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Michael Buble epitomizes cool.
The Canadian crooner has the looks, the pipes and even a sense of humor. "Am I wasting my votes still voting for Antonella Barba?" Buble, 31, cracked to Ryan Seacrest on last season's "American Idol" after the sultry Barba, a fan favorite, failed to make the cut.
However, the suave entertainer, calling recently from New York, admits he was terrified while making "Call Me Irresponsible," the follow-up to his mega-platinum breakthrough album, 2005's "It's Time." The candid Buble, who performs Monday at the Rose Garden arena, also details his love of pop classics and big band music, why his songs stand out today and what inspired his career.
What was it like following up a career-making disc?
It was very, very scary. I was very nervous. I didn't have a lot of fun making this record.
Why?
I had more to lose this time. So I worked so hard. It's difficult, since the last album sold 5 million copies and I'm in a business that's faltering but I'm expected to sell 10 million copies this time.
You've sold a lot of units but you don't get a lot of airplay . . .
The reason for that is that I'm a live performer. I think if you want longevity in this business, you have to be a live performer. Look at all the acts that are doing well. The Rolling Stones, the Police, these are acts that play well and draw people to shows. They're great at what they do onstage. I think that's very important. It's how it was when the musicians who played my music did it back in the day.
How does a kid growing up in the late '80s develop a fondness for big band music?
My grandfather played the music for me and I just fell for it. I'm a sentimental person, and the lyrics are quite sentimental.
It's one thing to become a fan, but to start a career crooning these classic songs . . .
I was filling a niche, and even more so I thought this could get me (sex). I thought this was a cool thing. I wasn't following in everyone else's footsteps. I was being irresponsible. I wasn't following the rock band of the week just because everyone else was. I had something that was mine. I fell for timeless music.
But you started singing so you could get girls, just like rockers do.
That was my angle. I don't mean to be crass about it but, well, maybe I do. I think if you asked a lot of men after they were injected with truth serum, why they became presidents, entertainers, CEOs or journalists, why they did it, they would say to do well with the opposite sex.
I think you might be right about all of that except the part about journalists.
(Laughs) For me, personally. I can't say (speaking in a fey manner), "It's just lovely music and I think it's just special and it touches my heart." I would cringe myself up.
Your songs get a little more notice today since they're different from much of what is released. Does that give you an advantage?
I think it helps in a way. My single "Everything" went to No. 1, and so did "Home" from my last record. Do I think they would have done as well in 1971? I don't think so. There were so many great songs with great melodies out then. Would those songs