Part 1: Alex's world
Alex, a young teenager living in a fascist near-future England, leads his gang on nightly orgies of random, opportunistic violence. Alex's friends ("droogs" in the novel's Anglo-Russified slang) are Dim, a slow-witted bruiser who is the gang's muscle; Georgie; and Pete. Alex, quick-witted and possessing an often disconcerting sense of humour, is clearly the smartest of the group and even seemingly cultured.
The novel opens with the thugs hunkered down in their favourite Milkbar, drinking drugged milk to hype themselves for the night's mayhem. They beat up a scholar walking home from the library, stamp a panhandling derelict, scuffle with a rival gang led by Billyboy, rob a newsagent and leave its owners unconscious, then steal a car. Joyriding in the countryside, they break into an isolated cottage and maul the young couple living there, beating the husband and raping his wife. The droogs ditch the car, and Dim and Georgie make clear their dissatisfaction with Alex's domination of the gang. At home in his dreary flat, Alex plays classical music thunderously while bringing himself to climax with fantasies of even more orgiastic violence.
Alex skips school the next morning and is visited by P. R. Deltoid, a "post-corrective advisor" assigned to remediate his juvenile delinquency. Visiting his favourite music shop, Alex picks up a pair of pre-teen girls and takes them back to his parents' flat, where they indulge in sexual interaction after being provided with alcohol.
Later, Alex chats with his parents, who are sceptical of his claims about having a night job but too intimidated to press the issue. Arriving late to meet the droogs, who have already pumped themselves up with "the old knifey moloko" (i.e., drugged milk), Alex is at a disadvantage. Georgie challenges Alex for leadership of the gang, demanding that they pull a "mansized" job by robbing a wealthy old woman who lives alone with her cats. Alex quells the rebellion by slashing Dim and Georgie in a knife fight, then in a show of generosity takes them to a bar for some fortifying drinks. Georgie and Dim are ready to call it a night, but Alex bullies them into proceeding with the burglary. Alex enters through a second-floor window and, after a farcical struggle, knocks the old woman unconscious. When he tries to flee, Dim attacks him and the droogs leave Alex incapacitated in the doorway as they run off. Alex is roughed up by the police. The next day he finds out that the woman has died and he will be charged with murder.
[edit]
Part 2: The Ludovico Technique
After enduring prison life for two years, Alex gets a job as an assistant to the prison chaplain. He feigns an interest in religion and amuses himself by reading the Bible for its lurid descriptions of "the old yahoodies (Jews) tolchocking (beating) each other" and imagining himself taking part in "the nailing-in" (the Crucifixion of Jesus). Alex learns of his ex-droog Georgie's death by an intended victim during a botched robbery. He also hears about an experimental rehabilitation programme called "the Ludovico technique", which promises that the prisoner will be released upon completion of the two-week treatment and, as a result, will not commit any crimes afterwards. The prison chaplain warns against it, arguing that moral choice is necessary to humanity — a theme introduced earlier during the home invasion scene, when Alex reads a passage from the victimised husband's work in progress.
After helping to kill (although accidentally) a fellow prisoner in his cell, Alex is selected to become the subject in the first full-scale trial of the Ludovico Technique. The technique itself is a form of aversion therapy, in which Alex is given a drug that induces extreme nausea while being forced to watch graphically violent films for two weeks. Strapped into a seat before a large screen, Alex is forced to watch an unrelenting series of violent acts. During the sessions, Alex begins to realise that not only the violent acts but the music on the soundtrack is triggering his nausea attacks. (Kubrick's film version narrows this down so that only Beethoven's Ninth Symphony has this effect.) Alex pleads with the supervising doctors to remove the music, crying that it is a sin to take away his love of music and adding that "Ludwig Van" did nothing wrong and "only made music", claiming that it was wrong to use the composer in that way, but they refuse, saying that it is for his own good and that the music may be the "punishment element". By the end of the treatment, Alex is unable to listen Beethoven's 9th symphony without incapacitating nausea and distress.
A few weeks later, Alex is presented to an audience of prison and government officials as a successfully rehabilitated inmate and potential member of society. Alex's conditioning makes him unable to defend himself against a pummelling bully and cripples him with nausea when the sight of a scantily clad woman arouses
Читать далее...