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Here a small tutorial which will enable you to paint in Photoshop a basic landscape which could be thereafter detailed. The tools essential with its realization will be the brushes and their settings.
In a new document, whose size is 1900 X 900 pixels we will first paint the sky. If you have difficulty in choosing your color of sky or your range, then you can take the help of a photograph. If in spite of a photograph you do not get the desired result, it should be said that during morning and evening sky changes the colors very quickly because of sun.
Sky - On two separate layers, paints with a hard brush - a blue color and a yellow color with orange tint on other. Then apply a Gaussian blur for blending both the colors and also remove the between line.
It should be known everything on distant is contrasted much less than what is in the foreground. One will work with brownish colors and thus will play with the luminosity of the selected color.
Once the color is chosen, which brush to use? Photoshop offers a various brush presets which can be changed to create your own brushes. We will draw abrupt mountains and would like to have peaks with the mountains. Chooses the Chalk brush and changes his orientation (Angle) in the brush settings dialog box.
On a new layer draw the mountains with the above created brush
On a new layer with difference in color according to the luminosity draw another mountains.
Create a new layer once again and paint the mountains in the foreground without forgetting to regulate the luminosity of the color. Its a good habit to paint on different layers so you can change/remove anything anytime.
One will now start to give a little detail to the mountains. The same brush is kept but one will play this time with the opacity and the flow of the brush. Also add some nuances orange to give the orientation of light and his height too.
One can also utilize the gum because, by withdrawing the color of the mountain, appears that of the orange sky which is in lower part but attention with the use, it is no return thus prudence with the opacity and the flow of gum. A mask of fusion is recommended.
For the mountains of the centers, adds a copy to the top and groups the two copies (Alt touches while approaching the separation of the two copies), which makes it possible to paint on the copy of top without that not exceeding a copy which is located in lower part.
Even practical that the preceding copy and one paint to give blows of light brushes of them, because smudge tool will come to help us to give an effect of spreading out (because one must perceive a little more snows), it is the tool “finger”.
For the clouds, one can draw them with a brush, on several layers by applying several directional and Gaussian blur, but one can also use the smudge once again :) Here, a cloud was defined as brushes, it is chosen and one places it (a blow of brush) on the scene.
Settings of the Smudge Tool
Now stretch the desired parts of the clouds, spreads out it, changes his similarity from others and as soon as that appears well, leaves it.
Add a smoke trail of a plane in a scene. This will add more realism. For this stage, modify the brush settings in order to have more broken edges of brush. Ans also apply a blur in the end to show the weak trail, because every partcile have some age.
Just to the top of the copy of the sky, paint a gleam orange for Accenture the presence of the sun on this side (here on the left).
On another copy, located between the copy of the mountains of the bottom and that of the intermediate mountains, adds an Orange filter with a mode of fusion “linear density -”, but it is not obligatory.
With the filter.
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