отрывок из фильма, который я сумел посмотреть 7 раз ...

A MYSTERY MAN, tall, well-dressed and groomed, older than Fred, approaches him.

[300x129]
Mystery Man: We've met before, havent we?
Fred: I don't think so. Where was it that you think we've met?

Mystery Man: At your house. Don't you remember?
Fred: No, no I don't. Are you sure
Mystery Man: Of course. As a matter of fact, I'm there right now.

Fred: What do you mean? You're where right now?
Mystery Man: At your house.
Fred: That's fucking crazy man.
Mystery Man: Call me.

[300x126] Phone Voice of Mystery Man: I told you I was here.

Fred: How did you do that?
Mystery Man: Ask me.
Fred: How did you get into my house?

[300x124] Phone Voice of Mystery Man: "You invited me. It's not my habit to go where I'm not wanted."
Fred: Who are you?

They laugh (identical laughs, both over the phone and in person)
Phone Voice of Mystery Man: Give me back my phone.

Mystery Man: It's been a pleasure talking to you.

второй отрывок

Mr. Eddy: (phone voice): Hey, Pete... How ya doin'?
Pete: Who is this?
Mr. Eddy: You know who it is.
Pete: Mr. Eddy?
Mr. Eddy: Yeah... How ya doin', Pete?
Pete: Okay.
Mr. Eddy: You're doin, okay? That's good, Pete.

[250x172] Pete: Look... It's late, Mr. Eddy... I ...
Mr. Eddy: I'm really glad you're doin' okay, Pete.
Mr. Eddy: You sure you're doin' okay? Everything all right?
Pete: Yeah.
Mr. Eddy: That's good, Pete. Hey... I want you to talk to a friend of mine.

[300x124] Voice: We've met before, haven't we?
Pete freezes. His mind is scrambling.
Pete: I don't think so. Where was it that you think we've met?
Voice: At your house. Don't you remember?
Pete: No. No, I don't.

Voice: In the east...the far east...when a person is sentenced to death...they're sent to a place where they can't escape...never knowing when an executioner will step up behind them and fire a bullet into the back of their head...

Mr. Eddy: Pete... I just wanted to jump on and tell
you I'm really glad you're doin' okay.
третий отрывок

[170x266]
Andy's House: A movie projector is running in the living room. A porno film is being projected on a huge screen at the far end. Alice is in the porno film. A man is fucking her from behind - with LOUD SLAPPING SOUNDS of flesh banging flesh. Her face is in the foreground. Her eyes look out directly at Pete. She is loving every minute of it. Inside Pete, jealousy starts to rage out of control. He looks around. He sees clothes scattered about. He picks up a girl's sweater and smells it. He looks up the stairs.

[334x240]
Man sieht ihn um die Kirche schleichen...
Seit einem Jahr ist er allein...
Die Trauer nahm ihm alle Sinne...
Schläft jede Nacht bei ihrem Stein.

[300x125] An accident catapults Andy into the corner of the rectangular glass-topped coffee table. There is a sound like a hammer going through a bucket of eggs as the glass corner embeds about eight inches into Andy's forehead.

[300x124] Alice (amazement - no feeling): Wow!
Alice: You all right?
Pete: We killed him.
Alice: You killed him.
Pete: Alice?

[300x124] Alice: It was an accident... Accidents happen every day.
Pete clutches her, eyes squeezed tight, as if he is holding on for dear life.
Pete: Alice...
Alice (pushing back): We gotta get the stuff and get out of here.

[300x123]
a photograph

Pete: Is that you? Are both of them you?

[300x124] Alice kneels next to Andy's body and quickly removes his Rolex wristwatch, a couple of rings and the gold chain dangling from his neck. These items she puts inside the empty pillowcase.

Pete starts to reel - blood from his nose soaking his shirt.

[300x124]
Pete staggers toward the bathroom at the rear right of the hallway. THE HALLWAY SUDDENLY BECOMES HAZY, DIFFERENT AND LONGER THAN IT APPEARED TO BE.

[125x250] Pete wanders down this "changed" hall. On his left, he identifies a door with the number 25 on it. He pauses for a moment in front of it, then goes on until, on his right, he comes to a door with the number 26 on it. He enters through this door.

Pete now sees that the woman is an extremely whorish version of Alice - she's looking at Pete's reflection in the mirror. He's looking at her reflection in the mirror. Pete's head is pounding.

Woman/Alice (to Pete): Did you want to talk to me?
(laughs) Did you want to ask me "why"?

[163x270]
Pete comes downstairs to the living room and sees Alice at the desk in the corner, filling the pillowcase with cash and jewelry.

Alice: Look at all this shit... I know a fence... he'll give us money and get us passports in exchange for this and the car...

We can go anywhere.

[300x197]
Alice: Don't you trust me Pete?
Stick that in your pants, Pete.

Pete turns, face down on the ground in the darkness. He's holding his head and shaking.
As he starts to stand - he turns into the glare of the headlights and we see that it is NOT PETE - BUT FRED.

[300x124] Fred looks at the car. He sees some movement inside. Fred looks closer and sees the figure of a man in the back seat.
It's the Mystery Man from Andy's party.

Fred: Where is Alice?

[177x270]
Mystery Man: Alice who?...Her name is Renee. If she's told you her name is Alice, she's lying...

Mystery Man: AND YOUR NAME, WHAT THE FUCK IS YOUR NAME?!

[300x124] Fred freaks, scared to death. He bolts down the stairs to the car, stumbling more than once.

[300x123]
Fred is driving along the two-lane desert "lost highway". The wind is picking up even stronger than before. A big storm is blowing in.

[450x118]