Greta Garbo Centenary Conference (Ireland) (5/3/05; 9/16/05-9/17/05)
19-03-2005 10:13
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CALL FOR PAPERS: THE GRETA GARBO CENTENARY CONFERENCE, SEPTEMBER 16-17, 2005 (Dublin, Ireland)
THE IRISH FILM INSTITUTE WILL HOST AN INTERNATIONAL CENTENARY CONFERENCE TO HONOUR THE LIFE AND WORK OF GRETA GARBO ON FRIDAY SEPTEMBER 16TH AND SATURDAY 17TH 2005
PAPERS ARE INVITED ON ALL ASPECTS OF GARBO'S LIFE AND CAREER IN EUROPE AND THE U.S.
PAPER TOPICS MIGHT INCLUDE:
- THEORETICAL AND HISTORICAL BASED ANALYSES OF INDIVIDUAL FILMS
- ANALYSES OF GARBO'S CAREER IN EUROPE AND HER WORK WITH KEY DIRECTORS SUCH AS STILLER AND PABST
- ANALYSES OF GARBO AND STARDOM
- ANALYSES OF GARBO'S AMERICAN CAREER AND HER WORK WITH MGM DIRECTORS
- ANALYSES OF GARBO AND GENRE
- ANALYSES OF CRITICAL RESPONSES TO GARBO (E.G BARTHES AND GARBO)
- GARBO AND QUEER THEORY
- GARBO AND FEMINIST THEORY
- GARBO AND HER BIOGRAPHERS
THE IRISH FILM INSTITUTE WILL ALSO PRESENT A SHORT SEASON OF GARBO FILMS, DETAILS OF WHICH WILL BE AVAILABLE SHORTLY.
SUBMISSION OF ONE PAGE ABSTRACTS, ALONG WITH A SHORT BIO/CV, CAN BE SENT/FAXED/EMAILED TO:
Dr Gwenda Young,
Department of English,
University College Cork,
Ireland.
Fax:++353-21-4903288
Email: g.young@ucc.ie (please include "Garbo Centenary conference" in
the subject lines of all emails)
DEADLINE FOR SUBMISSION OF ABSTRACTS: MAY 3RD 2005
Further queries can be directed to Gwenda Young, or to Grainne
Humphreys,
Assistant Director, Irish Film Institute, Dublin 1. Tel:
++353-1-6795744
Fax:++353-1-6778755 Email: grainneh@irishfilm.ie
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CALL FOR PAPERS: THE GRETA GARBO CENTENARY CONFERENCE, SEPTEMBER 16-17, 2005 (Dublin, Ireland)
THE IRISH FILM INSTITUTE WILL HOST AN INTERNATIONAL CENTENARY CONFERENCE TO HONOUR THE LIFE AND WORK OF GRETA GARBO ON FRIDAY SEPTEMBER 16TH AND SATURDAY 17TH 2005
PAPERS ARE INVITED ON ALL ASPECTS OF GARBO'S LIFE AND CAREER IN EUROPE AND THE U.S.
PAPER TOPICS MIGHT INCLUDE:
- THEORETICAL AND HISTORICAL BASED ANALYSES OF INDIVIDUAL FILMS
- ANALYSES OF GARBO'S CAREER IN EUROPE AND HER WORK WITH KEY DIRECTORS SUCH AS STILLER AND PABST
- ANALYSES OF GARBO AND STARDOM
- ANALYSES OF GARBO'S AMERICAN CAREER AND HER WORK WITH MGM DIRECTORS
- ANALYSES OF GARBO AND GENRE
- ANALYSES OF CRITICAL RESPONSES TO GARBO (E.G BARTHES AND GARBO)
- GARBO AND QUEER THEORY
- GARBO AND FEMINIST THEORY
- GARBO AND HER BIOGRAPHERS
THE IRISH FILM INSTITUTE WILL ALSO PRESENT A SHORT SEASON OF GARBO FILMS, DETAILS OF WHICH WILL BE AVAILABLE SHORTLY.
SUBMISSION OF ONE PAGE ABSTRACTS, ALONG WITH A SHORT BIO/CV, CAN BE SENT/FAXED/EMAILED TO:
Dr Gwenda Young,
Department of English,
University College Cork,
Ireland.
Fax:++353-21-4903288
Email: g.young@ucc.ie (please include "Garbo Centenary conference" in
the subject lines of all emails)
DEADLINE FOR SUBMISSION OF ABSTRACTS: MAY 3RD 2005
Further queries can be directed to Gwenda Young, or to Grainne
Humphreys,
Assistant Director, Irish Film Institute, Dublin 1. Tel:
++353-1-6795744
Fax:++353-1-6778755 Email: grainneh@irishfilm.ie
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[NIS_GS:] CFP: Camera Obscura "Archive for the Future": Feminism, Culture, and Media Studies (rolling deadline 10/15/04-1/31/06; journal)
A Camera Obscura ⌠Archive for the Future
The editors of Camera Obscura: Feminism, Culture, and Media Studies invite the journal's readers to contribute statements of 500-1000 words that consider, contemplate, entertain, and/or imagine the future of feminism, culture, and media studies.
Selected contributions will be published in a special issue to mark the thirtieth anniversary of the journal. What lines of inquiry and approaches to these terms and to this nexus do you find most engaging?
What lines do you expect to find most productive in the future? How do you see the conjuncture of ⌠feminism, culture, and media studies■ as intersecting with other discourses, disciplines, and practices? How does your sense of the future of this conjuncture reflect your understanding of its history?
How would you characterize the changes in feminist culture and media studies, and how do you see those changes as related (or removed from) the changes within the media and cultural practices themselves? What theories, methodologies, objects, texts, and/or practices would you want to revive or re-energize at this point? What would you want to eulogize or mourn? In sum, what would you submit to a Camera Obscura ⌠archive for the future,■ and why?
Please send three copies of your statement, including complete contact information, to:
Camera Obscura
Department of Film Studies University of California, Santa Barbara, CA 93106-4010.
Selected submissions will appear in consecutive issues of the journal, beginning with Camera Obscura 61, a special issue marking the thirtieth anniversary of the journal.
...............................................................................
C A M E R A O B S C U R A
Andrea Fontenot, Managing Editor
Department of Film Studies
University of California, Santa Barbara
Santa Barbara, CA 93106-4010
(805)893-7069
cameraobscura@filmstudies.ucsb.edu
----------------------------------------------------------
A Camera Obscura ⌠Archive for the Future
The editors of Camera Obscura: Feminism, Culture, and Media Studies invite the journal's readers to contribute statements of 500-1000 words that consider, contemplate, entertain, and/or imagine the future of feminism, culture, and media studies.
Selected contributions will be published in a special issue to mark the thirtieth anniversary of the journal. What lines of inquiry and approaches to these terms and to this nexus do you find most engaging?
What lines do you expect to find most productive in the future? How do you see the conjuncture of ⌠feminism, culture, and media studies■ as intersecting with other discourses, disciplines, and practices? How does your sense of the future of this conjuncture reflect your understanding of its history?
How would you characterize the changes in feminist culture and media studies, and how do you see those changes as related (or removed from) the changes within the media and cultural practices themselves? What theories, methodologies, objects, texts, and/or practices would you want to revive or re-energize at this point? What would you want to eulogize or mourn? In sum, what would you submit to a Camera Obscura ⌠archive for the future,■ and why?
Please send three copies of your statement, including complete contact information, to:
Camera Obscura
Department of Film Studies University of California, Santa Barbara, CA 93106-4010.
Selected submissions will appear in consecutive issues of the journal, beginning with Camera Obscura 61, a special issue marking the thirtieth anniversary of the journal.
...............................................................................
C A M E R A O B S C U R A
Andrea Fontenot, Managing Editor
Department of Film Studies
University of California, Santa Barbara
Santa Barbara, CA 93106-4010
(805)893-7069
cameraobscura@filmstudies.ucsb.edu
----------------------------------------------------------
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