druga część bajki w Głuchałazach tym razem wieczorem..
Watercolour painted on the canvas. I do not care that it is a winter behind the window. In my mind I still keep a view of Cracow's umbrellas on the main market.
Kristof Ludwin mały szkic ze Śzwajcarii
Kristof Ludwin krakowskie migawki
Kristof Ludwin Z Bellagio...jak ten czas leci!!
Kristof Ludwin Bellagio...ależ tam jest piękna architektura...
Kristof Ludwin Gliwicka impresja abstrakcyjna nieomalże
Stowarzyszenie Akwarelistów Polskich
Eventy na Rynku w Krakowie,
part of Corsica
I'm waiting for spring in watercolours
Kristof Ludwin The winter in Rożnowice
Moja Chata w Rożnowicach koło Biecza, przepiękne tereny, urokliwe miasteczko Biecz i niedaleko do BIeszczad. Po drodze jest łemkowszczyzna za Magórą. Tam pamiętam pobyt u górali wypasających owce...tę żętycę rano na kaca, bezcenne...:
KOrsyka, Calvia...uwielbiam Korsykę i jej przyrodę i architekturę....jakby wszystko stanęło w miejscu..
In Bellagio. We were sitting with Amabela Dylla on the bank close to lake, eating some goods with glass of wine. I was painting by the way some sketches.
kawa w Rio, Kraków
Kristof Ludwin Mam jeszcze taką akwarelę namalowaną po pobycie w Lizbonie. Rany jak ja lubię to miasto.
bajka w Głuchołazach gdzie właśnie kończę plener..zapraszamy na wernisaż prac w Hotelu Dębowe Wzgórze w POkrzywnej, dzisiaj o 18...
ŚWIAT w akwareli - WORLD in watercolour by Kristof Ludwin
a ja Wam Kochani już nie tyle wiosnę co LATO zapodaję...:)))
Christopher Ludwin „Credo”
Usually I paint the three basic colors. Of course, I use color of the earth, passionately sienna, umber. In fact every color I can paint - it depends of the theme. I paint alla prima, from left to right with three brushes in my hand, then not using masking fluid and painting takes me sometimes only 30 minutes. Very often I paint in the imagination - should sit down, analyze the theme, imagine him when is ready. I often do sketches outdoor using pencil, pastel, coal on colored cardboard than I do watercolour in the studio. I do not note the color for none suggestion in a studio. I paint quick, sometimes after dark without using a strong light, getting a god contrast in that way. Why watercolours seems to be light and magic, as others say ? It probably depends of way of my life, people, things and phenomena of everyday troubles: vulgarity, romanticism, melancholy , cynicism, fighting for time to paint , abandoning of big money, tea, from time to time alcohol (and not as a habit but pleasure), coffee, autodyscyplin, tolerance for idiots, soft heart and love for women and their soul and body , conversations with colleagues painters, exchanging experiences, etc. Something more about technic? It is small secret of each painter.