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Художник Stuart Dunkel. Натюрморт с мышкой...и др.
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http://stuartdunkel.fineartstudioon...layperpage=9999
asking permission
The choice
sit down lunch
Tall order
Gold mine
Sniff
Fig Alert
Flirting
"Lucky Guy"
"Sugarcrave"
"Fear"
My Fruit
Disappointing
Conquest
The Roar
The Secret
When He's not looking
In the Lab
Cookie Thief
Close encounter
Catch of the day
Klepto
Two for breakfast
Captive eggplant
good fortune
Fig burgler
stealing dessert
Start at the top
Wild cheries
New problem
determination
Here first
My fig
jellyroll
smells so good
месть
парад
best green one
twins
pair
hard work
caboose
stay away
berry hill
bonanza
popcorn alley
Smell the Roses
Hot pepper
Mirror
Brave Soul
something familiar
Prize Fig
mouse-vanitas
peace-offering
big trouble
expedition
"Where to start"
"Sweet Stem"
Био:
Being a painter, musician and author, sight, sound and words are the tools of Stuart Dunkel's expression. He began painting at age five and at age seven he began studying music. The very discipline of formal training has always appealed to him and he has dedicated his life to the in-depth study of them. Dunkel studied music and art at Boston University, Mannes College of Music, the Juilliard School (Doctorate), and art at the Boston Museum School, Kent State, the Academy of Realist Art, the Seattle Academy of Art as well as privately with respected teachers. After all that he still feels that he is self-taught.
His breakthrough moment in art was when it was revealed to him that music and art were made up of the same ideas. Conceptual juxtaposition has always been his gift. "Rhythm, harmony, counterpoint, balance, contrast, scales, chromatism, keys, high and low, dark and bright, loud and soft, colorful and dull, jumbled in my minds eye - all the polarities in the arts and indeed in life itself! I have the ability to think of a scene or object and project it on my minds screen and then draw and paint from it."
"I usually enjoy the darkest of backgrounds in my still life paintings as it affords the eye the most comfortable place to perceive reality at its beginning. The great Netherlands artist of the 16th century knew this, and many of the most beautiful images are set against a blackish backdrop. This perception enforces my belief that nothing exists until light is draped over it. From the nothingness of black we build up to the perceived objects. As in love, we create the feeling the other inspires in us. As in art, we create the feeling to inspire the others in us. In other words, we must think of the consequences of our actions and what results each brushstroke communicates.
Recently I fell in love with landscape painting. I don't know if being out in the elements surrounded by God, the slight tweaking of composition that is already set up for me, or how free I can be with my palette of colors that inspired me. My concept seems to be a combination of the lush Hudson River School and the compositional elements of the California Impressionists. I don't censor what emerges from my brush as much as I do with my still life and with that I find great freedom."
