Follower of Andrea del Verrocchio
Madonna and Child,
tempera on panel, 82.5 x 57 cm, framed

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Workshop of Bernardino Fungai (Siena 1460-1516)
The Madonna and Child with Saints Jerome and Benedict

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Studio of Jacopo del Sellaio (Florence 1441-1493)
The Madonna adoring the Christ Child, with Saint John the Baptist beyond

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Lippo d' Andrea (Florence 1377-after 1427)
The Madonna and Child Enthroned with Saints John the Baptist, Catherine of Alexandria, Mary Magdalene, Bartholomew, Dorothy and Julian the Hospitaller

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Apollonio di Giovanni di Tomaso


School of Constance, circa 1450
Scenes from the Life of Christ oil on linen, laid down on board

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Circle of Frans Floris I (Antwerp 1519/20-1570)
A triptych: central panel: The Raising of Lazarus; the wings: on the left, a male donor, kneeling, with his sons, presented by Saint Jacob; and on the right, the donor’s wife, kneeling, with her daughters, presented by Saint Catherine

School of Urbino, early 16th Century
The Madonna and Child with the Infant Saint John, in a landscape, the Nativity below,

Antwerp Mannerist Painter, 16th Century
Madonna and Child,
oil on panel, 25 x 19 cm, framed


Studio of Cornelis van Cleve (Antwerp 1520-1569)
The Adoration of the Magi

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Master of the Dinkelsbühl Altar (active Swabia and Franconia, late 15th century-early 16th century)
The Massacre of the Innocents

School of Savoy, circa 1490–1500
The Nativity, with a music making angel and a kneeling female donor,

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Raffaello Botticini (Florence c . 1477)

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Flemish School, 16th Century
The Crucifixion

Master of the Antwerp Adoration
(active in Antwerp, circa 1500)
Virgin and Child with Saint Anne

Follower of Leonardo da Vinci
Madonna and Child with the Infant Saint John the Baptist,

Niccolò Pisano
(Pisa 1470 – after 1536)
The Holy Family with Saint Peter and the Infant Saint John the Baptist,

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Benvenuto Tisi, il Garofalo (Ferrara 1481-1559)
The Madonna and Child


Attributed to Cornelis van Cleve (Antwerp 1520-1569)
The Madonna and Child

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Studio of Bernardino Licinio (Venice

Central Franconian Master, 1436
Scene from the Life of Saint Margaret of Antioch,


School of the Rhine, circa 1500
A Miracle of Saint James the Great, with demons commanded by the sorcerer Hermogenes bound by angels at the behest of Saint James and the scholar Philetus


Antwerp Mannerist, circa 1540
The Massacre of the Innocents; and The Holy Family with Saint John

Workshop or Follower of the Master of the Coburg Roundels
(active in Strasbourg and the Oberrhein area, Alsace, circa 1475–1500)
The Nativity,

anonymous artist traditionally identified as Pseudo-Pier Francesco Fiorentino, c. 1485-90,
Madonna of the Roses,
tempera on panel
San Diego Museum of Art


Peeter de Kempener, called Pedro de Campagna (Brussels circa 1503-circa 1580)
The Penitent Magdalen

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Vincent Sellaer (active Mechelen circa 1538)
The Virgin and Child with the Infants Saint John the Baptist and James, before a draped curtain, a landscape beyond

Netherlandish School, 16th Century
Two wings of a Triptych depicting two of the three Magi,
oil on panel, each 42 x 13 cm, framed, a pair (2)

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Cesare Dandini (Florence 1596-1657)
The Penitent Magdalene

Workshop of Raffaello Sanzio, called Raphael
(Urbino 1483–1520 Rome)
The Holy Family with Saint Elisabeth and the Infant Saint John the Baptist (The Madonna of Divine Love),
Серия сообщений "Мадонна (Аве, Мария) \4\":
Часть 1 - Мадонна и святые в живописи Старых Мастеров \127\
Часть 2 - Мадонна и святые в живописи Старых Мастеров \127-1\
...
Часть 6 - Мадонна Ренессанса \131\
Часть 7 - Мадонна и святые в живописи Старых Мастеров (аукцион) \132\
Часть 8 - Мадонна и святые в живописи Старых Мастеров (аукцион) \133\