèÿ íàñ áåðåæåò.

È åñëè óñòàëà äóøà îò íåñ÷àñòüÿ,
È ñèëû íå ñòàëî áîðîòüñÿ ñ íàïàñòüþ,
È ÷àøà ñòðàäàíèé äî êðàÿ ïîëíà -
Ñâÿòîé ïîìîëèñü, È ïîìîæåò îíà...
.

              òðóäíûé ÷àñ, â ñêîðáíûé ÷àñ Âñåì Îíà ãîâîðèò:
                                            "Öàðü ñ êîïüåì íà êîíå îò áåäû ñîõðàíèò".....

 ñâåòëîì ñèÿíüå õðàì ñåðåáðèòñÿ,
Êñåíèÿ ïëà÷åò â ñïÿùåé ñòîëèöå.
Íàä Íåâîé,
Àíãåë ïåñíþ ïîåò,
 ýòîò õðàì, ÷óäíûé õðàì
Íà ìîëèòâó çîâåò.

Òèõî â ÷àñîâíå ñâå÷è ìåðöàþò,
Ìàòóøêà Êñåíèÿ âñåõ ïðèíèìàåò.
Çà âåñü ìèð, ïîìîëèñü,
Ìàòè Êñåíèÿ âíîâü –
Ïóñòü ñåðäöà íèêîãäà
Íå ïîêèíåò ëþáîâü.

Ðàññâåò. Ïðåä÷óâñòâèå èíîãî áûòèÿ

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