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Pierre Oliver Joseph Coomans 06-09-2010 22:57 к комментариям - к полной версии - понравилось!

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Pierre Oliver Joseph Coomans. Belgian artist

Pierre Oliver Joseph Coomans Site Belgian artist (born 1816- died 1889).
A girlish coquete, revelling in the reminscence of some new conquest, is the subject of the picture by Joseph Coomans. The heroine is a type of the blonde beauty of the women of Greek origin or antecedents who bore away the palm for loveliness in Pompeii in its prime, when beauty was worshipped there second only to the gods. The dream of Joseph Coomans' Pompeiian maiden is evidently one of those which come by day to young ladies not insensible to the sentiment of love.

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Harem Beauty

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A Neapolitan beauty
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A Young Beauty holding a Fan
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A Classical Beauty
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A Lady Holding a Peacock
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Odalisque
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Praising the Virtues of Athena
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The dancing girls
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Feeding the Turtle
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An Afternoon's Amusement
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A Classical Concert

Традиционная живопись, Traditional Painting


The late Joseph Coomans was one of the most popular of European painters with American collectors, and the sale of his works in this country alone made him a very rich man. He was a native of Brussels, and a pupil of Professor Hasselaere at Ghent, and of Nicaise de Keyser and Baron Wappers at the Antwerp Academy. From Antwerp he removed to Paris, and going with the French army to Algiers, where he resided several years, he later traveled extensively in Italy, Turkey, Greece, and the Crimea. At this time he painted historical and portrait subjects, but in 1857 he visited Italy, and became interested in the remains of ancient Pompeii, which were then being excavated. From this time forth he took up the line of subjects which made him famous. He had two daughters, both of whom possessed remarkable artistic gifts, and who, as his pupils, became well-known painters. Some years before his death he visited America, residing here for a prolonged period, and his daughters accompanied him and became favorites in the best New York society. Both Miss Heva Coomans and her sister Diana paint the same class of objects as their father, and very much in his manner and feeling of color. In "The Pompeiian Flower Girl" is presented an extremely characteristic example of one talented daughter of a famous parent.

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