Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ãåíðè Ðàéëåíä (Henry Ryland), 1856-1924.
1916_Ãèðëÿíäà èç ðîç (Rose garlands)_38 x 53.5_áóìàãà, àêâàðåëü è êàðàíäàø_ ×àñòíîå ñîáðàíèå
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ñîìîâ Êîíñòàíòèí Àíäðååâè÷ (Konstantin Somov), 1869-1939.
Ñïÿùàÿ ëåäè â êîìíàòå â ïëàòüå 18 âåêà
1919_Âñòðå÷à â ïàðêå (Meeting In The Park)_40 õ 31_õ.,ì._×àñòíîå ñîáðàíèå
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Äåòñêîå.
Frigyes Rudolf Friedrich Miess (1854-1935)
Êîñíè÷åâ Àëåêñàíäð Åâãåíüåâè÷ "Óâëåêëèñü", 2007
«Äåòè Õþëüñåíáåê», Ôèëèïï Îòòî Ðóíãå
Çþññ, Èîãàíí Éîçåô 1857 Ãàáëèö - 1937 Âåíà
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ìàðòèí Ðåéêàðò (Martin Ryckaert), 1587-1633.
Ïåéçàæ ñ ôåðìîé_1627_25 õ 34_ä.,ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ
Ðå÷íîé ïåéçàæ ñ áåãñòâîì â Åãèïåò
Ïðèáðåæíàÿ äåðåâíÿ ñ ôèãóðàìè â ëîäêå (àòð)_20.8 x 26.5_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå
Ïàíîðàìíûé ïåéçàæ ñ ãîðîäîì â äîëèíå è êðåïîñòüþ_34 õ 44.5_ä.,ì._×àñòíîå ñîáðàíèå
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Äàíòå Ãàáðèýëü Ðîññåòòè (Dante Gabriel Rossetti), 1828-1882.
1864-1868_Ëåäè Ëèëèò (Lady Lilith)_96.5 õ 85.1_ä.,ì._Óèëìèíãòîí, Äåëàâýð, Õóäîæåñòâåííûé ìóçåé
1874_Ðèìñêàÿ âäîâà (Roman Widow (Dis Manibus))_103.6 õ 91.2_õ.,ì._Ïóýðòî-Ðèêî, Ìóçåé èñêóññòâ Ïîíñå
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ìàòòåéñ Ìàðèñ (Matthijs Maris; 17 àâãóñòà 1839, Ãààãà — 22 àâãóñòà 1917, Ëîíäîí)
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ñîôè Àíäåðñîí (Sophie Anderson), 1823-1903
Íå ãóëÿòü ñåãîäíÿ (No Walk Today)_48.3 õ 39.4_õ.,ì._×àñòíîå ñîáðàíèå
Ïåñíÿ æàâîðîíêà (The song of the lark)_43.5 õ 53,5_õ.,ì._×àñòíîå ñîáðàíèå
Ðóìÿíûì óòðîì (Rosy morning)_53.3 x 43_õ.,ì._×àñòíîå ñîáðàíèå
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ýìèëü Ìóíüå (Emile Munier), 1840-1895
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
×àðëüç Ýäâàðä Ïåðóäæèíè (Charles Edward Perugini), 1839-1918
Âëþáëåííûå â ñàäó
Ñèëüâèÿ 
Ïîðòðåòû ãðàôèíè Ãðàíâèëë, è äàì Âèêòîðèè è Ìýðè Ëåâåñîí-Ãàóýð
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Èîàõèì Ïàòèíèð (Joachim Patinir), 1485-1524.
Ïåéçàæ ñî ñöåíîé îòäûõà íà ïóòè â Åãèïåò
Ìàäîííà ñ ìëàäåíöåì è ìîíàõèíåé-öèñòåðöèàíêîé
Ïåéçàæ ñî ñöåíîé îòäûõà íà ïóòè â Åãèïåò
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Jenny Nystrom (1854-1946)
ÍÀ×ÀËÎ: ÇÄÅÑÜ
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Àíðè-Ïüåð Ïèêó (Henri Pierre Picou) 1824-1895
1893 Âåñåííÿÿ ïîðà
1875 Âåñíà
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Îòòî Ïèëíè (Otto Pilny), 866-1936.
Òàíöîâùèöà â Êàèðå
Áåäóèíñêàÿ òàíöîâùèöà
Âîñòî÷íàÿ ñöåíà
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Íàòàëå Ñêüÿâîíè (Natale Schiavoni), 1777-1858.
Ïîðòðåò äàìû
Ïîðòðåò ãðàôèíè ñ äî÷åðüþ
Æåíñêèé ïîðòðåò
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ýëèçàáåò Ñîíðåëü (Elizabeth Sonrel), 1874-1953.
1916 Áîãîìàòåðü ñ ìëàäåíöåì, ìåæäó ñâÿòîé Æåíåâüåâîé è Æàííîé ä'Àðê
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ýíòîíè Ôðåäåðèê Îãàñòàñ Ñýíäèñ (Anthony Frederick Augustus Sandys), 1829-1904.
ÍÀ×ÀËÎ: ÇÄÅÑÜ
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Ýíòîíè Ôðåäåðèê Îãàñòàñ Ñýíäèñ (Anthony Frederick Augustus Sandys), 1829-1904.
1866 (îê)_Óòðàòà_õ.,ì._×àñòíîå ñîáðàíèå
Portrait of Mary Emma Jones, bust-length, wearing a pearl necklace, 1874 by Anthony Frederick Augustus Sandys
Æåì÷óã 40 õ 30 ä.,ì. ×àñòíîå ñîáðàíèå
Ýòî öèòàòà ñîîáùåíèÿ Îëüãà-Â Îðèãèíàëüíîå ñîîáùåíèå
Âàëüïóðãèåâà íî÷ü (Walpurgis Night) íà êàðòèíàõ õóäîæíèêîâ.
ÍÀ×ÀËÎ: çäåñü
Constantin Nepo (1915-1976) "Âàëüïóðãèåâà íî÷ü" 1864 ã.