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Французский фаянс того времени
Часть 2
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Vase en forme de dauphin
Anonyme
Vase
circa from 1600 to 1620
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Anonyme
Salière
around 1580
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Anonyme
Flambeau
around 1580
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Joseph Limosin
Assiette
circa from 1600 to 1650
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Ecole d'Avon
Groupe
circa from 1600 to 1620
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Ecole d'Avon
Statuette
circa from 1600 to 1620
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Jean Limosin Limoges
Vers 1600-1629
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http://www.wga.hu/html/zzdeco/5ceramic/z_other/index.html
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UNKNOWN POTTER, French
Ewers
c. 1675
Faience, height 61 cm
Musée du Louvre, Paris
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Bowl
1508
Terracotta, diameter 32 cm
Metropolitan Museum of Art, New York
С АУКЦИОНОВ
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French Antique GIEN faience Renaissance style Cachepot and Plate
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Circa 1866 Antique French Faience Gien Renaissance Style Cache Pot
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A PAIR OF ITALIAN RENAISSANCE STYLE FAIENCE BEAKER VASES AND A SIMILAR BLACK GROUND VASE,
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Renaissance Style Faience Grand Feu Vase
Изделия Palissy-type
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A Palissy-type dish moulded with lizards, fish and foliage
Early 17th century Pré d'Auge, Normandy
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A Palissy-type oval dish moulded with cornucopia, octafoils and cartouches
Circa 1600
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A FRENCH MAJOLICA PALISSY STYLE TROMPE L'OEIL PLATTER
LATE 19TH CENTURY, ATTRIBUTED TO BARBIZET
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A FRENCH PALISSY STYLE TROMPE L'OEIL FOOTED DISH
17TH CENTURY, SCHOOL OF PALISSY
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A FRENCH MAJOLICA PALISSY STYLE TROMPE L'OEIL PLATTER
LATE 19TH CENTURY, SCHOOL OF TOURS, PERHAPS LANDAIS
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A LARGE FRENCH MAJOLICA PALISSY STYLE TROMPE L'OEIL PLATTER
LATE 19TH CENTURY, ATTRIBUTED TO ALFRED RENOLEAU
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A PALISSY STYLE LONGCHAMP TERRE DE FER TROMPE L'OEIL PLATTER
LATE 19TH CENTURY, IMPRESSED UPPERCASE MARK, K AND 16
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A PAIR OF FRENCH PALISSY STYLE TROMPE L'OEIL VASES
CIRCA 1870-1880, SCHOOL OF PARIS, POSSIBLY VICTOR BARBIZET
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19th-Century Palissyware Fish Platter
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Émile Gallé ornemaniste inspiré
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В 1588 году он заключен в Бастилию как гугенот. Покровительство Екатерины Медичи спасло его от смерти в Варфоломеевскую ночь. Но когда в 1588 году Лига захватила Париж, он был посажен в Бастилию. Однажды к нему в камеру пришел король Генрих III и предложил свободу за смену религии. Палисси отказался и вскоре скончался в Бастилии.
Умер Палисси в Бастилии в Париже в 1590. По другим сведениям- его казнили.
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Louvre Museum - Bernard Palissy
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Saint Avit - village de Bernard Palissy - le musée - céramiques de l'école B. Palissy
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Севрские мастере создали панно, посвященное жизни Палисси.
Plaque depicting Bernard Palissy, 1846
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Plaque depicting Bernard Palissy, 1846
Painter of plaque: Nicolas-Marie Moriot (French, active 1828–48); Painter of enamels: Jacob Meyer-Heine (French, 1805–1879)
France; Sèvres
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This framed Sèvres plaque is one of the most ambitious and original works of art produced in the Renaissance Revival style of mid-nineteenth-century France. Both the plaque and the elaborate frame pay homage to the flourishing of the decorative arts that took place during the French Renaissance. The scene on the plaque, by Nicolas-Marie Moriot after a painting by Charles Alexandre Debacq (1804–1853), portrays the Renaissance pottery Bernard Palissy burning the furniture in his house to fire his kiln.
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The oval enamel-on-copper plaques that decorate the frame depict events from Palissy's life, and their grisaille decoration evokes Limoges enamels of the sixteenth century. The plaques were painted by Jacob Meyer-Heine, who was named head of the recently established enamel workshop at Sèvres in 1840. The dragons entwined with strapwork on the gilt-bronze frame by Armande Feuchère are drawn from the architectural vocabulary of the French Renaissance, and the biscuit porcelain figures modeled by Jean-Baptiste-Jules Klagmann (1810–1867) recall the stucco decoration of the Galerie François I at Fontainebleau, the supreme example of Renaissance art in France. The designs and molds for this plaque are preserved at the Sèvres manufactory.
ИСТОЧНИК
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