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Это цитата сообщения RINGOfSTARRs Оригинальное сообщение
Ring of Starrs
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Ringo at Candlestick Park on August 29, 1966. ( Beatles Last Concert)
Welcome to Marshall Photo, the authorized online gallery for my photography collection and related collectibles.
t has been my privilege to shoot many of the greatest musicians of our time: jazz artists like John Coltrane, Thelonious Monk and Miles Davis, rock greats such as The Beatles, Jimi Hendrix, and those that defined the San Francisco scene.
hile some of these images are iconic, others remain relatively unknown—even to my most avid collectors. As this website evolves, we’ll offer a growing number of such rarities, many for the first time.
s I’ve said before, this “career” has never been just a job—it’s been my life. Explore the website, and take home a piece of music history!
[показать]
"The Beatles coming onto the stage of their last concert ever. I was the only photographer allowed backstage. When we arrived at the stadium, the band was in an armored car, and I was in another car following, and the old fart groundskeeper at the center field gate wouldn't let us in - he didn't know what was going on! So we had to drive around this pretty hardcore ghetto, Hunter's Point, while things got straightened out, and we finally got in about 20-minutes later." – Jim Marshall
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The Beatles coming off the plane on August 29, 1966, before their last concert.
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Ray Charles at a recording session for Atlantic Records.
[показать]
Coltrane at the Ballads recording session, Rudy Van Gelder's studio, New Jersey, 1963.
[показать]
"Originally photographed for a Saturday Evening Post feature in 1963, Monk sits at his piano dressed in a silk robe. The piano was kept in the kitchen of his small, three-bedroom apartment in New York City." — Jim Marshall
[показать]
"Here, Miles is in the ring at Newman's Gym in San Francisco in 1971. Doesn't exist anymore. It was like a sister to a famous gym in New York where pros went that was called Stillman's. At Newman's Gym, Miles used to work out. He used to box with guys, 'Don't hit me in the mouth, I gotta play tonight.'"
—Jim Marshall
[показать]
"What did Churchill say about Russia? A riddle wrapped in a mystery inside an enigma? Well, Dylan is like that. This particular photo was taken one Sunday morning when Bobby, his girlfriend Suze Rotolo, Dave Van Ronk, and Terri Van Ronk were all going to breakfast in New York. Just two frames were shot - no big deal - but I feel it shows Bob was still a kid in 1963. Contrary to popular belief, this shot did not inspire "Like a Rolling Stone." No one really knows where he was coming from, but he's one of the most brilliant songwriters of our time. - Jim Marshall
[показать]
"Cream in the Sausalito Hotel stairwell, 1967. Jack Bruce, Ginger Baker, and Eric Clapton in one of their first photos taken in the United States."
— Jim Marshall
[показать]
"The Who in San Francisco, 1967. This is one of the first published photographs of the band in the United States, and was used by Teen Set, a magazine edited by a very special lady, the late Judy Sims. I took this frame outside their motel and asked them to look straight into the camera." — Jim Marshall
[показать]
"These two Joplin photographs with the Southern Comfort bottle have a mystery about them. They were shot in 1968 backstage at San Francisco's Winterland — both taken with the same camera and lens, but different rolls. I did not number my rolls in order that night, and to this day I do not know which was taken first. When I showed Janis the picture of her lying back with the bottle in her hand, she said, 'Jim, this is how it is sometimes. Lousy.' Some people said I shouldn't have published the picture of her lying back with the bottle in her hand, but I'll defend it to the death. It's an honest picture, and Janis liked it. Janis was a great subject to photograph, because she was not afraid of the camera and came alive onstage — that was her world. She was very real and a still a little girl when she died, a very famous little girl."
—Jim Marshall
[показать]
"This is Pete Townshend, dawn at Woodstock. They had been playing half the night." — Jim Marshall
[показать]
“This shot of Jimi was taken during a soundcheck at the Monterey Pop Festival, 1967. Jimi was playing to an empty arena — or, more accurately, to himself. I was one of the official photographers and, for some reason, everyone was at dinner except Al Kooper, Jimi's band and crew, and some of the other stage hands. I approached Jimi and told him my name was Jim Marshall — that I was one of the photographers. He made some comment like, 'Far out, man, maybe this shit is supposed to be,' and I asked what he meant. He said the dude who made his amps was named Jim Marshall, and smart-ass me says, 'Yeah, I know that.' But then he said, 'What you don't know is that my middle name is Marshall.' We were all pretty stoned (the amp Marshall wasn't there), but there were three Marshalls onstage at once.”
—Jim Marshall
[показать]
"Another shot of Jimi during the same soundcheck at Monterey Pop. Jimi hit a note on his guitar, and the way it made him feel is all over his face. I was three feet from him and shot this with a Leica M2, with a medium-wide angle lens. I don't know how many people really knew Jimi — he had an arrogance, sex appeal, and more talent and excitement than any one man has a right to." — Jim Marshall
[показать]
"Jim Morrison at the Northern California Folk Rock Festival in San Jose, 1968. I don't think I ever spoke three words to Morrison. We were on the side of the stage and I was shooting with just one frame left on the roll, and Jim said, 'Hey Marshall, you want a photo?' and looked right into my camera. He was one of those guys in his own space. I never got close to him. My impression of Morrison was that he was like C.S. Lewis, spiritual without being religious." — Jim Marshall
[показать]
Phil Lesh, Bill Kreutzmann, and Jerry Garcia at an outdoor concert in 1968.
[показать]
"Johnny flipping the bird at San Quentin Prison, 1969. Contrary to popular belief, John has never been in prison. I think he got busted once for being drunk or something when he was a kid - I don't know and it's none of my business - but he's never been in jail. I've known John since 1962, and I forget why he flipped the bird in this picture. It might have been directed at the television crew who was filming there, or I might have suggested doing a special shot for the warden, but for whatever reason, this has become a very famous, iconic picture. His record company is still using it. It shows John's individuality, but the gesture was definitely done in jest. John's got a great sense of humor and this was not a serious shot." — Jim Marshall
[показать]
“This shot of the Allman Brothers Band was taken in Macon, Georgia, in 1971 for the cover of At Fillmore East. From the left, Jai Johanny Johanson, Duane, Gregg, Dickey Betts, Berry Oakley, and Butch Trucks. Now, the interesting part of this story is that I hear there are guided tours of the Lower East Side in New York City that supposedly visit the spot where this shot was taken. None of the pictures on the At Fillmore East album or CD packages were taken at the Fillmore East. Right before we did the shot in Macon, I stenciled "The Allman Brotheres Band at Fillmore East" on one of the cases. For the album concept, I received a platinum record from the Allman Brothers' current manager.”
—Jim Marshall
[показать]
"Keith Richards during Exile on Main Street sessions, 1972. I think this is one of my best photos — the quintessential Keith photo." — Jim Marshall
[показать]
"Carlos Santana at a free concert in San Francisco's Mission District during a Cinco de Mayo celebration, 1988. I shot this from behind the stage with a 21-millimeter lens. The glow on the guitar neck was just a natural effect from the sunlight." — Jim Marshall
[показать]
This head shot was taken the day the Experience gave a free concert in Golden Gate Park, 1967. It graced the cover of Guitar Player's September 1995 issue, which remains the magazine's single best selling issue.
[показать]
Mick Jagger relaxing backstage during the Stones' 1972 US tour.
[показать]
John Entwistle, Roger Daltrey, Keith Moon, and Pete Townshend rock San Francisco's Civic Auditorium, 1971.
[показать]
Miles Davis relaxing at the Isle of Wight Festival, 1970.
[показать]
The iconic image of the 1967 Monterey Pop Festival—Jimi Hendrix squirts lighter fluid on his burning Stratocaster.
[показать]
John Coltrane in the backyard of his home in Queens, NY, 1963.
[показать]
“This shot of Grace Slick and Janis was taken in 1967 for Teen Set magazine for an article on the ‘Two Queen Bees of San Francisco Rock.’ That morning I went over to Grace's house and then had to leave and pick up Janis. Janis wasn't in the mood to do any pictures that day, but I begged her and she came along. Everyone always thought there was a huge rivalry between Janis and Grace, but they were dear friends. This is the only time they were ever photographed together. And, by the end of the session, we were all getting pretty silly and clowning around.”
—Jim Marshall
[показать]
A fisheye view of Santana's set from behind the stage at the Woodstock Festival, August 16, 1969.
[показать]
“Big Brother was appearing at The Fillmore and we did this shot of Janis on her painted Porsche for the poster. The paint job wasn’t sealed so it eventually pealed off. Here’s the thing about Janis, she was really comfortable with the photographers that shot her a lot, Baron Wolman, David Gahr, Barry Feinstein, Herbie Greene, Bob Seideman and myself. She was wonderful, not the prettiest girl in the world but she was not afraid of the camera, I could’ve shot her anytime at all ‘go ahead baby take a picture.’ Janis was very important to me, real and honest.”
—Jim Marshall
[показать]
“Jimi was a superstar by now. He wrote his name down forever at Monterey, that performance made him in the States. At his Winterland show in ’68 I knew him enough then that I could go right up onstage and shoot. He said I could do whatever I want. I was using a 24mm 2.8 lens, probably no further than four feet away. He was oblivious to me, like I didn’t exist. It was fucking loud, probably one of the reasons why I’m deaf now. I shot Jimi quite a few times after that, the last time at the Isle of Wight just two weeks before he died. He was burned out from being Jimi Hendrix. It was horrible, the light was shitty, there was a milliion photographers there, the sound was terrible, I think I have one good shot. He was a lovely man, I went to his funeral with Miles.”
—Jim Marshall
[показать]
“I was shooting Led Zeppelin for Atlantic records at the Hyatt House in 1970. The group shot was taken on the top floor of the hotel, to get all four of them together at one time was a job, I just had available light and got some portraits of each of them by the window.”
—Jim Marshall
[показать]
Paul & John onstage at Candlestick Park. (Beatles Last Concert)
[показать]
John Lennon backstage prior to the Candlestick concert. (Beatles Last Concert)
[показать]
Это цитата сообщения RINGOfSTARRs Оригинальное сообщение
Ring of Starrs
[показать]Ringo at Candlestick Park on August 29, 1966. ( Beatles Last Concert)
Welcome to Marshall Photo, the authorized online gallery for my photography collection and related collectibles.
t has been my privilege to shoot many of the greatest musicians of our time: jazz artists like John Coltrane, Thelonious Monk and Miles Davis, rock greats such as The Beatles, Jimi Hendrix, and those that defined the San Francisco scene.
hile some of these images are iconic, others remain relatively unknown—even to my most avid collectors. As this website evolves, we’ll offer a growing number of such rarities, many for the first time.
s I’ve said before, this “career” has never been just a job—it’s been my life. Explore the website, and take home a piece of music history!
[показать]"The Beatles coming onto the stage of their last concert ever. I was the only photographer allowed backstage. When we arrived at the stadium, the band was in an armored car, and I was in another car following, and the old fart groundskeeper at the center field gate wouldn't let us in - he didn't know what was going on! So we had to drive around this pretty hardcore ghetto, Hunter's Point, while things got straightened out, and we finally got in about 20-minutes later." – Jim Marshall
[показать]The Beatles coming off the plane on August 29, 1966, before their last concert.
[показать]Ray Charles at a recording session for Atlantic Records.
[показать]Coltrane at the Ballads recording session, Rudy Van Gelder's studio, New Jersey, 1963.
[показать]"Originally photographed for a Saturday Evening Post feature in 1963, Monk sits at his piano dressed in a silk robe. The piano was kept in the kitchen of his small, three-bedroom apartment in New York City." — Jim Marshall
[показать]"Here, Miles is in the ring at Newman's Gym in San Francisco in 1971. Doesn't exist anymore. It was like a sister to a famous gym in New York where pros went that was called Stillman's. At Newman's Gym, Miles used to work out. He used to box with guys, 'Don't hit me in the mouth, I gotta play tonight.'"
—Jim Marshall
[показать]"What did Churchill say about Russia? A riddle wrapped in a mystery inside an enigma? Well, Dylan is like that. This particular photo was taken one Sunday morning when Bobby, his girlfriend Suze Rotolo, Dave Van Ronk, and Terri Van Ronk were all going to breakfast in New York. Just two frames were shot - no big deal - but I feel it shows Bob was still a kid in 1963. Contrary to popular belief, this shot did not inspire "Like a Rolling Stone." No one really knows where he was coming from, but he's one of the most brilliant songwriters of our time. - Jim Marshall
[показать]"Cream in the Sausalito Hotel stairwell, 1967. Jack Bruce, Ginger Baker, and Eric Clapton in one of their first photos taken in the United States."
— Jim Marshall
[показать]"The Who in San Francisco, 1967. This is one of the first published photographs of the band in the United States, and was used by Teen Set, a magazine edited by a very special lady, the late Judy Sims. I took this frame outside their motel and asked them to look straight into the camera." — Jim Marshall
[показать]"These two Joplin photographs with the Southern Comfort bottle have a mystery about them. They were shot in 1968 backstage at San Francisco's Winterland — both taken with the same camera and lens, but different rolls. I did not number my rolls in order that night, and to this day I do not know which was taken first. When I showed Janis the picture of her lying back with the bottle in her hand, she said, 'Jim, this is how it is sometimes. Lousy.' Some people said I shouldn't have published the picture of her lying back with the bottle in her hand, but I'll defend it to the death. It's an honest picture, and Janis liked it. Janis was a great subject to photograph, because she was not afraid of the camera and came alive onstage — that was her world. She was very real and a still a little girl when she died, a very famous little girl."
—Jim Marshall
[показать]"This is Pete Townshend, dawn at Woodstock. They had been playing half the night." — Jim Marshall
[показать]“This shot of Jimi was taken during a soundcheck at the Monterey Pop Festival, 1967. Jimi was playing to an empty arena — or, more accurately, to himself. I was one of the official photographers and, for some reason, everyone was at dinner except Al Kooper, Jimi's band and crew, and some of the other stage hands. I approached Jimi and told him my name was Jim Marshall — that I was one of the photographers. He made some comment like, 'Far out, man, maybe this shit is supposed to be,' and I asked what he meant. He said the dude who made his amps was named Jim Marshall, and smart-ass me says, 'Yeah, I know that.' But then he said, 'What you don't know is that my middle name is Marshall.' We were all pretty stoned (the amp Marshall wasn't there), but there were three Marshalls onstage at once.”
—Jim Marshall
[показать]"Another shot of Jimi during the same soundcheck at Monterey Pop. Jimi hit a note on his guitar, and the way it made him feel is all over his face. I was three feet from him and shot this with a Leica M2, with a medium-wide angle lens. I don't know how many people really knew Jimi — he had an arrogance, sex appeal, and more talent and excitement than any one man has a right to." — Jim Marshall
[показать]"Jim Morrison at the Northern California Folk Rock Festival in San Jose, 1968. I don't think I ever spoke three words to Morrison. We were on the side of the stage and I was shooting with just one frame left on the roll, and Jim said, 'Hey Marshall, you want a photo?' and looked right into my camera. He was one of those guys in his own space. I never got close to him. My impression of Morrison was that he was like C.S. Lewis, spiritual without being religious." — Jim Marshall
[показать]Phil Lesh, Bill Kreutzmann, and Jerry Garcia at an outdoor concert in 1968.
[показать]"Johnny flipping the bird at San Quentin Prison, 1969. Contrary to popular belief, John has never been in prison. I think he got busted once for being drunk or something when he was a kid - I don't know and it's none of my business - but he's never been in jail. I've known John since 1962, and I forget why he flipped the bird in this picture. It might have been directed at the television crew who was filming there, or I might have suggested doing a special shot for the warden, but for whatever reason, this has become a very famous, iconic picture. His record company is still using it. It shows John's individuality, but the gesture was definitely done in jest. John's got a great sense of humor and this was not a serious shot." — Jim Marshall
[показать]“This shot of the Allman Brothers Band was taken in Macon, Georgia, in 1971 for the cover of At Fillmore East. From the left, Jai Johanny Johanson, Duane, Gregg, Dickey Betts, Berry Oakley, and Butch Trucks. Now, the interesting part of this story is that I hear there are guided tours of the Lower East Side in New York City that supposedly visit the spot where this shot was taken. None of the pictures on the At Fillmore East album or CD packages were taken at the Fillmore East. Right before we did the shot in Macon, I stenciled "The Allman Brotheres Band at Fillmore East" on one of the cases. For the album concept, I received a platinum record from the Allman Brothers' current manager.”
—Jim Marshall
[показать]"Keith Richards during Exile on Main Street sessions, 1972. I think this is one of my best photos — the quintessential Keith photo." — Jim Marshall
[показать]"Carlos Santana at a free concert in San Francisco's Mission District during a Cinco de Mayo celebration, 1988. I shot this from behind the stage with a 21-millimeter lens. The glow on the guitar neck was just a natural effect from the sunlight." — Jim Marshall
[показать]This head shot was taken the day the Experience gave a free concert in Golden Gate Park, 1967. It graced the cover of Guitar Player's September 1995 issue, which remains the magazine's single best selling issue.
[показать]Mick Jagger relaxing backstage during the Stones' 1972 US tour.
[показать]John Entwistle, Roger Daltrey, Keith Moon, and Pete Townshend rock San Francisco's Civic Auditorium, 1971.
[показать]Miles Davis relaxing at the Isle of Wight Festival, 1970.
[показать]The iconic image of the 1967 Monterey Pop Festival—Jimi Hendrix squirts lighter fluid on his burning Stratocaster.
[показать]John Coltrane in the backyard of his home in Queens, NY, 1963.
[показать]“This shot of Grace Slick and Janis was taken in 1967 for Teen Set magazine for an article on the ‘Two Queen Bees of San Francisco Rock.’ That morning I went over to Grace's house and then had to leave and pick up Janis. Janis wasn't in the mood to do any pictures that day, but I begged her and she came along. Everyone always thought there was a huge rivalry between Janis and Grace, but they were dear friends. This is the only time they were ever photographed together. And, by the end of the session, we were all getting pretty silly and clowning around.”
—Jim Marshall
[показать]A fisheye view of Santana's set from behind the stage at the Woodstock Festival, August 16, 1969.
[показать]“Big Brother was appearing at The Fillmore and we did this shot of Janis on her painted Porsche for the poster. The paint job wasn’t sealed so it eventually pealed off. Here’s the thing about Janis, she was really comfortable with the photographers that shot her a lot, Baron Wolman, David Gahr, Barry Feinstein, Herbie Greene, Bob Seideman and myself. She was wonderful, not the prettiest girl in the world but she was not afraid of the camera, I could’ve shot her anytime at all ‘go ahead baby take a picture.’ Janis was very important to me, real and honest.”
—Jim Marshall
[показать]“Jimi was a superstar by now. He wrote his name down forever at Monterey, that performance made him in the States. At his Winterland show in ’68 I knew him enough then that I could go right up onstage and shoot. He said I could do whatever I want. I was using a 24mm 2.8 lens, probably no further than four feet away. He was oblivious to me, like I didn’t exist. It was fucking loud, probably one of the reasons why I’m deaf now. I shot Jimi quite a few times after that, the last time at the Isle of Wight just two weeks before he died. He was burned out from being Jimi Hendrix. It was horrible, the light was shitty, there was a milliion photographers there, the sound was terrible, I think I have one good shot. He was a lovely man, I went to his funeral with Miles.”
—Jim Marshall
[показать]“I was shooting Led Zeppelin for Atlantic records at the Hyatt House in 1970. The group shot was taken on the top floor of the hotel, to get all four of them together at one time was a job, I just had available light and got some portraits of each of them by the window.”
—Jim Marshall
[показать]Paul & John onstage at Candlestick Park. (Beatles Last Concert)
[показать]John Lennon backstage prior to the Candlestick concert. (Beatles Last Concert)
[показать]
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