[показать]Karl Neuff
[показать] Egron Sillif Lundgren
[400x500]Загадочный китайский художник Вэй Дун (魏东), родившийся в 1968 году во Внутренней Монголии, рисует в весьма своеобразном стиле, смеси традиционной китайской живописи, разврата в духе цветов сливы и отголосков культурной революции.
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Всем нам хорошо знакомы строки лирических песен Онегина-Гаджикасимова. Это и « Алешкина любовь», и « Еще вчера», и " Восточная песня" и многие другие.
В семидесятых его песни пела вся страна, не смотря на то , что главными являлись песни-призывы, вдохновляющие на труд и подвиг. Но в песнях Гаджикасимова не звучали эти призывы. А пластинки раскупались миллионными тиражами, что конечно же, шокировало многих партийных работников. Тираж его пластинок побил абсолютный рекорд в России. Он составил в 1970 году 15 миллионов 795 тысяч.
Веселый парень из Баку еще в школе поражал учителей и своими знаниями, и достижениями в спорте, и умением зарифмовать любую фразу. Ему легко в ту пору давалось все. В литературном институте в те годы его прозвали даже «изрядным пижоном».
После института он работал на всесоюзном радио и выпускал передачи об отечественной и зарубежной эстраде. Работал одержимо, сутками напролет, а по ночам, сочиняя стихи под стук печатной машинки.
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Wiki: "...The Dance of the Seven Veils is also thought to have originated with the myth of the goddess Ishtar and the god Tammuz of Assyrian and Babylonian lore. In this myth, Ishtar decides to visit her sister, Ereshkigal, in the underworld. When Ishtar approaches the gates of the underworld, the gatekeeper lets Ishtar pass through the seven gates, opening one gate at a time. At each gate, Ishtar has to shed an article of clothing. When she finally passes the seventh gate, she is naked. In a rage, Ishtar throws herself at Ereshkigal, goddess of the underworld; but Ereshkigal orders her servant Namtar to imprison Ishtar and unleash sixty diseases against her. After Ishtar descends to the underworld, all sexual activity ceases on earth. Papsukkal, the messenger-god, reports the situation to Ea, king of the gods. Ea creates a eunuch called Asu-shu-namir and sends him to Ereshkigal, telling him to invoke "the name of the great gods" against her and to ask for the bag containing the waters of life. Ereshkigal, having promised to grant Asu-shu-namir's wish, is enraged when she hears the demand, but she has to give him the water of life. Asu-shu-namir sprinkles Ishtar with this water, reviving her. Then Ishtar passes back through the seven gates, getting one article of clothing back at each gate, and is fully clothed as she exits the last gate. Her release is, however, granted only under the condition that she find someone to replace her in the underworld. Tammuz, Ishtar's husband, has been making merry while she has been dead, and so the goddess sends Tammuz to Ereshkigal.
The Oscar Wilde play Salome and Strauss' opera adaptation, both feature the dance of the seven veils. The dance remains unnamed except in the acting notes, but Salome's sexual fascination with John seems to motivate the request—though Herodias is portrayed as pleased. The most famous music for the "Dance of the Seven Veils" comes from near the climax of the opera. The visual content of that scene (about seven minutes in length with standard tempi) has varied greatly depending on the aesthetic notions of the stage director, choreographer, and soprano, and on the choreographic skills and body shape of that singer.
The 1953 film Salome features Rita Hayworth performing the dance of the seven veils as a strip dance in which she starts the dance wearing seven "veils" (most of which more closely resemble scarves) and removes six of them during the course of the dance, ending the routine wearing only a beige and gold dress, which is the seventh veil. The veils she removes, in order from first removed to last are: black and gold, blue and silver, purple, red, orange and pink, and finally yellow."
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Wiki: "...The Dance of the Seven Veils is also thought to have originated with the myth of the goddess Ishtar and the god Tammuz of Assyrian and Babylonian lore. In this myth, Ishtar decides to visit her sister, Ereshkigal, in the underworld. When Ishtar approaches the gates of the underworld, the gatekeeper lets Ishtar pass through the seven gates, opening one gate at a time. At each gate, Ishtar has to shed an article of clothing. When she finally passes the seventh gate, she is naked. In a rage, Ishtar throws herself at Ereshkigal, goddess of the underworld; but Ereshkigal orders her servant Namtar to imprison Ishtar and unleash sixty diseases against her. After Ishtar descends to the underworld, all sexual activity ceases on earth. Papsukkal, the messenger-god, reports the situation to Ea, king of the gods. Ea creates a eunuch called Asu-shu-namir and sends him to Ereshkigal, telling him to invoke "the name of the great gods" against her and to ask for the bag containing the waters of life. Ereshkigal, having promised to grant Asu-shu-namir's wish, is enraged when she hears the demand, but she has to give him the water of life. Asu-shu-namir sprinkles Ishtar with this water, reviving her. Then Ishtar passes back through the seven gates, getting one article of clothing back at each gate, and is fully clothed as she exits the last gate. Her release is, however, granted only under the condition that she find someone to replace her in the underworld. Tammuz, Ishtar's husband, has been making merry while she has been dead, and so the goddess sends Tammuz to Ereshkigal.
The Oscar Wilde play Salomé, and Strauss' opera adaptation, both feature the dance of the seven veils. The dance remains unnamed except in the acting notes, but Salome's sexual fascination with John seems to motivate the request—though Herodias is portrayed as pleased. The most famous music for the "Dance of the Seven Veils" comes from near the climax of the opera. The visual content of that scene (about seven minutes in length with standard tempi) has varied greatly depending on the aesthetic notions of the stage director, choreographer, and soprano, and on the choreographic skills and body shape of that singer.
The 1953 film Salome features Rita Hayworth performing the dance of the seven veils as a strip dance in which she starts the dance wearing seven "veils" (most of which more closely resemble scarves) and removes six of them during the course of the dance, ending the routine wearing only a beige and gold dress, which is the seventh veil. The veils she removes, in order from first removed to last are: black and gold, blue and silver, purple, red, orange and pink, and finally yellow."
Очаровательная песня ! Что-то соскучился по Арабескам
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