Email Print Normal font Large font October 29, 2005
ELIJAH WOOD, who played lead Hobbit Frodo Baggins in the epic film trilogy Lord of The Rings, is back in three couldn't-be-more-different movies this year. Off screen, the former child star is more involved in music than ever and trying to come to grips with the destruction of one of his favorite places on Earth.
Still, you can take the little fellow out of Middle-earth, but you can't get his association with J.R.R. Tolkien's fantasy world out of most people's minds.
"It would be sort of wrong to get upset about it," Wood, 24, says without a hint of resentment. "It was the greatest experience of my life, both personally and professionally. And, you know, the movies were massive. If people weren't asking about Lord of the Rings still, that would be a little weird."
At the moment, Wood is more interested in talking about a truly unusual phenomenon. He has just made two independent movies in Europe - the English soccer-hoodlum drama Green Street Hooligans and the adaptation of Jonathan Safran Foer's eccentric, best-selling novel Everything Is Illuminated, about a young American's search for his lost Ukrainian heritage, which opens in Australia on November 24.
And they could not be more different. Green Street is packed with kinetic anger, as American visitor Matt Buckner gets caught up in the adrenalin rush of a soccer "firm", or street-fighting fan club. In the semi-autobiographical Foer, Wood plays a studious introvert who spends most of the movie in the back seat of an old jalopy as two Ukrainian guides drive him around the countryside in search of a Jewish community that was wiped out during the Holocaust.
It was a culture shock Wood says he had no trouble navigating. "There was a month's buffer between the two, which was definitely helpful, and I think I may have done the two days on Sin City in that time, too," the actor says (he played a mute, cannibalistic assassin in the comic book noir that came out earlier this year). "But there's something about an environment that informs the way you would acclimate to a character.
"In London with those guys, going to the football matches and going to the pub beforehand created the atmosphere for which that movie was made. Then, going to Eastern Europe, suddenly I was in a completely different environment. It was quieter and more intimate. That kind of wipes the slate clean. Had it only been a week in between, though, that might have been relatively difficult."
Liev Schreiber, the respected stage and screen actor who makes his feature-directing debut with Illuminated, explains why he felt that the gentle sensitivity Wood exudes was vital for his film. "I had been working in Europe as an actor and I'd heard a lot of disparaging things about Americans," recalls Schreiber, who filmed most of his movie in the Czech Republic.
"There was this sort of cliched notion about who Americans were that I understood but felt very frustrated by. So I felt it was important that we presented a character who defied those stereotypes and that presented us in all of our neuroses, vulnerability, eccentricity, openness and innocence - most importantly, that he was looking for his own heritage beyond the borders of his country.
"Elijah Wood fits that mould, to me. There's something insanely sweet about him. And he is a very, very good-natured and kind person. There were homeless guys I hired to be in the movie because I liked their look, and they complained about the conditions sooner than Elijah did."
Perhaps Wood was too busy trying to make the bottled-up Foer role watchable.
"A lot of the challenge was to keep the character interesting and maintaining that quiet atmosphere without it getting boring," Wood says. "It was a lot of fun as well because it's all about reactions, both physically and facially."
So how does such a nice young man, whose big-eyed compassion has been evident since his child-star days in the likes of Avalon, The War and The Good Son, morph into a thrill-seeking street fighter?
"I didn't know much about hooligan culture," says Wood, who trained for three weeks to become Green Street's convincing brawler. "I had heard about football violence but I didn't realise how intense it really is, how organised it is and how, more importantly, these people aren't necessarily criminals in their daily life.
"They almost have this double life. They have families, some of them have relatively good jobs. That fascinated me, and also to take a character from that relatively innocent place to make him a hooligan. It was very attractive to me to explore a darker side of humanity that I'd not explored in film before."
Although the slightly built, naturally frail-looking Wood confidently says he could now handle himself in a fight, he conceded that Green Street director Lexi Alexander, a karate and kickboxing champion who ran with a soccer firm in her native Germany, "could surely
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