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Хронология моды Исторический женский костюм 18 век

Robe à la Française, ca. 1770, French, silk:  1750-75Robe à la Française, 1740s : Women with coquettish airs were wearing robes à la française and robes à l'anglaise throughout the period between 1720 and 1780. The silhouette of the robe à la française, composed of a funnel-shaped bust feeding into wide rectangular skirts, allowed for expansive amounts of textiles with delicate decoration.:  1740 England, Great Britain (probably), 1740-1745, Silk, embroidered with coloured silk and silver thread. 'Court dress' was an exclusive and very ornate style of clothing worn by the aristocracy, the only people usually invited to attend at Court. The style of the robe is quite old-fashioned, and based on the 17th-century mantua. This ensemble recalls a garment worn by the Duchess of Queensbury in 1740.: 18th century 'open gown' - fabric woven about 1736-38, possibly in Spitalfields, London, the gown made about 1770-80.:  1736-38ca. 1740s, British, Robe a la Francaise:  1740Gown, 1743-1750, brocaded silk taffeta. Museum of London.: Woman’s Robe à l’Anglaise, England, circa 1730.: 1730-1740 British Gown at the Los Angeles County Museum of Art, Los Angeles:  1730-40Dress (Robe à la Française) 1750-1775 French:  1750-75 Woman’s Robe à la Française, France, textile circa 1750, constructed circa 1760. LACMA. Costume/clothing principle attire/entire body, Linen plain weave with wool embroidery.:  1750brocade and silk ca. 1750.:  1750Wedding Gown, 1763. Robe a la Francaise. This wedding dress is one of the most outstanding garments in the McCord Museum’s collection. A rare piece, it is one of the few 18th-century silk gowns with a hand-painted floral design to be found in a North American museum. The soft cream silk was handwoven in China, where the floral pattern was handpainted in tones of lavender, blue, yellow, green and brown. This charming dress was worn by Mary Chaloner in Guiseborough, England, when she married.:  1763 Robe à la française France c.1765:  1765Woman's Jacket (caraco), ca. 1760, European, silk plain weave. "Caracos and other jackets like it were worn as informal dress in the 18th century. The caraco in particular emerged in the 1760s as a modification on the short gowns worn by working class women, but my guess is that they would subsequently have been adopted by the middle class as a more practical alternative to the longer gowns.":  1760Robe à la Française, 1765-70, British:  1765-70robe a la francaise 1770 - 80:  1770-80 Robe à la française dressed à la polonaise, ca 1760-80 England, the Mint Museum: 1780s_Kyoto Costume Institute_ Chinese painted silk gown:  1770Woman's robe a la francaise, England, circa 1765. Silk plain weave (faille) with silk and metallic-thread supplementary-weft patterning (lamella or strip) trimmed with metallic lace. c.1765:  1765 Robe à la Francaise, England, c. 1760. Yellow silk plain weave with weft-float patterning and silk with metallic-thread supplementary-weft patterning, and metallic lace.:  1760 Dress (Robe à la Française) 1770:  1770Woman's formal dress in six parts (gown) French, 1770–80 France: Woman’s Dress France or England textile: circa 1770; dress: circa 1785-1790: French Dress (Robe à la Française), ca. 1775. Pink ribbed silk with white linear silk vine motif and multicolored silk floral brocade with passementerie and scalloped fly fringe trim.:  1775Sack back gown, French ca. 1775-1780 Silk satin, embroidered with chenille thread and ribbon, trimmed with satin, silk bobbin lace, feathers and raffia tassels, lined with silk and linen, hand-sewn: Dress and Petticoat (Robe a la Polonaise) Spain; Textile: Silk, France, circa 1775: Robe à la Française 1775-1800:  1775-801780s Brocade Robe:  1780French court gown, 1780!: Dress (Robe à la Polonaise) Date: ca. 1780 Culture: British Medium: linen Dimensions: Length at CB: 72 in. (182.9 cm) Credit Line: Purchase, Gifts from Various Donors, 1998 Accession Number: 1998.314a, b:  1780 ca. 1780:  1780This gown demonstrates the fashionable styles in women’s formal dress of the 1780s. The hoop has changed from the square shape of earlier decades to a round profile. A stomacher is no longer needed, because the gown now meets in the front. The cream silk is adorned only at the edges with an embroidered band, ribbon and a stencilled fringe. This restraint in decoration illustrates the growing influence of the Neo-classical style in textile design.: Woman's Dress (Robe à l'anglaise) with Zone Front Artist/maker unknown, American? Geography: Made in United States, North and Central America Date: c. 1785-1793 Medium: Indian export fine cotton plain weave with silver foil embroidery in stem and satin stitches; silk satin; sized fine cotton plain weave:  1785Woman's Dress Europe, textile 1785–1790; dress circa 1795 LACMA Collections: Robe à l’Anglaise, French, c1785-7. Photo: Metropolitan Museum of Art, New York.: 1790s gown: 17901790s, American:  1790Wedding Dress 1799 The Museum of Fine Arts, Boston:  1799

Woman’s overdress or robe à la française with petticoat Spitalfield Brocaded silk trimmed with lace, gauze and silk flowers circa 1780-1785 ...: Dress (Robe à la Française) Date: ca. 1765: robe à la française, c.1750-1790, silk and lace, Europe, Museum of Fine Arts, Boston. More info: http://twonerdyhistorygirls.blogspot.com/2013/12/what-pandora-wore-high-fashion-in.html: Mantua Place of origin: England, Great Britain (probably, made) Date: 1740-1745 (made) Artist/Maker: unknown (production) Materials and Techniques: Silk, embroidered with coloured silk and silver thread Object Type 'Court dress' was an exclusive and very ornate style of clothing worn by the aristocracy, the only people usually invited to attend at Court. The style of the robe is quite old-fashioned, and based on the 17th-century mantua.: Mantua Court Dress with Extremely Wide Hoops, English-Made, c. 1755-1760: 'Court dress' was an exclusive and very ornate style of clothing worn by the aristocracy, the only people usually invited to attend at Court. The style of the robe is quite old-fashioned, and based on the 17th-century mantua.: Mantua, England,1735-1740 (made) Brocaded silk, hand-sewn with spun silk and spun threads, lined with linen, brown paper lining for cuffs, brass, canvas & pleated silk. One of the mantua’s characteristics was a long train, sewn as a flat piece of silk & arranged with each wearing. The train was folded up, then folded in & draped over a loop of thread on either side of the waist. Pinning up & draping a train successfully was an art & required the help of maids to achieve the perfect effect.: Open robe dress or mantua of white corded silk, brocaded with flower pattern in shades of brown, green, red and blue. The skirt is cut for wear over side-hoops and buttons over the hips.   Date 1746 AD - 1750 AD: Robe à parée, France, 1780-1785. White striped silk with a decoration of appliqué painted flowers, gauze flounces and extremely refined embroideries. (Musée des Tissus de Lyon).: Blue silk dress: 18th century (1765) Museum of London: 18th century gown: Mantua, 18th century (probably 1740-60) From Christie’s: Wedding mantua, 1730-50 From the New York Historical Society: Gown, late 1790s. American or European. Cotton. Met, 1995.5.5. [Extra fabric at front bodice probably wrapped or drawn up and pinned to the neckline, like a ruffle or collar. Center Front opening for the dress.]: Gown and matching shoes, 1760. Bunka Gakuen Costume Museum, via The Ornamented Being: 1760: 1770: Panniered court gown-1770's early 1780's: 1775: Recycled silk gown from 1740 to 1840: Dress ca. 1793-1797 via The Bath Fashion Museum: Robe a la 'Anglaise 1760: Silk Brocade Robe A L'anglaise, 1770-1790s: Side view, robe à l'anglaise, worn à la polonaise, England, 1770-1780. Hand block printed cotton, called 'dark ground chintz'; quilted gold silk satin petticoat.:

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