Pussies unite!!! (c)Eve Ensler

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The Vagina Monologues is an Obie Award-winning episodic play written by Eve Ensler which ran at the off-Broadway Westside Theatre after a limited run at HERE Arts Center in 1996. The Vagina Monologues was written as a response to the guilt and embarrassment that some women still connect with their bodies and/or their sexuality. First performed in the basement of the Cornelia Street Café in SoHo, The Vagina Monologues has been translated into 45 different languages and performed in over 119 countries. Celebrities who have starred in the play include: Jane Fonda, Whoopi Goldberg, Idina Menzel, Glenn Close, Susan Sarandon and Oprah Winfrey. Ensler was awarded the Obie Award in 1996 for ‘Best New Play’ and in 1999 was awarded a Guggenheim Fellowship Award in Playwriting. She has also received the Berrilla-Kerr Award for Playwriting, the Elliot Norton Award for Outstanding Solo Performance, and the Jury Award for Theater at the U.S. Comedy Arts Festival. Later moved, and is a resident in Harvard, Illinois.
Ensler originally starred in the production; when she left the play it was recast with three celebrity monologists. The production has been staged internationally, and a television version featuring Ensler was produced by cable TV channel HBO. In 1998, Ensler launched V-Day, a global non profit that has raised over $50 million for women's anti-violence groups through benefits of The Vagina Monologues.
Eve Ensler wrote the first draft of the monologues in 1996 (there have been several revisions since) following interviews she conducted with 200 women about their views on sex, relationships, and violence against women. The interviews began as casual conversations with her friends, who then brought up anecdotes they themselves had been told by other friends; this began a continuing chain of referrals. In an interview with women.com, Ensler said that her fascination with vaginas began because of "growing up in a violent society."[2]"Women's empowerment is deeply connected to their sexuality." She also stated, "I'm obsessed with women being violated and raped, and with incest. All of these things are deeply connected to our vaginas."

Ensler wrote the piece to "celebrate the vagina". Ensler states that in 1998, the purpose of the piece changed from a celebration of vaginas and femininity to a movement to stop violence against women.

The play first opened at HERE Arts Center in New York City on October 3, 1996 with a limited run than ran through November. The play gained popularity through a word of mouth campaign that culminated with a performance at Madison Square Garden in 2001, which featured Melissa Etheridge and Whoopi Goldberg performing segments of the play.

The Vagina Monologues is made up of a varying number of monologues read by a varying number of women (initially, Eve Ensler performed every monologue herself, with subsequent performances featuring three actresses, and more recent versions featuring a different actress for every role). Every monologue somehow relates to the vagina, be it through sex, love, rape, menstruation, mutilation, masturbation, birth, orgasm, the variety of names for the vagina, or simply as a physical aspect of the female body. A recurring theme throughout the piece is the vagina as a tool of female empowerment, and the ultimate embodiment of individuality. Some monologues include:

I Was Twelve, My Mother Slapped Me: a chorus describing many young women's and girls' first menstrual period.
My Angry Vagina: in which a woman humorously rants about injustices wrought against the vagina, such as tampons, douches, and the tools used by OB/GYNs
My Vagina Was My Village: a monologue compiled from the testimonies of Bosnian women subjected to rape camps.
The Little Coochie Snorcher That Could: in which a woman recalls memories of traumatic sexual experiences in her childhood and a self-described "positive healing" sexual experience in her adolescent years with an older woman. In the original version, she is 13, but later versions would change her age to 16. This particular skit has sparked numerous controversies and criticisms due to its content (see below).
The Woman Who Loved to Make Vaginas Happy: in which a dominatrix for women discusses the intriguing details of her career and her love of giving women pleasure. In several performances it often comes at the end of the play, literally climaxing with a vocal demonstration of a "triple orgasm."
Because He Liked to Look At It: in which a woman describes how she had thought her pubic area was ugly and had been embarrassed to even think about it, but changed her mind because of a sexual experience with a man named Bob who liked to spend hours looking at it.
I Was There In The Room: a monologue in which Eve Ensler describes the birth of her granddaughter.
Every year a new monologue is added to highlight a current issue affecting women around the world. The monologue is performed at thousands of local V-Day benefit productions of the play that take place annually in February and March raising funds for local groups, shelters, crisis centers working to end violence against women. In 2003, for example, Ensler wrote a new monologue about the plight of women in Afghanistan under Taliban rule. This Monologue is known as Under the Burqa.